The novel starts with the news of theft of an ancient idol of Goddess Saraswati from a Hoysala temple. The journalist visits the place, which incidentally happens to be his ancestral town. The canvas of the novel encompasses almost the whole of India and most of the spheres like education, communal politics, business, political corruption and destruction of traditional moral values. The novel ends with the clamping of the so-called Emergency by Indira Gandhi in 1975.

    And yet, have we never wondered why his young wife, Yashodhara, still recovering from the birth of their son nine days ago, sleeps soundly as her husband, the over-protected prince departs, leaving behind his family and wealth and kingdom? In Yashodhara, the gaps of history are imagined with fullness and fierceness: Who was the young girl and what shaped her worldview? When she married Siddhartha at the age of sixteen, did she know her conjugal life would soon change drastically? The Yashodhara we meet in Volga's feminist novel is quick-witted, compassionate and wants to pave a way for women to partake in spiritual learning as equals of men.

    In no time, the young girl meets the football player Chris and makes an enemy, Becca. She also meets Kaitlyn, a party girl, and Abbie, an art lover, who she'll share a house with. To celebrate the first day, a party is thrown on the rooftop, and Emily finds out that Chris will also be one of her roommates.Reading Progress Percentage:1) 6%2) 12%3) 18%4) 24%5) 29%6) 35%7) 41%8) 47%9) 53%10) 59%11) 65%12) 71%13) 76%14) 82%15) 88%16) 94%17) 100%

    She raised her children with the income from just a few acres of land that she managed on her own, tending to the cattle and crops with maternal concern, all the while minding her unruly husband. Every obligation met, all accounts squared up, each meal cooked to satiate the tongue and heart—Amma never rested, not even when bedridden with Parkinson’s. She lived a farmer’s life and died a farmer’s death.Amma is a homage to a way of life and values—simplicity, honesty and hard work—lost to us today. Peppered with unsentimental nostalgia and delightful humour, and vividly documenting village and farming life in the Kongu region, Amma tugs at generational memory. Murugan’s non-fiction writing, his first to appear in English, is as deeply affecting as his fiction.

    But the world outside is being torn asunder and Krishan Chander shows how love, brotherhood and humanity swiftly turn into redundant emotions, as permanent lines are drawn between two nations. Traitor .... a word that acquires a new meaning and a sharper edge in the times we live in, Krishan Chander’s classic novel seems especially relevant as we mark the 70th anniversary of the annus horribilis that was the year 1947.

    

    The stories are a current, simple, ironic, and a surprising response to the eternal search for the location of the soul.

    Exhaustively researched and gracefully written, The King in Exile tells a story of compelling human interest, filled with drama, pathos and tragedy... [It] heralds the arrival of a writer of non-fiction who is both uncommonly talented and exceptionally diligent... One of the great merits of [the book] is that it is completely free of jargon and theorizing. It is in essence a family story, centred on five women whose lives were waylaid by history' Amitav Ghosh in his blog 'The captivity of Burma's last king and the fall of the Konbaung dynasty: a compelling new account'. In 1879, as the king of Burma lay dying, one of his queens schemed for his forty-first son, Thibaw, to supersede his half brothers to the throne. For seven years, King Thibaw and Queen Supayalat ruled from the resplendent, intrigue-infused Golden Palace in Mandalay, where they were treated as demi-gods. After a war against Britain in 1885, their kingdom was lost, and the family exiled to the secluded town of Ratnagiri in British-occupied India. Here they lived, closely guarded, for over thirty-one years. The king's four daughters received almost no education, and their social interaction was restricted mainly to their staff. As the princesses grew, so did their hopes and frustrations. Two of them fell in love with 'highly inappropriate' men. In 1916, the heartbroken king died. Queen Supayalat and her daughters were permitted to return to Rangoon in 1919. In Burma, the old queen regained some of her feisty spirit as visitors came by daily to pay their respects. All the princesses, however, had to make numerous adjustments in a world they had no knowledge of. The impact of the deposition and exile echoed forever in each of their lives, as it did in the lives of their children. Written after years of meticulous research, and richly supplemented with photographs and illustrations, The King in Exile is an engrossing human-interest story of this forgotten but fascinating family.

    This is convincing proof that Manual Puig was one of our most talented writers - no matter what the medium. Puig is the author of seven novels, translated into fourteen languages.

    It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).

    A world not unlike the one we live in. John, a hapless young student with a potentially brilliant academic career ahead of him, and Mariam, a shy, preternaturally perceptive woman from the north, meet and fall in love in college. Their early careers, their seemingly mismatched natures, and the alarming changes occurring in their country conspire to keep them apart for years. But a day comes when, across a great distance, both realize that they have always loved each other. During the intervening years, however, the troubles in their country have reached a critical impasse. Government crimes have been white washed, personal liberty is deeply compromised, a resistance movement has emerged from the underground to take the fight for freedom to the streets, and the government militia employs increasingly draconian measures in an attempt to maintain control. When Mariam is implicated in the latest spell of anti-government actions and arrested without appeal, the consequences of her and John’s love will prove potentially dire for both. The Pathless Sky is a haunting and moving novel for readers of Michael Ondaatje’s The English Patient, Jhumpa Lahiri’s The Lowland, and the novels of Amitav Ghosh. Sen’s lyrical language and fluid storytelling mirror the rhythms of political struggle itself. John and Mariam are unforgettable characters, troubled lovers who struggle to find a space for the finest human emotions in a place that is determined to abolish them.

    In order to complete it, Ferguson needs a 'stand-in'. For Stevens, the money is beyond his wildest dreams.But from the moment Steven's steps into Ferguson's shoes, he is thrown into a nightmare of intrigue, murder and stark terror.

    The noble prince, accompanied by his brother Lakshmana and wife Sita, leaves for the forests. When Sita is abducted by Ravana, the demon-king of Lanka, it triggers off a series of events starting with the search for her and culminating in the cataclysmic battle between Rama and Ravana. What unfolds in between is a remarkable tale of divine reincarnations, fierce demons, powerful kings, magical weapons and amazing creatures ? all woven into the extraordinary and keystone Indian epic of good and evil, love and enmity, boons and curses, hardship and destiny. These retelling of the Ramayana, written especially for young readers by the inimitable Upendrakishore Ray Chowdhury, and checked and proofed originally by none other than Rabindranath Tagore.

    With characters ranging from cross-dressing hairdressers, drag queens, and rent boys to fanatic Muslims and low-life security personnel, the action of this tragicomedy moves between an Islamic boarding school and a gay bar in Jakarta, and in so doing illuminates the mindset and yearning of a new generation of Indonesians.