The Iranian best-selling author of eleven books, including Women Without Men, Shahrnush Parsipur now lives in exile in the United States.

    As a man named "Ed," she had everything anyone could ever want: a soul mate's love, two beautiful daughters, a house in the best neighborhood, a successful trial lawyer's career - a "Grand Plan" life so picture-perfect it inspired a beautiful pastel drawing,But there was a problem: "Ed" was a woman born into a male body. Finding inner peace meant Ed would have to become Ellen. It also meant losing that picture-perfect life.How could anyone make that choice, pay that kind of price? Then again, how could anyone not? Through what became a "gender journey," Ellen Krug discovered her true self and the honesty it takes to make life-changing decisions."Getting to Ellen" is much more than one person's story about some things lost and others gained. It's a glimpse into the life choices that all of us make --whether or not we're transgender.

    Field journalist Richard Conniff examines the lives of two-, four-, six-, and eight-legged creatures from around the globe, providing adventure-packed accounts of his many ill advised forays into the animal kingdom. He pulls a 90-pound snapping turtle out of a Louisiana bayou, tracks leopards with !Kung San hunters in the Namibian desert, and travels through the Himalayas in pursuit of tigers and the mythical migur. All in a day’s work, he flings chicken carcasses into piranha-infested waters to clock how quickly they disappear before diving in himself, and then encounters a man stung by 120 different species of insects, ranking their pain the way Robert Parker ranks wine. Again and again, Conniff courts the most dangerous animals and lives to tell the tale. This collection offers a rare chance to accompany him on death defying treks and see life through the lens of a bona-fide field naturalist. .

    Puar argues that configurations of sexuality, race, gender, nation, class, and ethnicity are realigning in relation to contemporary forces of securitization, counterterrorism, and nationalism. She examines how liberal politics incorporate certain queer subjects into the fold of the nation-state, through developments including the legal recognition inherent in the overturning of anti-sodomy laws and the proliferation of more mainstream representation. These incorporations have shifted many queers from their construction as figures of death (via the AIDS epidemic) to subjects tied to ideas of life and productivity (gay marriage and reproductive kinship). Puar contends, however, that this tenuous inclusion of some queer subjects depends on the production of populations of Orientalized terrorist bodies. Heteronormative ideologies that the U.S. nation-state has long relied on are now accompanied by homonormative ideologies that replicate narrow racial, class, gender, and national ideals. These “homonationalisms” are deployed to distinguish upright “properly hetero,” and now “properly homo,” U.S. patriots from perversely sexualized and racialized terrorist look-a-likes—especially Sikhs, Muslims, and Arabs—who are cordoned off for detention and deportation. Puar combines transnational feminist and queer theory, Foucauldian biopolitics, Deleuzian philosophy, and technoscience criticism, and draws from an extraordinary range of sources, including governmental texts, legal decisions, films, television, ethnographic data, queer media, and activist organizing materials and manifestos. Looking at various cultural events and phenomena, she highlights troublesome links between terrorism and sexuality: in feminist and queer responses to the Abu Ghraib photographs, in the triumphal responses to the Supreme Court’s Lawrence decision repealing anti-sodomy laws, in the measures Sikh Americans and South Asian diasporic queers take to avoid being profiled as terrorists, and in what Puar argues is a growing Islamophobia within global queer organizing.

    . . .But certain things you have to find out now. . . ."On the tumultuous streets of Manila, where the earth is as brown as a tamarind leaf and the pungent smells of vinegar and mashed peppers fill the air, where seasons shift between scorching sun and torrential rain, eleven-year-old Gringo strives to make sense of his family and a world that is growing increasingly harsher before his young eyes. There is Gringo's older brother, Pipo, wise beyond his years, a flamboyant, defiant youth and the three-time winner of the sequined Miss Unibers contest; Daddy Groovie, whiling away his days with other hang-about men, out of work and wilting like a guava, clinging to the hope of someday joining his sister in Nuyork; Gringo's mother, Estrella, moving through their ramshackle home, holding her emotions tight as a fist, which she often clenches in anger after curfew covers the neighborhood in a burst of dark; and Ninang Rola, wise godmother of words, who confides in Gringo a shocking secret from the past--and sets the stage for the profound events to come, in which no one will remain untouched by the jagged pieces of a shattered dream.As Gringo learns; shame is passed down through generations, but so is the life-changing power of blood ties and enduring love.In this lush, richly poetic novel of grinding hardship and resilient triumph, of selfless sacrifice and searing revelation, Bino A. Realuyo brings the teeming world of 1970s Manila brilliantly to life. While mapping a young boy's awakening to adulthood in dazzling often unexpected ways, The Umbrella Country subtly works sweet magic.

    She then journeyed to Afghanistan and Iraq -- where she mingled with tense Iraqis, watching the gathering storm clouds of an American-led invasion -- as well as Iran, Mongolia, Uzbekistan, China, and Vietnam.Whether she's writing about being served goat's head in a Kyrgyz yurt, checking out bowling alleys in Baghdad, or trying to cook a chicken in a crumbling apartment, Burkett offers an eclectic series of adventures that are alternately comical, poignant, and discomfiting.

    It is a dramatic feat with profound connotations and heart-stirring artistry. The story unfolded around Zhou Puyuan, a male character who had been to Germany to study. Cold-blooded, selfish and hypocritical, he was like a dictator of a dark dynasty in his home. Zhou Puyuan is a well-portrayed character in Thunderstorm. All sinful acts were attributable to his domestic autocracy. The profound significance of Thunderstorm lies in its exposure of the close political and ideological bond between Chinese capitalists and the deep-rooted feudal traditions.

    That first magical encounter with the Beatles as a student in Delhi. The sudden move to Bombay, away from home, friends and college. His exciting years in advertising, his extraordinarily successful career abroad and his many painful setbacks. His relationships with the irrepressible Protima Bedi and the dazzling Parveen Babi that changed the course of his life. Of the scars they left, and the trauma of three divorces, and how he finally found fulfilment. And why his beliefs have changed.These are tumultuous stories set in Hollywood, Bollywood and Europe. The joys of blazing new trails abroad, and the dangers of them. He also tells the fascinating love story of his Indian father, a philosopher in Europe, and his British-born mother, the world’s highest-ranked Buddhist nun. And most poignant of all, the battle to save his schizophrenic son.Stories I Must Tell is the unusually candid and compelling memoir of a man who holds nothing back, in love or in storytelling. It is the story of a middle-class boy from Delhi whose career now spans the globe. Equally, it is the tale of how he survived the roller-coaster journey of the making, unmaking and remaking of him as a person.

    Through fever, heartache, and isolation they labored to translate the Bible into the Nabak language. Then, on the eve of a New Testament in Nabak, Grace finds her husband murdered and her world decimated. Join Grace as she faces her darkest days and ultimately finds that God's grace is sufficient at all times.

    Using this symbol of subjugation to examine social change in the lives of these women, she shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of World War II.The setting for this captivating history is San Francisco, which had the largest Chinese population in the United States. Yung, a second-generation Chinese American born and raised in San Francisco, uses an impressive range of sources to tell her story. Oral history interviews, previously unknown autobiographies, both English- and Chinese-language newspapers, government census records, and exceptional photographs from public archives and private collections combine to make this a richly human document as well as an illuminating treatise on race, gender, and class dynamics.While presenting larger social trends Yung highlights the many individual experiences of Chinese American women, and her skill as an oral history interviewer gives this work an immediacy that is poignant and effective. Her analysis of intraethnic class rifts—a major gap in ethnic history—sheds important light on the difficulties that Chinese American women faced in their own communities. Yung provides a more accurate view of their lives than has existed before, revealing the many ways that these women—rather than being passive victims of oppression—were active agents in the making of their own history.

    Finding an outside enemy against which everyone could unite washis best option. Coincidentally, India was emerging as the leader of the newly independent countries in Asia and Africa and the stakes were high for a war with India: winning the war could mean China would 'dethrone' India and take over. A border dispute with India and India's decision to grantasylum to the Dalal Lama after a failed uprising against Chinese rule in Tibet in 1959 gave China legitimate reasons to go to war.This book unveils how China has started planning the war as early as in 1959, much before Jawaharlal Nehru launched the 'forward policy' in the border areas. And how the war accomplished much for China: India lost, China became the main voice of revolutionary movements in the Third World, and MaoZedong was back in power.

    The North Vietnamese Army routed South Vietnam’s forces, resulting in thousands of refugees pouring into Saigon once known as The Paris of the Orient. The world watched and waited for what many expected would be a bloodbath. Escape from Saigon a Novel follows the fears, romance, danger and heroism of ordinary people trapped in the besieged city. Among them are Matt Moran a former GI attempting to rescue his Vietnamese relatives; Lisette Vo, NBS-TV's first Vietnamese-American correspondent who chronicles the final days with Sam Esposito the hard-hitting Washington Legend journalist; an American businessman risking his life to smuggle out his employees; and the last remaining US diplomatic personnel in Saigon, including the disillusioned Ambassador Graham Martin, military liaisons, and CIA operatives, double agents and spies. The NVA onslaught is spearheaded by two officers—one intent on maintaining military restraint, the other bent on revenge and will sweep up families, friends, and comrades in this final chapter of a war that has already taken millions of lives.Escape from Saigon is a story of a city and its inhabitants struggling to survive in its most desperate hours—a tale that stays true to the historic record while recounting moments of human hardship, courage, and triumph.

    Instead of aspiring to get married, Ruby is determined to attend university when she grows up, just like the boys in her family. Based upon the inspirational story of the author's grandmother and accompanied by richly detailed illustrations, Ruby's Wish is an engaging portrait of a young girl who strives for more and a family who rewards her hard work and courage.

    Few scholars have seriously studied the subject, and until now none have satisfactorily explained the origins of the tradition or elucidated how its conventions reflected class structure and gender roles. Gary P. Leupp fills the gap with a dynamic examination of the origins and nature of the tradition. Based on a wealth of literary and historical documentation, this study places Tokugawa homosexuality in a global context, exploring its implications for contemporary debates on the historical construction of sexual desire.Combing through popular fiction, law codes, religious works, medical treatises, biographical material, and artistic treatments, Leupp traces the origins of pre-Tokugawa homosexual traditions among monks and samurai, then describes the emergence of homosexual practices among commoners in Tokugawa cities. He argues that it was "nurture" rather than "nature" that accounted for such conspicuous male/male sexuality and that bisexuality was more prevalent than homosexuality. Detailed, thorough, and very readable, this study is the first in English or Japanese to address so comprehensively one of the most complex and intriguing aspects of Japanese history.

      Meet Maria Toorpakai Wazir, a Pakistani girl who loved sports and longed for the freedom that boys in her culture enjoyed. She joined a squash club to pursue her dream, and was taunted, teased, and beaten—but still continued playing. Then, when Maria received an award from the President of Pakistan for outstanding achievement, the Taliban threatened her squash club, her family, and her life. Although forced to quit the team, she refused to give up. Maria kept practicing the game in her bedroom every day for three years!