In Douglas Coupland's ingenious new novel--sort of a Clerks meets Who's Afraid of Virginia Woolf--we meet Roger, a divorced, middle-aged aisles associate at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life. And Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy she's never considered as quite human is writing mock diary entries pretending to be her: and, spookily, he is getting her right.These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. Through a complex layering of narratives, The Gum Thief reveals the comedy, loneliness, and strange comforts of contemporary life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death and eternal friendship can all transpire where we least expect them ...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

    It begins on a bull-breeding ranch in southern Andalucia, Spain, and takes the reader to Mexico and then back to Spain.The story centres on a girl named Luna Caballero Garcia, orphaned young and working as a servant of the famed Garcia family. Luna is determined to become a bullfighter, despite her lowly station in life and the fact that women are prohibited from graduating to the status of matador-do-toros. She burns for the ring, and is willing to bend or break any rule to enter it.Fortunately, Luna finds unlikely patrons in her master’s sons. Manuel, an aspiring poet and socialist, sees in his surrogate sister the genius he wishes he was; Pedro sees a chance to make an astonishing amount of money. The trio decides to travel abroad where Luna will have the opportunity to prove her skill but she knows her true destiny lies in the blood-soaked sands of home.Matadora is a powerful, compelling exploration of love and ambition. The pain that drives all our ambition, the yearning for love it reveals, the lengths we go to win love, and the price we pay along the way. Matadora is about someone like you, trying against all odds, to win love.

    She spends her childhood and adolescence traveling constantly and changing identities. In adulthood, she finds it impossible to stop. Haunted by an inability to remember her early childhood, she moves restlessly from city to city, abandoning lovers along with way, possibly still followed by a private detective who has pursued her for years. Then her latest lover follows her from New York to Montreal, determined to learn her secrets and make sure she s safe. Last Night in Montreal is a story of love, amnesia, compulsive travel, the depths and the limits of family bonds, and the nature of obsession. In this extraordinary debut, Emily St. John Mandel casts a powerful spell that captures the reader in a gritty, youthful world charged with an atmosphere of mystery, promise and foreboding where small revelations continuously change our understanding of the truth and lead to desperate consequences. Mandel's characters will resonate with you long after the final page is turned.

    In The Date, an online dating match takes an unusual turn when the man who shows up to the restaurant has no face. In Ozk, a young girl longs to connect with her socially isolated mother, a professor of mathematics who makes a radical discovery.Uncanny, sometimes violent, achingly sad and always profound, these stories showcase a writer with skill and empathy, and draw us in with a steady, unyielding grip.

    Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd’s alcoholism, under the pain and isolation of the play’s main character?Loring’s title was inspired by the mistranslation of the N’lakap’mux (Thompson) place name Kumsheen. For years, it was believed to mean “the place where the rivers meet”—the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: “the place inside the heart where the blood mixes.” But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers—to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet.Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People.In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General’s Literary Award for Drama.

    Morbidly amused by the decadent decay of his surroundings, he watches the patrons fall into their nightly oblivion, making notes for his novel. In the hope of uncovering their secrets and motives, he establishes tentative friendships with the cast of variously pathological regulars. But as his tenure at the bar continues, he begins to serve himself more often than his customers, and the moments he lives outside the bar become more and more painful: he loses his wife, his way, himself. Trapped by his habits and his loneliness, he realizes he will not survive if he doesn't break free. And so he hatches a terrible, but necessary plan of escape and his only chance for redemption. Step into Ablutions and step behind the bar, below rock bottom, and beyond the everyday take on storytelling for a brilliant, new twist on the classic tale of addiction and its consequences.

    Simultaneously, Vintage Canada is delighted to publish Downie's first book of poetry, under the same title. It will also contain the lyrics to the sixteen songs on the record.Coke Machine Glow is a rich, haunting collection that reveals both the public and private selves of one of Canada's most enigmatic musicians. In poetry that is urban, gritty and political, as well as romantic, nostalgic and whimsical, Downie allows us a glimpse inside his world. With his acute and observing eye, he gives us snapshots of his life, both on the road and at home; he writes of loneliness and isolation; of longing and desire; of the present and the past; of dreams and nightmares; love lost and love of family. Ultimately, this book is about the distances that bridge and separate us.Layered and deceptively simple, imbued with Downie's wit, insight, anger, compassion and rock 'n'roll edge, Coke Machine Glow is a remarkable debut. With its publication, Gordon Downie becomes a part of the wonderful literary tradition of Canadian songwriters like Leonard Cohen and Joni Mitchell who are also poets.

    The thief then leaves, and the patrons all survive, but strange things soon begin to happen to them: One survivor’s tattoo jumps off her ankle and chases her around; another wakes up to find that she’s made of candy; and Stacey Hinterland discovers that she’s shrinking, incrementally, a little every day, and nothing that her husband or son do can reverse the process. The Tiny Wife is a fable about losing yourself in circumstances and finding yourself in the the love of another.

    And Vivienne, a young assistant, accidentally captures a creature unknown to science: a kind of fish, both sentient and distinctly female. As the project supervisor and lead researcher attempt to exploit the discovery, the creature begins to waste away, and Vivian must endanger herself to save them both.

    These fifty lucid, urgent poems range in tone from lyric to ironic to meditative to prophetic, and in subject from the personal to the political, viewed in its broadest sense. They investigate the mysterious writing of poetry itself, as well as the passage of time and our shared sense of mortality. Brave and compassionate, The Door interrogates the certainties that we build our lives on, and reminds us once again of Margaret Atwood’s unique accomplishments as one of the finest and most celebrated writers of our time.

    Phoenix has nearly forgotten what freedom feels like. And Elsie has nearly given up hope. Nearly.After time spent in foster homes, Cedar goes to live with her estranged father. Although she grapples with the pain of being separated from her mother, Elsie, and sister, Phoenix, she's hoping for a new chapter in her life, only to find herself once again in a strange house surrounded by strangers. From a youth detention centre, Phoenix gives birth to a baby she'll never get to raise and tries to forgive herself for all the harm she's caused (while wondering if she even should). Elsie, struggling with addiction and determined to turn her life around, is buoyed by the idea of being reunited with her daughters and strives to be someone they can depend on, unlike her own distant mother. These are the Strangers, each haunted in her own way. Between flickering moments of warmth and support, the women diverge and reconnect, fighting to survive in a fractured system that pretends to offer success but expects them to fail. Facing the distinct blade of racism from those they trusted most, they urge one another to move through the darkness, all the while wondering if they'll ever emerge safely on the other side. A breathtaking companion to her bestselling debut The Break, Vermette's The Strangers brings readers into the dynamic world of the Stranger family, the strength of their bond, the shared pain in their past, and the light that beckons from the horizon. This is a searing exploration of race, class, inherited trauma, and matrilineal bonds that--despite everything--refuse to be broken.

    Deeply felt, sharply observed, and utterly contemporary. Liz, Aiden, and Sylvie are an urban, urbane, progressive family: Aiden's a therapist who refuses to own a car; Liz is an ambitious professional, a savvy traveler with a flair for decorating; Sylvie is a smart and political 19 year-old, fiercely independent, sensitive to hypocrisy, and crazy in love with her childhood playmate, Noah, a bright young scientist. Things seem to be going according to plan. Then the present and the past collide in a crisis that shatters the complacency of all three. Liz and Sylvie are forced to confront a tragedy from years before, when four children went missing at an artists' retreat. In the long shadow of that event, the family is drawn to a dangerous precipice.

    Endless repetition of sound bites and vanity videos with little substance. Billions of dollars spent on lobbying. It’s clear that Canadian politics is in a bad state. Through increasingly low voter turnouts and a general lack of engagement in the political process, Canadians have shown that they are dissatisfied and fed up with present-day politics. In What’s Happened to Politics?, Canadians finally get an definitive account of the problems plaguing their national politics. Touching on everything from polling to issues of social justice to the way in which political parties package their candidates, Rae identifies the shortcomings of the current Canadian political framework, and what we, as citizens, can do to remedy that. With remarkable insight and startling accuracy, Rae speaks as the voice of reason as he imagines a political forum where citizens are inspired to participate instead of feeling disenfranchised. Filled with real-world examples and told from the point of view of an experienced statesman, What’s Happened to Politics? is necessary reading for every Canadian, regardless of their political affiliation. Erudite, engaged, and keenly attuned to the frustrations expressed by Canadians across the political spectrum, Rae shows why he is the leading voice on Canadian politics.

    By turns darkly comic and heartbreakingly sad, Sweetland is a deeply suspenseful story about one man's struggles against the forces of nature and the ruins of memory. For twelve generations, when the fish were plentiful and when they all-but disappeared, the inhabitants of this remote island in Newfoundland have lived and died together. Now, in the second decade of the 21st century, they are facing resettlement, and each has been offered a generous compensation package to leave. But the money is offered with a proviso: everyone has to go; the government won't be responsible for one crazy coot who chooses to stay alone on an island.  That coot is Moses Sweetland. Motivated in part by a sense of history and belonging, haunted by memories of the short and lonely time he spent away from his home as a younger man, and concerned that his somewhat eccentric great-nephew will wilt on the mainland, Moses refuses to leave. But in the face of determined, sometimes violent, opposition from his family and his friends, Sweetland is eventually swayed to sign on to the government's plan. Then a tragic accident prompts him to fake his own death and stay on the deserted island. As he manages a desperately diminishing food supply, and battles against the ravages of weather, Sweetland finds himself in the company of the vibrant ghosts of the former islanders, whose porch lights still seem to turn on at night.

     EMPIRE OF BONES After a terrible war almost extinguished humanity, the New Terran Empire rises from its own ashes. Sent on an exploratory mission to the dead worlds of the Old Empire, Commander Jared Mertz sets off into the unknown. Only the Old Empire isn’t quite dead after all. Evil lurks in the dark. With everything he holds dear at stake, Jared must fight like never before. Victory means life. Defeat means death. Or worse. VEIL OF SHADOWS Princess Kelsey Bandar made a terrible, life-altering mistake. Her enemies gave her unspeakable agony in return. She must forge the iron will to control the weapon her body has become. If she fails, the monsters who tortured her come for humanity. And horrors worse than she knows wait in the darkness. COMMAND DECISIONS Commander Jared Mertz thought the glories of the Old Terran Empire once more within his people’s grasp. One bold strike to make them his. But no plan survives contact with the enemy. With the odds stacked against him, the battle to save humanity starts now. FIST OF GOD With tens of thousands of lives on the line, Princess Kelsey Bandar must harness the power of Imperial technology to stop terrorists with a nuke. Her friends call her plan suicidal. If they only knew how dangerous it really was.