But the Great Depression hit Gary hard, and there are no jobs for black men. When her beloved father leaves to find work, Deza, Mother, and her older brother Jimmie go in search of him, and end up in a Hooverville outside Flint, Michigan. Jimmie’s beautiful voice inspires him to leave the camp to be a performer, while Deza and Mother find a new home, and cling to the hope that they will find Father.The twists and turns of their story reveal the devastation of the Depression and prove that Deza truly is the Mighty Miss Malone.

    When their mom's boyfriend took them in, Della had Suki. When that same boyfriend did something so awful they had to run fast, Della had Suki. Suki is Della's own wolf -- her protector. But who has been protecting Suki? Della might get told off for swearing at school, but she has always known how to keep quiet where it counts. Then Suki tries to kill herself, and Della's world turns so far upside down, it feels like it's shaking her by the ankles. Maybe she's been quiet about the wrong things. Maybe it's time to be loud.In this powerful novel that explodes the stigma around child sexual abuse and leavens an intense tale with compassion and humor, Kimberly Brubaker Bradley tells a story about two sisters, linked by love and trauma, who must find their own voices before they can find their way back to each other.

       The Willoughby children—Timothy, twins Barnaby A and Barnaby B, and their sister Jane—are fond all old-fashioned things, but especially old-fashioned adventures. What they aren't fond of, however, are their parents. Truth be told, their parents aren't the fondest of them, either, and they're concocting an evil plan to get rid of their children once and for all!   Both parents and children have plenty of dastardly ideas and tricks up their sleeves. The only thing they don't have is any idea of what lies between them and a happily-ever-after.   Complete with a cheeky glossary and bibliography, this hilarious and wonderfully old-fashioned parody pays playful homage to classic works of children’s literature like Mary Poppins and A Christmas Carol.

    If she ever wants to lift the cloud of grief over her family and community, she must complete the research her late mother began. She must follow the sharks.Wherever the sharks led, Lucy Everhart’s marine-biologist mother was sure to follow. In fact, she was on a boat far off the coast of Massachusetts, preparing to swim with a Great White, when she died suddenly. Lucy was eight. Since then Lucy and her father have done OK—thanks in large part to her best friend, Fred, and a few close friends and neighbors. But June of her twelfth summer brings more than the end of school and a heat wave to sleepy Rockport. On one steamy day, the tide brings a Great White—and then another tragedy, cutting short a friendship everyone insists was “meaningful” but no one can tell Lucy what it all meant. To survive the fresh wave of grief, Lucy must grab the line that connects her depressed father, a stubborn fisherman, and a curious old widower to her mother’s unfinished research. If Lucy can find a way to help this unlikely quartet follow the sharks her mother loved, she’ll finally be able to look beyond what she’s lost and toward what’s left to be discovered.

    Meet Piper Reed, a spunky nine-year-old who has moved more times than she can count on one hand. From Texas to Guam, wherever Piper goes, adventure follows, inspired by her active imagination, free-wheeling spirit, and a bit of sister magic. Unlike her older sister, Piper loves being part of a Navy family, and unlike her little sister, Piper is no prodigy genius. Piper is Piper—fearless and full of life.Based on her own childhood experience, Kimberly Willis Holt portrays the life of a Navy family with warmth and humor.

    Her runaway imagination leads her to bleach a horse, hold a very scary sleepover, and feed the hogs an unusual treat. But can she use her lively mind to help bring a library to Pitchfork?Adventure is pretty scarce in Pitchfork, Oregon. So why shouldn't Emily bleach Dad's old plow horse or try some of her other ideas? "Written with Cleary's customary warmth and humor...The time of the story, about 1920, is delightfully brought to life." -Booklist

    McMartin is definitely dead. Now her crumbling Victorian mansion lies vacant. When eleven-year-old Olive and her dippy mathematician parents move in, she knows there's something odd about the place--not least the walls covered in strange antique paintings. But when Olive finds a pair of old spectacles in a dusty drawer, she discovers the most peculiar thing yet: She can travel inside these paintings to a world that's strangely quiet . . . and eerily like her own. Yet Elsewhere harbors dark secrets--and Morton, an undersized boy with an outsize temper. As she and Morton form an uneasy alliance, Olive finds herself ensnared in a plan darker and more dangerous than she could have imagined, confronting a power that wants to be rid of her by any means necessary. It's up to Olive to save the house from the dark shadows, before the lights go out for good.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    Long, long ago, Halmoni stole something from the tigers. Now, the tigers want it back. And when one of those tigers offers Lily a deal--return what Halmoni stole in exchange for Halmoni's health--Lily is tempted to accept. But deals with tigers are never what they seem! With the help of her sister and her new friend Ricky, Lily must find her voice... and the courage to face a tiger.

    Abi suddenly finds herself the middle child, expected to share far too much—especially with grubby little Louis. Then they move into an eerie, ivy-covered house, big enough for all of them. But for the children, strange things start to happen in that house. Abi reads alone, and finds herself tumbling so deep into books, they almost seem real. Louis summons comfort from outdoors, and a startling guest arrives—is it a cat or something else? Max loses his best friend…and falls in love. Meanwhile, Louis’s secret visitor is becoming much too real. Now Abi, Max, and Louis must uncover the secrets of their new home—for there can be danger in even the most beautiful magic.

    The Fabled Stables house the rarest creatures in existence--all of them one-of-a-kind. Auggie's job is to care for these creatures, as well as track down and safely capture endangered magical beasts in the wild. Some mornings, he arrives to find an empty stall with the name of a new creature to rescue. One day, the Stables rearrange themselves out of the blue, creating a new stall. The sign over the gate says, "Wisp." But what is a wisp and where is it? All Auggie can see is a moonlit swamp stretching out before him. Then a hungry HOWLLLLLLL rings out in the darkness. It's up to Auggie to go into the swamp to find the wisp before it's too late.

    Tully is a former search-and-rescue dog who is trying to enjoy his retirement after years of performing daring missions saving lives. So he's not terribly impressed when two chicks named Dirt and Sugar (who look like popcorn on legs) and their chicken mom show up demanding his help to track down their missing siblings. Driven by the promise of a cheeseburger, J.J. begins to track down clues. Is Vince the Funnel hiding something? Are there dark forces at work - or is J.J. not smelling the evidence that's right in front of him?

    Faced with middle school racism, Junie Kim learns of her grandparents’ extraordinary strength and finds her voice.Junie Kim just wants to fit in. So she keeps her head down and tries not to draw attention to herself. But when racist graffiti appears at her middle school, Junie must decide between staying silent or speaking out.Then Junie’s history teacher assigns a project and Junie decides to interview her grandparents, learning about their unbelievable experiences as kids during the Korean War. Junie comes to admire her grandma’s fierce determination to overcome impossible odds, and her grandpa’s unwavering compassion during wartime. And as racism becomes more pervasive at school, Junie taps into the strength of her ancestors and finds the courage to do what is right.

    That surprises some people, who see a kid in a wheelchair and think she’s going to be all sunshine and cuddles. The thing is, Ellie has big dreams: She might be eating Stouffer’s for dinner, but one day she’s going to be a professional baker. If she’s not writing fan letters to her favorite celebrity chefs, she’s practicing recipes on her well-meaning, if overworked, mother. But when Ellie and her mom move so they can help take care of her ailing grandpa, Ellie has to start all over again in a new town at a new school. Except she’s not just the new kid—she’s the new kid in the wheelchair who lives in the trailer park on the wrong side of town. It all feels like one challenge too many, until Ellie starts to make her first-ever friends. Now she just has to convince her mom that this town might just be the best thing that ever happened to them!

    All she has of her mom is the bird guide she left behind, and a message: "In flight is where you'll find me." December believes she's truly a bird, just waiting for the day she transforms. The scar on her back is where her wings will sprout; she only needs to find the right tree and practice flying.When she's placed with foster mom Eleanor, who runs a taxidermy business and volunteers at a wildlife rescue, December begins to see what home means in a new light. But the story she’s told herself about her past is what's kept her going this long. Can she learn to let go?