Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.

    

    One spring night, while at home on a break from college, the threesome embarks on a night of adventure and experimentation, driving recklessly through the Connecticut Valley. Stopping at the French King Bridge, David -- full of hubris and hallucinogens -- dares to jump, mistakenly believing he'll be able to swim ashore. With this one act, he sets in motion an inexorable chain of events that indelibly alters the lives of everyone involved.Told through the alternating voices of Kay, Michael, and David's father, Kevin, The River Road is a closely observed and psychologically penetrating narrative of the accusations, murder investigation, and courtroom battle that follow.

    Her characters are exploring new ways of loving and living - and nothing is harder than learning to love lightly. Nora and Javo are trapped in a desperate relationship. Nora's addiction is romantic love; Javo's is hard drugs. The harder they pull away, the tighter the monkey grip. A lyrical, gritty, rough-edged novel that deserves its place as a classic of Australian fiction.

    From the primitive peasant who kills without understanding that he is destroying life to the anxious antihero of Notes from Underground—who both craves and despises affection—the writer's often-tormented characters showcase his evolving outlook on our fate.Thomas Mann described Dostoyevsky as "an author whose Christian sympathy is ordinarily devoted to human misery, sin, vice, the depths of lust and crime, rather than to nobility of body and soul" and Notes from Underground as "an awe- and terror- inspiring example of this sympathy."

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    This collection is set in the vast Australian continent from the mysterious, glittering Valley of Lagoons to bohemian Balmain and the Centre at Uluru.

    In these ten bracingly transgressive tales, all her gifts of characterisation and observation are fully engaged, ushering concealed horrors into the light. Childhood cruelty is played out behind the bushes in 'Comma'; nurses clash in 'Harley Street' over something more than professional differences; and in the title story, staying in for the plumber turns into an ambiguous and potentially deadly waiting game.Whether set in a claustrophobic Saudi Arabian flat or on a precarious mountain road on a Greek island, these stories share an insight into the darkest recesses of the spirit. Displaying all of Mantel's unmistakable style and wit, they reveal a great writer at the peak of her powers.

    But as usual her promise to herself is broken, because it was impossible for her not to fall heart first for TONY. Things developed quickly, but then their whirlwind romance suddenly comes to a halt when TONY decides things are too heavy for him and he wants space. After he moves out, he doesn't move on and JOCELYN allows him to play the in and out game, until she meets BRIAN. Ready to finally let TONY go and get him out of her system, she cuts the cord, but finds herself in a horrible situation in the end, all because of TONY.

    In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.

    Featuring 31 favorite tiny stories and illustrations by 45 writers and artists from the 2,312 contributions to wirrow's endlessly popular Tiny Stories collaboration; plus a special introductory interview by RegularJOE & wirrow. Designed for hitRECord by Marke, wirrow, & 45 hitRECorders.

    Norris and Goodbye to Berlin, which make up The Berlin Stories are recognized today as classics of modern fiction.A charming city of avenues and cafés, a grotesque city of night-people and fantasts, a dangerous city of vice and intrigue, a powerful city of millionaires and mobs - all this was Berlin in 1931, the period when Hitler was beginning his move to power.Here are Mr. Norris, the improbable old debauchee mysteriously caught in the struggle between Nazis and Communists; plump Fräulein Schroeder, who thinks an operation to reduce the scale of her Büste might relieve her heart palpitations; the Landauers, a distinguished and doomed Jewish family; Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and screen by Julie Harris in "I Am a Camera" and by Liza Minelli in "Cabaret."

    This short story was originally published in Joe Hill's collection 20TH CENTURY GHOSTS.

    Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. Generations of readers have been enchanted by Dickens’s A Christmas Carol—the most cheerful ghost story ever written, and the unforgettable tale of Ebenezer Scrooge’s moral regeneration. Written in just a few weeks, A Christmas Carol famously recounts the plight of Bob Cratchit, whose family finds joy even in poverty, and the transformation of his miserly boss Scrooge as he is visited by the ghosts of Christmas past, present, and future.From Scrooge’s “Bah!” and “Humbug!” to Tiny Tim’s “God bless us every one!” A Christmas Carol shines with warmth, decency, kindness, humility, and the value of the holidays. But beneath its sentimental surface, A Christmas Carol offers another of Dickens’s sharply critical portraits of a brutal society, and an inspiring celebration of the possibility of spiritual, psychological, and social change.This new volume collects Dickens’s three most renowned “Christmas Books,” including The Chimes, a New Year’s tale, and The Cricket on the Hearth, whose eponymous creature remains silent during sorrow and chirps amid happiness.Katharine Kroeber Wiley, the daughter of a scholar and a sculptor, has a degree in English Literature from Occidental College. Her work has appeared in Boundary Two and the recent book, Lore of the Dolphin. She is currently working on a book on Victorian Christmas writings.

    The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.