When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    

    His story blends harmoniously with the magnificent background. It is always coloured in beautiful shades of blue, giving everything a dreamy touch.

    Grief, longing, being away from near and dear…….. Colours not seen before, each story has a unique shade. Each reveals different pain. The story of the king titled perfectly as to Once Upon A Time…….. is the best example of this. The comedian in the Courts of the king helps him to win the heart of the most wise and beautiful damsel in the town. He uses all his wit so as to bring the beautiful maiden in the king’s palace. At the end, when he realizes that it is the wittiness that the lady was fallen for and not name or fame of the king, he pities himself. It could have been he himself who could have become the partner of the lady. She was not impressed with the king’s wealth neither craved for bravery. What she wished was a mind equivalent to her talents………. Alas……….

    ‘Chauthi khidaki’ is a fantastic scientific tale built around the concept of Time. ‘Porkhel’ uses theanalogy of a childat play with her dolls, to highlight that human beings are mere pawns in the hands of Fate. ‘Sucheta Chakrapani ani Ticha Kokilkanth’ tackles the tangle between an artiste and her art – a fantastic rendering reminiscent of magical realism. Matkari’s stories give us the feeling of entering a jungle at dusk. The reader begins his journey along the border that separates reality from fantasy. Matkari employs different narrative styles and structure to lead the reader along familiar as well as unfamiliar paths in this jungle.While being immensely attractive, this journey takes the reader into ever deeper regions.

    Accustomed to tracking down missing pets and cheating lovers, he is about to have his world change completely when a new case requires him to tail actress Shailaja Kapoor. What seems like a simple request turns into a dramatic dive into her murky past, wading through which is not going to be easy. Or safe. Soon Prachand and his wife, and partner against crime, Vidya, fall under the glare of the police as Shailaja Kapoor is abducted right before their eyes. Now he must put his skills to the test before they become victims at the end of a dark and dangerous game.

    It also displays the saga of continuous failures and lesson learns going forward.The Story takes us way back to 2006. Four college students in the final year had a big dream. Despite the average academic marks and knowledge, they dared to envisage big. Although everybody laughed at them for their big fantasies, they were firm in getting their dreams to come true. In the process of getting their dream fulfilled and opening a startup, they had to face a lot of hiccups. There was a lot of confusion among themselves. The troubles and disasters transpired in the way of getting their startups.The dreams, the vision, the ideas, the blunders, the lesson learned, some quick luck is Story's main gist.After each loss, the intensity from which they come back to start another project is the Story's highlight. The Story also revolves around the personal preferences, the ego, the emotional moments of their life.The Story also conveys the cautions that most of the youngster has forgotten nowadays in the rush of opening a startup.

    The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    He was an employee of Hindustan Shipyard limited which is building India’s nuclear submarine fleet. This is the fourth submarine engineer in the last twelve months who perished under mysterious circumstances. Navy leadership gets suspicious about a covert sabotage operation being carried out by an unknown enemy, to slow down India's attempt at acquiring a potent nuclear deterrent platform. After deliberations at different levels, an Intelligence Bureau agent is sent to Vizag to work as an undercover operative. What secrets will she uncover? Will she become the next target of an enemy spy ring? Would the Indian Navy exact revenge from a belligerent enemy?

    Besides, Debu has only recently escaped a bunch of local ruffians who wanted him to ‘go back home to Bangladesh’.But Debu is unable to resist being friends with Clint. For, in return for doing his maths homework, Clint introduces him to a completely new life: the heady charms of Kalsang, the Chinese restaurant forbidden by Debu’s mother; the revolutionary sounds of Pink Floyd; and most importantly, the coolest, prettiest girl in town—Audrey Pariat. Audrey loves maths and detective stories, just like Debu, and does not make him feel awkward or exotic. Together, the three of them look set to embark on many adventures. But when tensions between the Khasi and Bengali communities boil over, Shillong becomes a battlefield—old neighbours become outsiders and the limits of friendship are challenged.With crackling energy, Nilanjan P. Choudhury immerses us in the tumultuous lives of Debu, his friends and his family, and their attempts to find love and belonging. Written with uncommon warmth, humour and a delightful evocation of place, Shillong Times is an exhilarating coming-of-age story—showing us how friendship can eclipse the hardened enmities of adulthood.

    Even in this nondescript settlement, people receive money via mobile transfer from family members working in distant cities. There are computer training centres offering diploma courses in Bhojpuri, Hindi and English. Here is an example of India's numerous remote towns that have skipped the stage of basic learning and landed straight into digital literacy as they strive to keep up with the times.In his last book, A.P.J. Abdul Kalam, writing with Srijan Pal Singh, draws upon examples ranging from entrepreneurship in places like Badshahpur to a sophisticated missile programme like Agni to show how it can be 'Advantage India' in the final lap of the journey to 2020--the landmark year by which he had envisioned the country could transform into an economic power. How can the new initiatives--such as Make in India, Swachh Bharat, smart cities and skill development for the youth--be used to unleash the country's vast potential?Advantage India offers the answer--a movement driven by every home and school to educate the new generation and give a fresh meaning to citizenship.

    Soldiers, mercenaries, free-booters. Europeans all, braving the heat and dust of India. They fought for wealth, for glory, and for sheer fun. Their glorious and inglorious exploits are full of thrill, romance, and violence. Ruskin Bond has recreated the turbulent and colourful India of the eighteenth and nineteenth centuries with the soldiers of fortune strutting across the subcontinent. The saga of their lives and loves in Delhi, Jaipur, Aligarh, Sardhana, and Lucknow reads stranger than fiction.

    This book brings together a selection of these stories, along with fascinating historical details about the Mughal court, the emperor and his witty courtier. From the time that a chance meeting in the forest brought Akbar and Birbal face-to-face, the emperor and his minister together faced dilemmas that ranged from the ethical to the personal, from debates on the true nature of justice to the problems of hen-pecked husbands. An old widow is robbed of her bag of gold and Birbal nails the culprit. A thief runs away with the emperor’s royal seal but gives Akbar a surprise later. Birbal manages a miraculous escape when envious courtiers conspire to have him killed. The king asks his ministers how many crows there are in the city, and only Birbal has the answer.With well-researched introductions to each aspect of Mughal life, Amita Sarin recreates Akbar’s court in all its grandeur and vitality. The stories in this collection are both amusing and thought-provoking, both historical and timeless.

    That one day, I will be standing outside an auditorium, a packed house a-a-a-auditorium. People there would be waiting to hear me speak. They would be chanting my name. We love R-R-R-Rohit, We love Rohit," he said, looking into her mesmerizing eyes.After seventeen years, Sherly was standing in his house, holding a copy of his first novel in one hand, and her wedding invitation card in the other. She was getting married in four days. Join Rohit in his journey as he sets off to conquer the greatest obstacle of his life, and how on the way he finds out that his childhood dream was the thread connecting everything happening to him in his life. Will he lose her on this journey of his lifetime?

    But the diary for her is also an important step towards becoming 'Mayilwriter', to make up for all the stories she hasn't completed and the novel that didn't know where it was going. So she begins. What she gives is a spontaneous, sensitive, honest, intimate and often hilarious peek into the life and mind of an insightful young girl. The Mayil that emerges is as lovable and recognisable as the delightful sketches she presents of her Amma, Appa, brother, grandfather and friends. Mayil has all the confusion and confidence of adolescence as she faces the everyday dilemma of young people, as well as questions of gender stereotyping all around – from Ramayana stories to Rajnikanth movies. With enough to keep head, heart and funny bone tickled and happy, this is a must-read coming of age book by two highly talented young writers that will strike a chord with all who read it – pre-teen, teen and older.