Barkis. Along with David comes his handsome school friend Steerforth and he learns that he is no longer in Steerforth's shadow, but has become a young man of his own. Returning to London, David meets Dora Spenlow, a beautiful, but shallow young woman with whom he falls desperately in love. A sudden tragedy -- the death of Peggotty's husband Barkis -- brings David back to the seashore, where he finds his childhood friend little Em'ly about to marry the honest, loving Ham. But Em'ly falls prey to the charms of Steerforth and abandons Ham at the altar, thinking that Steerforth will -make her a lady.- But Steerforth, of course, does nothing of the sort. He abandons Em'ly, who becomes a -ruined woman.- David eventually marries Dora -- who proves to be ill-suited to the married life. Meanwhile, the treacherous Uriah Heep has been weaving his web, destroying the Strongs, Aunt Betsy, and the Micawbers through his fraud and deceit. All is put right in the end, in part from the unlikely heroism of a grown-up Tommy Traddles. Dora tragically dies. Little Em'ly is rescued and reunited with Mr. Peggotty. Ham dies tragically during a terrible storm while trying to rescue the wicked Steerforth (who, for his own part, does not end well), and after David overcomes his grief, he realizes that, all along, he has loved Agnes Wickfield best, and she, him -- and they marry -- she becomes his -bright star, ever pointing upward.- At first it may seem that Dickens' characters are too -black and white, - too obviously either good or evil, and his stories long, complex, and perhaps not immediately clear as to their plot and meaning.

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    The material was recorded while he was on Iora, a technically advanced world as the holocaust virus struck it. She is to review all materials and create a report that includes insights into the young pilot's personality, strategic information about Iora and any other details that could help Haven Fleet. Before long, Alice becomes personally invested in the plight of her subject, and makes discoveries that could change her forever. Meanwhile, a permanent government is taking hold in Haven Shore, and the Fleet is undergoing one last shakeup that could break the Apex class apart. All the while Alice is left to wonder where her father and his ship, the Revenge have gone while they wait for the rest of their active fleet to return from the Iron Head Nebula. The Spinward Fringe saga continues in Carnie's Tale, the connective tissue between Spinward Fringe Broadcast 10: Freeground and Spinward Fringe Broadcast 11: Revenge, telling Alice's story between those books from a more personal perspective. Version 2.

    But one fateful day in 1931 brought Marcia's world tumbling about her, and left her and her two daughters without their beloved father. Barty Bendall had always loved her, and the girls needed a father, so Marcia moved to Blackburn with him, where she tried to forget the past. However, Barty sank into bad ways, tyrannizing the family. Even in troubled times, lovely raven-haired Marcia was a fighter. But the news that Curt Ratheter had reappeared would render her helpless prey to wildly conflicting emotions.

    

    He thinks Mount Sinai Hospital is an exclusive golf course and his catheter is a gym bag. His only link to reality is his thirty-five-year-old nephew, who makes his living as a hired gun for thirteen softball teams and still goes by the name College Boy.But College Boy's body has begun to betray him -- almost as much as his lack of ambition. (His only legitimate paycheck comes from a gig as a laugher on a morning radio show.) Not only that, the Dirt King, a small-time gangster who controls all the replacement soil in Central Park, is after College Boy. As their lives collide, College Boy takes refuge in the arms of Sheila -- his uncle's cleaning woman and a part-time call girl.And then it gets weird.

    -- Presents the most important 20th-century criticism on major works from The Odyssey through modern literature-- The critical essays reflect a variety of schools of criticism-- Contains critical biographies, notes on the contributing critics, a chronology of the author's life, and an index

    D. Robb titles together in one collection. Fantasy in Death Bart Minnock, founder of the computer gaming giant U-Play, enters his private room, and eagerly can�t wait to lose himself in an imaginary world, to take on the role of a sword-wielding warrior king, in his company�s latest top-secret project, Fantastical. The next morning, he is found in the same locked room, in a pool of blood, his head separated from his body. It is the most puzzling case Lieutenant Eve Dallas has ever faced, and it is not a game.... She is having as much trouble figuring out how Bart Minnock was murdered as determining who did the murdering. The victim�s girlfriend seems sincerely grief-stricken, and his quirky but brilliant partners at U-Play appear shocked as well. No one seems to have had a problem with the enthusiastic, high-spirited millionaire. Of course, success can attract jealousy, and gaming, like any business, has its fierce rivalries and dirty tricks�as Eve�s husband, Roarke, one of U-Play�s competitors, knows well. But Minnock was not naive, and he knew how to fight back in the real world as well as the virtual one. Eve and her team are about to enter the next level of police work, in a world where fantasy is the ultimate seduction�and the price of defeat is death. Indulgence in Death When a murder disrupts the Irish vacation she is taking with her husband, Roarke, Eve realizes that no place is safe�not an Irish wood or the streets of the manic city she calls home. But nothing prepares her for what she discovers upon her return to the cop shop in New York City.... A driver for a top-of-the-line limousine service is found dead�shot through the neck with a crossbow. The car was booked by an executive at a venerable security company whose identity had been stolen. Days later, a stunning, high-priced escort is found killed at Coney Island, a bayonet stuck in her heart. And again, the trail leads to a CEO whose information has been hijacked. With a method established, but no motive to be found, Eve begins to fear that she has come across that most dangerous of criminals, a thrill killer, but one with a taste for the finer things in life�and death. Eve does not know where or when the next kill will be, or that her investigation will take her to the rarefied circle that Roarke travels in�and into the perverted heart of madness....

    25,000 first printing. $25,000 ad/promo.

    Recently, Kessinger Publishing's rare reprints has re-issued the book. The protagonist, Roger Stetworth, unwillingly joins a slave ship called the -Golden Hind- captained by Luke Chilton. (When Chilton demanded that Roger -sign aboard- he refused and was clubbed on the head and thrown overboard.) He is rescued by the -Hurst Castle- and doctored by a painfully stereotyped Irishman. The -Hurst Castle- is abandoned but does not founder in a gale and the crew, unable to get to him, are forced to leave Stetworth marooned aboard. The ship drifts into the center of the Sargasso Sea where Stetworth finds himself in a ships' graveyard in which survivors of previous shipwrecks still inhabit the forgotten ships. Stetworth must rely on his own ingenuity to get free from the choking sargasso weeds........ Thomas Allibone Janvier (July 16, 1849 - June 18, 1913) was an American story-writer and historian, born in Philadelphia of Provencal descent. Early life and marriage: Janvier received a public school education, then worked in Philadelphia for newspapers from 1870-81. In 1878 he married Catherine Ann Drinker (May 1, 1841- July 19, 1922), an artist who was the first woman teacher at the Pennsylvania Academy of the Fine Arts and first teacher to Cecilia Beaux. Later in life, she accompanied her husband on his travels while writing books and translating books from the Provencale language. Many of Janvier's published works would be dedicated -To C. A. J.- New York: Janvier went to New York in 1881. From 1884-94, he lived in the Washington Square district of New York. A few years after arriving, he published the Ivory Black Stories, tales of artist life, which were reprinted in book form in 1885 as Color Studies. In them he pictured the life and color of what was then considered the Latin quarter of the city, with the old-fashioned French restaurants, the artist colony to the north, and the studios in Tenth Street where Abbey, Millet, F. Hopkinson Smith, Laffan and others made the Tile Club famous. He published many stories and articles in Harper's Magazine.[2] Travels and death: Janvier spent several years in Colorado, New Mexico and Mexico, thereby gaining inspiration and material for much of his literary work. His travels in Mexico produced the Aztec Treasure House and his stories of Old New Spain. He and his wife also lived for three years in Avignon, Provence, France, where they became friends with Mistral and Felix Gras. Catherine A. Janvier's translations of the latter's work introduced him to English-speaking readers.His books from this period include An Embassy to Provence, Christmas Kalends of Provence and The South of France. He was made an honorary member of the Felibrige society in France, and of the Fol Lore Society of London, where he and his wife lived from 1897 to 1900, and the Century Club in New York. Janvier died in New York on June 18, 1913. He is interred in Moorestown, New Jersey. Literary family: Janvier's sister, Margaret Thomson Janvier (1844-1913), was born in New Orleans. Under the pen name Margaret Vandergrift she wrote many juveniles, among which are: The Absent-Minded Fairy, and Other Verses (1884); The Dead Doll, and Other Verses (1900); Under the Dog-Star (1900); and Umbrellas to Mend (1905). Janvier's niece, Emma P. Spicer, going by the stage name of Emma Janvier, was a well-known comedian on Broadway and elsewhere from the turn of the century until her death in the early 1920s. Janvier was also related to Philadelphia businessman and poet Francis De Haes Janvier.

    Marriage and motherhood have changed her identity and challenged her previous beliefs about love and romance. The demands of family and career have buried the truths she once knew beneath a mountain of resentment, dirty laundry, and endless bas of groceries. Then, on one of her late-night excursions to the supermarket, Christine runs into Joe again... and everything changes.

    

    Boxed set collecting Poetry For The Beat Generation (1959), Blues and Haikus (1959), and Readings By Jack Kerouac On The Beat Generation (1960), remastered with bonus tracks.

    Who! This Mad Libs is 48 pages with 21 original stories.

     I mean, it took more than a year before anybody looked up from their smartphones long enough to wonder why so many of their neighbors were infected. Why so many were dying. The vaccination riots came and went. The grocery store shelves emptied out. The spigots eventually ran dry. That was around the time I moved underground and sealed the hatch on my backyard bunker. That was a couple of years ago. Now, my radio hasn't picked up a signal from the world up top since I can't remember when. My exterior camera died in a storm last spring. And the loneliness has set in, gnawing at me, making me think crazy thoughts, including the one that'll change everything. I have to leave the bunker and see if anyone is left alive.