His best friend, Pete, falls in love with an alien he's forced to sell into green slavery, while his ex, Anna, watches her Xombie War veteran boyfriend turn into the drug he's addicted to. King City, an underbelly of a town run by spy gangs and dark dark magic with mystery down every alleyway.

    On his way home, he hits a flying whale with his car, opening the beast's mouth to find a boy from a parallel universe named Jacobus. Chief discovers that a society of insect monsters want to kill this boy due to a mysterious virus that grows on his hand. He becomes a father figure to the boy and trains him how to survive insect monsters by becoming a great American ass-kicker.

    The Cold War has begun. The Age of the Superhero is in decline. But where are the heroes of tomorrow? DC: The New Frontier recounts the dawning of the DCU's Silver Age from the perspective of those brave individuals who made it happen. Encounter "keepers of the flame" including Superman, Wonder Woman and Batman, who survived the anti-hero sentiment of the Cold War, as well as eager newcomers like test pilot Hal Jordan and scientist Barry Allen, poised to become the next generation of crimefighters.Cooke, a master storyteller, writes and illustrates this landmark tale, a must-have for fans of the DCU and all lovers of powerful tales of heroism!Collecting: DC: The New Frontier 1-3 & the three extra pages originally seen only in Wizard Magazine

    Unfortunately, for NASA, this goal is scarcely even addressed and the book focuses more on extramarital affairs, bank robbing owls, big gross swollen heads, ghost cow heads, olde-tyme boxers, tigers eating cheeseburgers in the Crab Nebula, buffalo judges and tons of aggressive swearing. Not as much a superhero book as it is a parody of basically everything and a celebration of weird that is jam-packed with references to Robo-Cop and Die Hard.

    In his 1992 book, The Playboy, he explored his personal history with pornography. His bestselling 2003 graphic novel, Louis Riel, was a biographical examination of an extreme political figure. The book won wide acclaim and cemented Brown's reputation as a true innovator.Paying for It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but a vocal proponent of one of the world's most hot-button topics—prostitution. While this may appear overly sensational and just plain implausible to some, Brown's story stands for itself. Paying for It offers an entirely contemporary exploration of sex work—from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps.Complete with a surprise ending, Paying for It provides endless debate and conversation about sex work and will be the most talkedabout graphic novel of 2011.

    Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

    When the elder Thaddeus Gropius confronts Wally with the boilerplate plot ultimatum that he must marry "the saddest girl in the world" or be disinherited, a yarn unravels that is part screwball comedy and part unhinged parable on the lucrativeness of changing your identity.Hensley's dialogue is witty, lyrical, sampled, dada, and elliptical--all in the service of a very bizarre mystery. There's sex, violence, rock and roll, intrigue, and betrayal--all brought home in Hensley's truly inimitable style.Created during an era when another well-off "W" was stuffing the coffers of the morbidly solvent, Wally Gropius transforms futile daydreams and nightmares into the absurdity of capital.