Yeah, his name was in the credits of a bunch of low-budget B-movie horror shows, but at least he could say he was in the movies.That was a long time ago.Now Ben sits alone in a trailer park listening to an old married couple across the way argue about money, just nursing a beer, waiting for something to happen.But nothing ever happens. That pisses him off.No, Big Ben Coburn isn't going to wait around anymore. He jumps on his motorcycle and tears off into the night.Intent on escaping into a new life, he races past a field of scarecrows, barreling headlong down the highway toward a blazing inferno and a bottomless pit. Click here to download a FREE Mobi or ePub copy now! Note: This story originally appeared in TWO: The 2nd Annual Stupefying Stories Horror Special.

    Check in for the night with New York Times bestselling author Lisa Unger.Eve has a fake ID, a .38, and a violent lover receding in the rearview mirror. He’ll never find her at the isolated motel, and its kindly manager is happy to ease her fears. But if Eve is the only guest, whom does she keep hearing on the other side of the wall? Eve won’t get a good night’s rest until she finds out.Lisa Unger’s The Sleep Tight Motel is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

    A henpecked husband copes with the frustrations of his dull life by imagining he is a fearless airplane pilot, a brilliant doctor, and other dashing figures.

    Matilda of the Hunt. The lone woman who rides with the Wild Hunt, tasked with finding killers who've escaped justice and letting the hounds reap their souls. For Olivia Taylor-Jones, Matilda isn't just a legendary figure from Welsh lore. She is Olivia's past, and her future, one she's finally embraced.Having accepted her role as Matilda, Olivia must now lead her first Hunt. Seems simple enough. But when she questions their target's guilt, the Hunt is halted, her mission failed. Still, it's just a matter of getting Gabriel's help and investigating the man's past to reassure herself that he's guilty. He must be. Otherwise, he wouldn't be a target. But the deeper she digs, the more problems she finds, until she must question everything she knows about the Hunt and the choice she's made.

    Not after all the work she's put into cultivating the right look, and friends, and reputation. But then, Sophie sees something so frightening she lets out a blood-curdling scream--and finds herself stuck in a bizarre parallel world where nothing is safe and deadly creatures lurk just out of sight, waiting for her to close her eyes and sleep...forever.Could this world be real? Or does insanity run in the family...?

    In this eShort, readers can compare both versions of this iconic work of fiction, gaining insight into Carver’s aesthetic and the foundations of the contemporary American short story.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    Her perfect husband. She can feel it in her bones. He is perfect. Their home together in Arcadia Gardens is perfect. Everything is perfect.It's just that he's away so much. So often. He works so hard. She misses him. And he misses her. He says he does, so it must be true. He is the perfect husband and everything is perfect.But sometimes Sophia wonders about things. Strange things. Dark things. The look on her husband's face when he comes back from a long business trip. The questions he will not answer. The locked basement she is never allowed to enter. And whenever she asks the neighbors, they can't quite meet her gaze...But everything is perfect. Isn't it?

    But it's just possible that the danger may be a little bit closer to home. This story is a companion folk tale to Leigh Bardugo's debut novel, Shadow and Bone.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Joined by a boy who is similarly threatened, she must rescue the son of a hated enemy, who has fallen under the sway of the nefarious leader of an apocalyptic cult. To survive, she must venture into the dark world beneath the City of Lights, into the infamous catacombs of Paris. Caught between two enemies, she must fight for her life…while time ticks down toward a fiery apocalypse. But in the dark, surrounded by the moldering bones of the dead, even success does not equal survival. In the end, the only true hope for the world lies in a stunning act of betrayal.Included with this short story is a sneak peek at the first 70 pages of The Devil Colony, where a clue unlocked by The Skeleton Key will play a key role.

    For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes: I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present. Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago. These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster