It offers fascinating descriptions of the geography, climate and peoples of the country, and a succinct account of the early stages of the Roman occupation, nearly fatally undermined by Boudicca's revolt in AD 61 but consolidated by campaigns that took Agricola as far as Anglesey and northern Scotland. The warlike German tribes are the focus of Tacitus' attention in the Germania, which, like the Agricola, often compares the behaviour of 'barbarian' peoples favourably with the decadence and corruption of Imperial Rome.

    It is also an important source of information on the Byzantine war with the Normans, and the First Crusade, in which Alexius participated. While the Byzantines were allied to the Crusaders, they were none the less critical of their behaviour and Anna's book offers a startlingly different perspective from that of Western historians. Her character sketches are shrewd and forthright - from the Norman invader Robert Guiscard ('nourished by mainfold Evil') and his son Bohemond ('like a streaking thunderbolt') to Pope Gregory VII ('unworthy of a high priest'). The Alexiad is a vivid and dramatic narrative, which reveals as much about the character of its intelligent and dynamic author as it does about the fascinating period through which she lived.E.R.A. Sewter's translation captures all the strength and immediacy of the original and is complemented by an introduction that examines Anna's life and times. This edition also includes maps, appendices, genealogical tables, a bibliography and indexes of events and names.

    Averil Cameron, an authority on later Roman and early Byzantine history and culture, captures the vigor and variety of the fourth century, doing full justice to the enormous explosion of recent scholarship.After a hundred years of political turmoil, civil war, and invasion, the Roman Empire that Diocletian inherited in AD 284 desperately needed the radical restructuring he gave its government and defenses. His successor, Constantine, continued the revolution by adopting--for himself and the Empire--a vibrant new religion: Christianity. The fourth century is an era of wide cultural diversity, represented by figures as different as Julian the Apostate and St. Augustine. Cameron provides a vivid narrative of its events and explores central questions about the economy, social structure, urban life, and cultural multiplicity of the extended empire. Examining the transformation of the Roman world into a Christian culture, she takes note of the competition between Christianity and Neoplatonism. And she paints a lively picture of the new imperial city of Constantinople. By combining literary, artistic, and archaeological evidence. Cameron has produced an exciting record of social change. The Later Roman Empire is a compelling guide for anyone interested in the cultural development of late antiquity.

    The monetary value is estimated at over half a billion dollars. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and frank interviews, Felch and Frammolino give us a fly-on-the-wall account of the inner workings of a world-class museum and tell the story of the Getty’s dealings in the illegal antiquities trade. The outlandish characters and bad behavior could come straight from the pages of a thriller—the wealthy recluse founder, the cagey Italian art investigator, the playboy curator, the narcissist CEO—but their chilling effects on the rest of the art world have been all too real, as the authors show in novelistic detail. Fast-paced and compelling, Chasing Aphrodite exposes the layer of dirt beneath the polished façade of the museum business.

    -- and embellishes it with his own ironic humor, brilliant insights, and piercing observations. We meet a vast array of historical figures in a staggering novel of love, war, philosophy, and adventure . . . "There isn't a page of CREATION that doesn't inform and very few pages that do not delight."-- John Leonard, The New York Times

    A crowd of onlookers gathered around a slave driver. The wondrous plenty of banquets where flamingos are roasted whole and wine flows like rivers. The silence of the baths and the boisterous taverns . . . Many books have dealt with the history of ancient Rome, but none has been able to bring its readers so near to daily life in the Imperial capital. This extraordinary voyage of exploration, guided by Alberto Angela with the charm of a born story- teller, lasts twenty- four hours, beginning at dawn on an ordinary day in the year 115 A.D., with Imperial Rome at the height of its power. The reader wakes in a rich patrician home and discovers frescoes, opulent furnishings and richly appointed boudoirs. Strolling though the splendors of the Roman Forum, one overhears both erudite opinions from learned orators and local ribaldry floating out from the public latrines. One meets the intense gazes of Roman matriarchs strolling the streets, looks on as a banquet is prepared, and is afforded a peek into the sexual habits and fetishes of Roman patricians and plebs. For all those who have ever dreamed of traveling back in time, Alberto Angela's narrative style will come as a welcome change to dry historical tomes. Rich in atmosphere and historical information, A Day in Ancient Rome is a voyage into a world both distant to us in time and surprisingly near in its habits, mores, and passions.

    Fry transforms the adventures of Zeus and the Olympians into emotionally resonant and deeply funny stories, without losing any of their original wonder.This stunning book features classical artwork inspired by the myths, as well as learned notes from the author. Each adventure is infused with Fry's distinctive wit, voice, and writing style. Connoisseurs of the Greek myths will appreciate this fresh-yet-reverential interpretation, while newcomers will feel welcome. Retellings brim with humor and emotion and offer rich cultural contextCelebrating the thrills, grandeur, and unabashed fun of the Greek myths, Mythos breathes life into ancient tales—from Pandora's box to Prometheus's fire.This gorgeous volume invites you to explore a captivating world with the brilliant storyteller Stephen Fry as your guide.

    It had a population of sixty million people spread across lands encircling the Mediterranean and stretching from northern England to the sun-baked banks of the Euphrates, and from the Rhine to the North African coast. It was, above all else, anempire of force--employing a mixture of violence, suppression, order, and tactical use of power to develop an astonishingly uniform culture.Here, historian Christopher Kelly covers the history of the Empire from Augustus to Marcus Aurelius, describing the empire's formation, and its political, religious, cultural, and social structures. It looks at the daily lives of the Empire's people: both those in Rome as well as those living in itsfurthest colonies. Romans used astonishing logistical feats, political savvy, and military oppression to rule their vast empire. This Very Short Introduction examines how they romanised the cultures they conquered, imposing their own culture in order to subsume them completely. The book also looksat how the Roman Empire has been considered and depicted in more recent times, from the writings of Edward Gibbon to the Hollywood blockbuster Gladiator. It will prove a valuable introduction for readers interested in classical history.

    

    Carefully designed to hold students' interest, the course begins in Book I with a fictional narrative about an Attic farmer's family placed in a precise historical context (432-431 B.C.). This narrative, interwoven with tales from mythology and the Persian Wars, gradually gives way in Book II to adapted passages from Thucydides, Plato, and Herodotus and ultimately to excerpts of the original Greek of Bacchylides, Thucydides, and Aristophanes' Acharnians. Essays on relevant aspects of ancient Greek culture and history are also provided.New to the Second Edition: * Short passages from Classical and New Testament Greek in virtually every chapter * The opening lines of the Iliad and the Odyssey toward the end of Book II * New vocabulary and more complete explanations of grammar, including material on accents * Many new exercises and additional opportunities for students to practice completing charts of verb forms and paradigms of nouns and adjectives * Updated Teacher's Handbooks for Books I and II containing translations of all stories, readings, and exercises; detailed suggestions for classroom presentation; abundant English derivatives; and additional linguistic information * Offered for the first time, Student Workbooks for Books I and II that include self-correcting exercises, cumulative vocabulary lists, periodic grammatical reviews, and additional readings

    Taken in by a goatherd and a shepherd respectively, and raised near the town of Mytilene, they grow to maturity unaware of one another's existence - until the mischievous god of love, Eros, creates in them a sudden overpowering desire for one another. A masterpiece among early Greek romances, attracting both high praise and moral disapproval, this work has proved an enduringly fertile source of inspiration for musicians, writers and artists from Henry Fielding to Jean-Baptiste-Camille Corot and Maurice Ravel. Longus transforms familiar themes from the romance genre - including pirates, dreams, and the supernatural - into a virtuoso love story that is rich in insight, humorous and ironical in its treatment of human sexual experience.

    For the events between 133 and 70 BC he is the only surviving continuous narrative source. The subsequent books vividly describe Catiline's conspiracy, the rise and fall of the First Triumvirate, and Caesar's crossing of the Rubicon, defeat of Pompey and untimely death. The climax comes with the birth of the Second Triumvirate out of anarchy, the terrible purges of Proscriptions which followed, and the titanic struggle for world mastery which was only to end with Augustus's defeat of Antony and Cleopatra. If Appian's Roman History as a whole reveals how an empire was born of the struggle against a series of external enemies, these five books concentrate on an even greater ordeal. Despite the rhetorical flourishes, John Carter suggests in his Introduction, the impressive 'overall conception of the decline of the Roman state into violence, with its sombre highlights and the leitmotif of fate, is neither trivial nor inaccurate'.

    It was ruled for all that time by a succession of able kings, but broke down twice, before eventually succumbing to dynastic rivalries, and simultaneous external invasions and internal grasps for independence. The first king, Seleukos I, established a pattern of rule which was unusually friendly towards his subjects, and his policies promoted the steady growth of wealth and population in many areas which had been depopulated when he took them over. In particular the dynasty was active in founding cities from Asia Minor to Central Asia. Its work set the social and economic scene of the Middle East for many centuries to come. Yet these kings had to be warriors too as they defended their realm from jealous neighbors. John D Grainger's trilogy charts the rise and fall of this superpower of the ancient world.In the first volume, John D Grainger relates the remarkable twists of fortune and daring that saw Seleukos, an officer in an elite guard unit, emerge from the wars of the diadochi (Alexander's successors) in control of the largest and richest part of the empire of the late Alexander the Great. After his conquests and eventual murder, we then see how his successors continued his policies, including the repeated wars with the Ptolemaic rules of Egypt over control of Syria. The volume ends with the deep internal crisis and the wars of the brothers, which left only a single member of the dynasty alive in 223 BC.

    Fustel de Coulanges' 1864 masterpiece, La Cité antique, drew upon physical evidence as well as ancient documents rather than the usual post-Classical histories. The result is a fresh, accurate, and detailed portrait of the religious, family, and civic life of Periclean Athens and Rome during the time of Cicero.This fascinating sociological account reveals the significance of kinship and the cult of the family hearth and ancestors to ancient Hellenic and Latin urban culture. It chronicles the rise of family-centered pagan belief systems, tracing their gradual decline to the spread of Christianity. Fustel cites ancient Indian and Hebrew texts as well as Greek and Roman sources. The ingenuity of his interpretations, along with his striking prose style, offer readers a vital and enduring historic survey.

    Ian Hodder and Scott Hutson argue that archaeologists must consider a variety of perspectives in the complex and uncertain task of "translating the meaning of past texts into their own contemporary language". While remaining centered on the importance of meaning, agency and history, the authors explore the latest developments in post-structuralism, neo-evolutionary theory and phenomenology. Previous Edition Hb (1991): 0-521-40142-9 Previous Edition Pb (1991): 0-521-40957-8