Inside you will find:× The smell of honeysuckle× Heartbreak× A French-kissing rabbit× A haunted house× Death× A vagina singing sad old songs× Young geraniums in an ancient castle× Birth× A dog who appears in dreams as a spiritual guide× Divorce× Electromagnetic energy fields× Emotional horniness× The ghost of a sea captain× And moreI hope you enjoy these little weirds.Love,Jenny Slate

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    Seven neighbors inhabit the same London street, but are all unknown to each other. The clock freezes in the small hours, and one by one we see directly into their lives: lives that are damaged, disenfranchised, lonely, broken, addicted, and all, apparently, without hope. Then a great storm breaks over London, and brings them out into the night to face each other--and their own last chance to connect.Tempest argues that our alienation from one another has bred a terrible indifference to our own fate, but she counters this with a plea to challenge the forces of greed which have conspired to divide us, and mend the broken home of our own planet while we still have time. Let Them Eat Chaos is a cri de cœur and a call to action, and, both on the page and in Tempest's electric performance, one of the most powerful poetic statements of the year.

    But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet as their love grows, they discover that the world around them is changing - and they cannot escape the curse for ever...

    . . . No one is writing better or more needed verse than this."--Boston Evening Globe

    The effect of his diatribe is doubly shocking, leaving not only his distinguished audience gasping but also many people tuning in to the BBC's live radio broadcast. But as he approaches the end of his assault, the speech suddenly dissolves into incoherence when he stumbles over a name - a name he normally takes such pains to avoid - that takes him back forty years to a special time and a special place.Summer in February is a disturbing and moving re-creation of a celebrated Edwardian artistic community enjoying the last days of a golden age soon to be shattered by war. As resonant and understated as The Go-Between, it is a love story of beauty, deprivation and tragedy.

    She's never really left England, but she has watched Bear Grylls and wonders why it's always men who get to go on all the cool wilderness adventures. So Erin sets off on a voyage into the Alaskan wilderness, a one-woman challenge to the archetype of the rugged male explorer.As Erin's journey takes her through the Arctic Circle, across the entire breadth of the American continent and finally to a lonely cabin in the wilds of Denali, she explores subjects as diverse as the moon landings, the Gaia hypothesis, loneliness, nuclear war, shamanism and the pill.Filled with a sense of wonder for the natural world and a fierce love for preserving it, The Word for Woman is Wilderness is a funny, frank and tender account of a young woman in uncharted territory.

    S. Eliot Prize'Rich in form and reverent references, Us transports the reader from the hills of Pakistan to the schoolgrounds of Stratford-upon-Avon, from George Herbert to The Lion, the Witch and the Wardrobe.' (Maria Crawford, Financial Times, BOOKS OF THE YEAR)'Highlights of the year include the Heaney-esque lyricism of British-Indian poet Zaffar Kunial's accomplished debut Us.' (Tristram Fane Saunders, Daily Telegraph, Books of the Year)'Zaffar Kunial possesses that rare quality of negative capability which Keats first identified in Shakespeare (a guiding spirit in this, Kunial’s first collection); the poems hold us among mysteries and doubts, without pronouncing or attempting to resolve. Their beauty lies in their indecisiveness – their quiet refusal to settle matters or hold to a single view.' (Rebecca Watts, Times Literary Supplement)'His first full book, which has come together slowly, patiently, over several years... He can do clear-eyed and tender inside a single poem, without any hint of glibness. Fun fact: he used to earn his living writing verse for Hallmark cards.'(The 20 best poetry books of 2018, The Spinoff, New Zealand)'Everyone in this book is honoured as complicated and contrary, while the writing of them is always subtle and deep, generous and empathetic.' (Tim Dee, Caught by the River)'Zaffar Kunial has been called “a guide for modern times”. His first collection Us travels from Pakistan to Stratford-upon-Avon to Orkney, as he explores his own cultural heritage through language. Kunial is interested in how two disparate elements can come together to create something new. He is more formal than many modern poets; he takes tradition seriously. His writing is subtle, thoughtful and precise, his view of the world utterly individual.' (FOLD magazine)'Zaffar Kunial is a poet whose work thrills me, who makes you return to the origins of things, places, language and people again and again. He's a poet who takes traditions seriously but makes of them something entirely new - a must.' (Jackie Kay)'Us by Zaffar Kunial abounds with poems which are witty, playful and heart-breaking by turns. Drawn to the place where things don't quite meet, which he describes as "a kind of abysmal underneathness/or usness/under the heights of language", his is a wondrous poetic of loopholes, portals and translations, and of the magic in-between.' (Sinead Morrissey, Chair of the T. S. Eliot Prize judges)'There's something about the precise, thoughtful, unhurried way in which he interrogates language that marks him out as a unique talent. A real find.' (Roger Cox, Scotsman)

    So when Mal and his wife, Stephanie, ask Nova to be a surrogate mother, she agrees—despite her reservations about what it might mean for their friendship. Then Nova’s fears are realized. Halfway through the pregnancy, Stephanie finds a text from her husband to Nova that reads “Goodnight, beautiful.” Already suspicious of their deep connection, Stephanie demands that Mal cut all ties to Nova and their unborn baby, leaving Nova to raise the child alone. Eight years later, Nova is anxiously waiting for her son, Leo, to wake up from a coma, while childless Stephanie is desperately trying to save her failing marriage. Despite her anger and hurt, Nova wants Mal to have the chance to know his son before it’s too late. Will it take a tragedy to remind them all how much they mean to one another?

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    Every relationship has two perspectives. And sometimes, it turns out, the key to a great marriage is not its truths but its secrets. At the core of this rich, expansive, layered novel, Lauren Groff presents the story of one such marriage over the course of twenty-four years.At age twenty-two, Lotto and Mathilde are tall, glamorous, madly in love, and destined for greatness. A decade later, their marriage is still the envy of their friends, but with an electric thrill we understand that things are even more complicated and remarkable than they have seemed.

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    Courted long and hopelessly by young scientist, Ted Tice, she is to find that love brings passion, sorrow, betrayal and finally hope. The milder Grace seeks fulfilment in an apparently happy marriage. But as the decades pass and the characters weave in and out of each other's lives, love, death and two slow-burning secrets wait in ambush for them.

    But then her grandfather falls ill, and Sarah must juggle horsemanship with school and hospital visits.Natasha, a young lawyer, is reeling after her failed marriage: her professional judgment is being questioned, her new boyfriend is a let-down, and she's forced to share her house with her charismatic ex-husband. Yet when the willful fourteen-year-old Sarah lands in her path, Natasha decides to take the girl under her wing.But Sarah is keeping a secret--a secret that will change the lives of everyone involved forever.