Amy soon discovers that dating an heir to a throne has many charms—intimate dinners, glittering galas, and a dazzling new wardrobe with tiaras to match. But there are also drawbacks: imagine the anxiety of meeting your boyfriend’s parents multiplied by “riding in a private jet,” “staying in a castle,” and “discussing the line of succession over lunch.” Not to mention the sudden press interest in your very un-royal family. Amy would do anything for Leo, but is finding her Prince Charming worth the price of losing herself?

    The problem is her little sister, Sophie. Sophie has an autism-like disorder, and a tendency to shriek. No matter where they live, home never seems to last long.Until they move in with Aunt Vi, across the fence from a huge black Great Dane who changes everything. Sophie falls in love immediately, and begins to imitate the “inside of the dog,” which, fortunately, is a calm place. The shrieking stops. Everybody begins to breathe again. Until Paul Inverness, the dog’s grumpy, socially isolated owner, moves to the mountains, and it all begins again.Much to Angie’s humiliation, when they’re thrown out of Aunt Vi’s house, Angie’s mom moves the family to the mountains after Paul and his dog. There, despite a fifty-year difference in their ages, Angie and Paul form a deep friendship, the only close friendship either has known. Angie is able to talk to him about growing up gay, and Paul trusts Angie with his greatest secret, his one dream. When the opportunity arrives, Angie decides to risk everything to help Paul’s dream come true, even their friendship and her one chance at a real home—the only thing she’s dreamed of since her father was killed. A place she can never be thrown out. A place she can feel she belongs.By the bestselling author of DON’T LET ME GO, WHEN I FOUND YOU, and WALK ME HOME, WHERE WE BELONG is a poignant, heartfelt, and uplifting story about finding your place in the world, no matter how impossible it seems.“Hyde has a sure touch with affairs of the heart.”-Publishers Weekly

    It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen begins to settle into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax.

    That was it. No other explanation.Portia Van Allan was not someone Beulah could believe her mother ever knew. Wealthy, self-absorbed and other than the fact Portia was supplying special care for Beulah’s sister, Portia was cruel.The day Portia’s son returns home for the summer, Beulah discovers that Portia isn’t in charge. This isn’t her home at all. Her late husband left her with nothing. It all belongs to their son who doesn’t seem to like his mother at all.Jasper Van Allan doesn’t know why his mother has hired a young gorgeous blonde to take care of the house and almost lets her go before he finds out the truth.Realizing there’s more to Beulah than a stunning face, he keeps finding reasons to be near her all the time. It’s all falling into place, it all begins to make sense . . . until the real lies, the dark secrets, and the skeletons come tumbling out of the Van Allan closet. Twisted truths that will send Beulah running . . .

    But on the heels of their greatest success, they ended their partnership on bad terms, for reasons neither would divulge to the public. They haven't spoken since, and never planned to, except they have one final book due on contract.Facing crossroads in their personal and professional lives, they're forced to reunite. The last thing they ever thought they'd do again is hole up in the tiny Florida town where they wrote their previous book, trying to finish a new manuscript quickly and painlessly. Working through the reasons they've hated each other for the past three years isn't easy, especially not while writing a romantic novel.While passion and prose push them closer together in the Florida heat, Katrina and Nathan will learn that relationships, like writing, sometimes take a few rough drafts before they get it right.

    Now in their late 30s, the deeply devoted couple has everything-except the baby they've always wanted.When an accident leaves Elle brain dead, Matt is devastated. Though he cannot bear the thought of life without her, he knows Elle was afraid of only one thing-a slow death. And so, Matt resolves to take her off life support.But Matt changes his mind when they discover Elle's pregnant. While there are no certainties, the baby might survive if Elle remains on life support. Matt's mother, Linney, disagrees with his decision. She loves Elle, too, and insists that Elle would never want to be kept alive on machines. Linney is prepared to fight her son in court-armed with Elle's living will.Divided by the love they share, Matt and Linney will be pitted against each other, fighting for what they believe is right, and what they think Elle would have wanted resulting in a controversial legal battle that will ultimately go beyond one family . . . and one single life.

    The only minor problem? You can’t afford it, it’s a size smaller than you are, and you have absolutely no place to wear it.Meet Natalie Flemming: a twenty-something woman working in London for a fabulous shoe-designing firm, but the only thing they let her touch is the company’s tax forms. She has decided to give fate a vacation and takes the task of finding the man of her dreams (or Johnny Depp if he would just return her calls…) into her own hands.She craves adventure, spontaneity, passion- or will just settle for a decent date.

    But on Miranda’s twelfth birthday, Billy has a mysterious falling-out with her mother and suddenly disappears from Miranda’s life. She doesn’t hear from him again until sixteen years later when she receives unexpected news: Billy has died and left her Prospero Books, which is teetering on bankruptcy—and one final scavenger hunt.

    When a spot on the show needs filling ASAP, Cindy volunteers, hoping it might help jump-start her fashion career, or at least give her something to do while her peers land jobs in the world of high fashion.Turns out being the only plus size woman on a reality dating competition makes a splash, and soon Cindy becomes a body positivity icon for women everywhere. What she doesn't expect? That she may just find inspiration-and love-in the process. Ultimately, Cindy learns that if the shoe doesn't fit, maybe it's time to design your own.

    No man has hosed my hyacinth. Fondled my freesia. Diddled my daffodil.You get the point.My excuse?I was too busy running my family’s flower shop and winning floral design competitions.Suddenly that whole pesky virginity thing becomes a big deal when Jacob West walks back into my life. The boy I once loved. The same boy who humiliated me when he stood me up for prom.This Jacob is no boy, though: he’s all man now—confident, charming, and so sexy my metaphorical blossoms are getting scorched. I can almost forget I’m supposed to hate him forever. Almost.To make things worse, he’s my main competition now, since he took over his parents’ flower shop. If I give into this sizzling attraction between us, it could jeopardize everything I’ve worked so hard to achieve.But if I’m not careful, he might not just be the first man to pluck my petals—he might also be the only man to capture my heart.

    But after finding her fiancé in bed with her best friend, she now spends her days performing at children's birthday parties in a ball gown that makes her look like a walking bottle of Pepto Bismol. Willa dreams of starting fresh, where no one knows who she used to be, but first she needs to save up enough money to make it happen.Maisie Mitchell needs something too: another bridesmaid for her wedding. After a chance encounter at a coffee shop, Maisie offers to pay Willa to be in her bridal party. Willa wants nothing to do with weddings--or Maisie--but the money will give her the freedom to start the new life she so badly desires.Willa's bridesmaid duties thrust her into Maisie's high-energy world and into the path of hotshot doctor Liam Rafferty. But as Willa and Maisie form a real friendship, and Liam's annoyingly irresistible smile makes her reconsider her mantra that all men are trash, Willa's exit strategy becomes way more complicated. And when a secret from Maisie's past threatens to derail the wedding, Willa must consider whether friendship--and romance--are worth sticking around for.

    Once a spirited, independent woman with a rebellious streak, her life has been forever changed by a tragic event twelve years ago. Unable to let go of her grief, she finds solace in the silent company of the souls of her local Victorian cemetery and at the town's lido, where she seeks refuge underwater - safe from the noise and the pain. But a chance encounter with two extraordinary women - the fabulous and wise Kitty Muriel, a convent girl-turned-magician's wife-turned-seventy-something-roller-disco-fanatic, and the mysterious Sally Red Shoes, a bag lady with a prodigious voice - opens up a new world of possibilities, and the chance to start living again.Until the fateful day when the past comes roaring back...

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    Wouldn’t have dived in after him.Wouldn’t have met West Montgomery.The cocky bastard should have been thankful, grateful even. Of course, he wasn’t.That should have been the end of it. Of course, it wasn’t.Damn doughnuts.

    . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She wants to make people laugh.So she leaves her hometown behind, takes herself to London, and overnight she becomes the lead in a new BBC comedy, Sophie Straw: charming, gorgeous, destined to win the nation's hearts.