“Night’s Slow Poison” is from the same setting as Ancillary Justice, and tells a rich, claustrophobic story of a galactic voyage that forces one guardsmen to confront his uneasy family history through the lens of a passenger with his lost lover’s eyes.

    An alien invasion comes to one man’s doorstep in the form of a story-creature, followed by death and rebirth in a transformed Earth.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Thompson's legions of fans have waited a decade for this book. They will not be disappointed. His notorious Screwjack is as salacious, unsettling, and brutally lyrical as it has been rumored to be since the private printing in 1991 of three hundred fine collectors' copies and twenty-six leather-bound presentation copies. Only the first of the three pieces included here—"Mescalito," published in Thompson's 1990 collection Songs of the Doomed—has been available to the public, making the trade edition of Screwjack a major publishing event. "We live in a jungle of pending disasters," Thompson warns in "Mescalito," a chronicle of his first mescaline experience and what it sparked in him while he was alone in an L.A. hotel room in February 1969—including a bout of paranoia that would have made most people just scream no, once and for all. But for Thompson, along with the downside came a burst of creativity too powerful to ignore. The result is a poetic, perceptive, and wildly funny stream-of-consciousness take on 1969 America as only Hunter S. Thompson could see it. Screwjack just gets weirder with its second offering, "Death of a Poet." As Thompson describes this trailer-park confrontation with the dark side of a deservingly doomed friend: "Whoops, I thought. Welcome to the night train." The heart of the collection lies in its final, title piece, an unnaturally poignant love story. What makes the romantic tale "Screwjack" so touching, for all its queerness, is the aching melancholy in its depiction of the modern man's burden: that "we are doomed. Mama has gone off to Real Estate School...and after that maybe even to Law School. We will never see her again." Ostensibly written by Raoul Duke, "Screwjack" begins with an editor's note explaining of Thompson's alter ego that "the first few lines contain no warning of the madness and fear and lust that came more and more to plague him and dominate his life...." "I am guilty, Lord," Thompson writes, "but I am also a lover—and I am one of your best people, as you know; and yea tho I have walked in many strange shadows and acted crazy from time to time and even drooled on many High Priests, I have not been an embarrassment to you...." Nor has Hunter S. Thompson been to American literature. Quite the contrary: What the legendary Gonzo journalist proves with Screwjack is just how brilliant a prose stylist he really is, amid all the hilarity. As Thompson puts it in his introduction, the three stories here "build like Bolero to a faster & wilder climax that will drag the reader relentlessly up a hill, & then drop him off a cliff....That is the Desired Effect."

    Each narrator also pays homage to an author who has written imaginatively about animals during much the same time span: Henry Lawson, Colette, Kafka, Virginia Woolf, Tolstoy, Günter Grass, Julian Barnes, and others.These stories are brilliantly plotted, exquisitely written, inevitably poignant but also playful and witty. They ask us to consider profound questions. Why do animals shock us into feeling things we can't seem to feel for other humans? Why do animals allow authors to say the unsayable? Why do we sometimes treat humans as animals, and animals as humans? Can fiction help us find moral meaning in a disillusioned world?Ceridwen Dovey is a prodigiously gifted storyteller, an insightful thinker, and a prose writer of great range. Each of the storylines is an opening to a new way of considering the nature of violence and the relationship between human and animal experiences of the world. Only The Animals will ask you to believe again, just for a moment, in the redemptive power of reading and writing fiction.

    Homicide cop Jane Rizzoli and medical examiner Maura Isles have seen their fair share of mortal crimes, but the death of Kimberly Rayner may qualify as inhuman in more ways than one. When corpse of the emaciated seventeen-year-old girl is discovered next to an empty coffin in an abandoned church, mysterious bruises around the throat suggest foul play. Caught fleeing the scene is the victim’s closest friend, Lucas Henry, an equally skeletal, pale teenager who claims he’s guilty only of having a taste for blood—a craving he shared with Kimberly. But the victim’s distraught father doesn’t believe in vampires, only vengeance. And now, another life may be at risk unless Rizzoli and Isles can uncover the astonishing truth. Includes a special preview of Tess Gerritsen’s new Rizzoli & Isles novel, The Silent Girl, on sale July 5 And don’t miss the season premiere of TNT’s hit series Rizzoli & Isles on July 11

    Let the carriage to a royal ball wait. There is a story to be told: of a starless night, a mother and her sick son, and a mortal who falls in love with the snow god, and will do anything to have her...

    Here, and in the towns beyond, the young live hard and wear the scars. Amongst them, there’s jilted Jimmy, whose best friend Tug is the terror of the town and Jimmy’s sole company in his search for the missing Clancy kid; Bat, a lovesick soul with a face like “a bowl of mashed up spuds” even before Nubbin Tansey’s boot kicked it in; and Arm, a young and desperate criminal whose destiny is shaped when he and his partner, Dympna, fail to carry out a job. In each story, a local voice delineates the grittiness of Irish society; unforgettable characters whose psychological complexities and unspoken yearnings are rendered through silence, humor, and violence.With power and originality akin to Wells Tower’s Everything Ravaged, Everything Burned and Claire Vaye Watkins’ Battleborn these six short stories and one explosive novella occupy the ghostly, melancholic spaces between boyhood and old age. Told in Barrett’s vibrant, distinctive prose, Young Skins is an accomplished and irreverent debut from a brilliant new writer.

    It's a pity her partner Dan is so useless, and she has to keep reminding him where he's going wrong. Luckily she's enrolled into the most exclusive antenatal class going - all the highest achieving, smartest mothers-to-be aspire to be taught by the legendary Petal Harmon. Like the other five women in the class, Ginny already knows exactly what she wants, and how she's going to handle motherhood.But when they turn up for the final class it isn't quite what they expect. As Ginny discovers what parenthood is really going to be like, she begins to realize the things that really matter...

    But as he prepares to even the score with those responsible for his demise, he unwittingly finds an ally in a dark and malevolent force that grants him supernatural powers. Frank takes his revenge in the most ghastly ways imaginable - but there will be a terrible price to pay once his work is done.Destined to be a cult classic, this tale of corporate horror and demonic retribution will strike a chord with anyone who has ever been disgruntled at work. Also contains the stories "I Have A Special Plan For This World" and "The Nightmare Network".

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    Two of them are the kind of climate scientists no one ever listens to in disaster movies. The third, against even icier opposition, has just moved to the Magnolia State to come out. Soon they’ll all be pushed closer to the edge, where the bracing winds of cataclysmic change can be so wildly liberating.Jess Walter’s The Way the World Ends is part of Warmer, a collection of seven visions of a conceivable tomorrow by today’s most thought-provoking authors. Alarming, inventive, intimate, and frightening, each story can be read, or listened to, in a single breathtaking sitting.

    "It spoke!" The slovenly wub might well have said: Many men talk like philosophers and live like fools. Science Fiction – Alien Life and InteractionBeyond Lies the Wub was Philip K. Dick's first published story and appeared in the legendary ”Planet Stories” pulp magazine. Free download from LibriVox.org Play Duration: 00:16:14Down load file sizes[mp3@64kbps - 7.7MB][mp3@128kbps - 15.5MB][ogg vorbis - 11MB] Public Domain stories from Project Gutenberg, that are read by volunteers.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    This chilling account of postpartum depression and a husband's controlling behavior in the guise of treatment will leave you breathless.

    A short story by Kate Morton.