But a majorly public breakup with the guy she's been dating causes some disastrous waves. It is right before prom and Avery no longer has the perfect date. She runs the prom committee, how could she not show up with somebody?Post-breakup, Avery gets to thinking about all of the guys that she has ever dated. How come none of those relationships ever worked out? Could it be her fault? Avery decides to investigate. In history class she's learning about this method of record-keeping called "oral history" and she has a report due. So Avery decides to go directly to the source. Avery tracks down all of the guys she's ever dated, and uses that information, along with thoughts from her friends, family, and teachers, to compile a total account of her dating history.Avery discovers some surprises about herself and the guys she's spent time with -- just in time for prom night!

    She wasn't the first victim, and now she watches it happen again and again. She tries to hold on to her happier memories in order to get past the cold days, waiting for someone to find her.The problem is, no one searches for a girl they never noticed in the first place.

    Pearl deals with death, life, and family in this haunting, humorous, and poignant debut.The world can tip at any moment… a fact that fifteen-year-old Pearl is all too aware of when her mum dies after giving birth to her baby sister, Rose.Rose, who looks exactly like a baby rat, all pink, wrinkled, and writhing. This little Rat has destroyed everything, even ruined the wonderful relationship that Pearl had with her stepfather, the Rat’s biological father.Mum, though… Mum’s dead but she can’t seem to leave. She keeps visiting Pearl. Smoking, cursing, guiding.Told across the year following her mother’s death, Pearl’s story is full of bittersweet humour and heartbreaking honesty about how you deal with grief that cuts you to the bone, as she tries not only to come to terms with losing her mother, but also the fact that her sister — The Rat — is a constant reminder of why her mum is no longer around.

    At school, the only people who acknowledge Elena are Dora’s friends and Jimmy Zenk—who failed at least one grade and wears black every day of the week. And at home, Elena’s parents keep arguing with each other. Elena will do anything to help her sister get better and get their lives back to normal—even when the responsibility becomes too much to bear.

    It’s impossible to see anything, really. Not without bars . . . Andrew Winston Winters is at war with himself. He’s part Win, the lonely teenager exiled to a remote Vermont boarding school in the wake of a family tragedy. The guy who shuts all his classmates out, no matter the cost.He’s part Drew, the angry young boy with violent impulses that control him. The boy who spent a fateful, long-ago summer with his brother and teenage cousins, only to endure a secret so monstrous it led three children to do the unthinkable. Over the course of one night, while stuck at a party deep in the New England woods, Andrew battles both the pain of his past and the isolation of his present. Before the sun rises, he’ll either surrender his sanity to the wild darkness inside his mind or make peace with the most elemental of truths—that choosing to live can mean so much more than not dying.

    So his father pulls a few questionable strings to get his son into Camp Friendship: A camp that promises to strengthen the moral compass of today's youth. With a name like Camp Friendship Matt imagines three punishing weeks of daisy chains and Kumbayas.Within minutes of arriving at the camp, however, Matt's nearly killed--twice. It doesn't take long for him to realize there's more to this picture-perfect place than meets the eye. What sort of summer camp has programs in forging passports? Why do they have endless fight training, and weapons drills, and what is with the hidden rooms? Matt wonders if his parents realize they've enrolled him in what seems to be some kind of freakish, elite spy school.What Matt doesn't yet know - and is soon to find out - is that Camp Friendship's ultimate purpose is far more sinister than he could possibly have imagined. With each dot he connects, he begins to understand that in the end he'll be left with two choices: pull the prank of a lifetime to escape this place...or die trying.

    Ella has spent her high school years living in popular Maddy's shadows, but she has never been envious of Maddy. In fact, she's chosen the quiet, safe confines of her sketchbook over the constant battle for attention that has defined Maddy's world.When—after a heated argument—Maddy and Ella get into a tragic accident that leaves her sister dead, Ella wakes up in the hospital surrounded by loved ones who believe she is Maddy. Feeling responsible for Maddy's death and everyone's grief, Ella makes a split-second decision to pretend to be Maddy. Soon, Ella realizes that Maddy's life was full of secrets. Caught in a web of lies, Ella is faced with two options—confess her deception or live her sister's life.

    To accomplish this, she eats only one cup of Cheerios per day and lets her weight drop below ninety pounds. When Lydia’s sister introduces Jesse, a new friend and filmmaker, Lydia agrees to be the subject of his documentary.Jesse’s camera follows Lydia as she’s hospitalized for anorexia, as she walks the line between hoping for death and wanting life, as her weight continues to fall. With the camera running, Lydia shifts from the viewfinder’s object to the eye behind the camera. In doing so, she discovers how she wants to see her world.After the Strawberry is a novel about a girl who disappears while trying to be seen.

    Especially a rich-kid private school. With uniforms. But nothing is worse than finding out the first girl you meet is dead. And a klepto. No one can see or hear Kimberlee except Jeff, so--in hopes of bringing an end to the snarkiest haunting in history--he agrees to help her complete her "unfinished business." But when the enmity between Kimberlee and Jeff's new crush, Sera, manages to continue posthumously, Jeff wonders if he's made the right choice.Clash meets sass in this uproarious modern-day retelling of Baroness Orczy's The Scarlet Pimpernel.

    Fire. Revenge. That’s all seventeen-year-old Alice Monroe thinks about. Committed to a mental ward at Savage Isle, Alice is haunted by memories of the fire that killed her boyfriend, Jason. A blaze her twin sister Cellie set. But when Chase, a mysterious, charismatic patient, agrees to help her seek vengeance, Alice begins to rethink everything. Writing out the story of her troubled past in a journal, she must confront hidden truths.Is the one person she trusts only telling her half the story? Nothing is as it seems in this edge-of-your-seat psychological thriller from the debut author Emiko Jean.

    When she and her mom were a family, just the two of them against the world. But now her mom is gone most of the time, chasing the next marriage, bringing home the next stepfather. Anna is left on her own - until she discovers that she can make boys her family. From Desmond to Joey, Todd to Sam, Anna learns that if you give boys what they want, you can get what you need. But the price is high - the other kids make fun of her; the girls call her a slut. Anna's new friend, Toy, seems to have found a way around the loneliness, but Toy has her own secrets that even Anna can't know. Then comes Sam. When Anna actually meets a boy who is more than just useful, whose family eats dinner together, laughs, and tells stories, the truth about love becomes clear. And she finally learns how it feels to have something to lose - and something to offer. Real, shocking, uplifting, and stunningly lyrical, Uses for Boys by Erica Lorraine Scheidt is a story of breaking down and growing up.

    Now living with her aunt, uncle, and cousins in a comfortable house, she’s sure she’ll never belong. Wracked by panic attacks, afraid to talk to anyone at her new school, Joy’s got a whole list of reasons why she’s crazy. With immense courage, Joy finds friends and grows closer to her new family. But just when hope is taking hold, she learns she must testify in her mother’s trial. Can she face her old life without losing her way in the new one? Will she ever truly belong in a world that seems too normal to be real?

    If she manages it, people won’t peer beyond the surface, or ask hard questions about her past. She’s learned to substitute causes for relationships, and it’s working just fine… until Shane Cavendish strolls into her math class. He’s a little antisocial, a lot beautiful, and everything she never knew she always wanted.Shane Cavendish just wants to be left alone to play guitar and work on his music. He’s got heartbreak and loneliness in his rearview mirror, and this new school represents his last chance. He doesn’t expect to be happy; he only wants to graduate and move on. He never counted on a girl like Sage.But love doesn’t mend all broken things, and sometimes life has to fall apart before it can be put back together again…

    Their parents are former flower-children who still don’t believe in rules. Their small, Northern California town is filled with free spirits and damaged souls seeking refuge from the real world. Without the anchor of authority, the three girls are adrift and have only each other to rely on.Rachel is wild. Asha is lost. Sarah, the good sister, is the glue that holds them together. But the forces of a mysterious fate have taken Sarah’s life in a sudden and puzzling accident, sending her already fractured family into a tailspin of grief and confusion. Asha has questions. Rachel has secrets. And Sarah, waking up in the afterlife, must piece together how she got there.

    Lacey hopes that her mother's ghosts have finally been laid to rest; after all, she seems so much better these days, and they really do need the money. But as the hours tick by and memories come flooding back, a day full of hope spins terrifyingly out of control...Now this award-winning YA author brings us an equally gripping story of a girl who loves her mother, but must face the truth of what life with that mother means for both of them.