Mounting it, he puts one foot on the pedal, the other on the threshold, and waits for Teresa. This was how he used to wait for her at the station two years ago. He used to be in love with her then… Sahitya Akademi-awardee Damodar Mauzo is one of the most prominent, prolific and feted figures in contemporary Konkani literature. His writing spans an enormous range, straddling both urban and rural geographies, and runs the gamut of human emotion—the paralyzing helplessness of the small farmer in the face of implacable nature; the eternal ebbs and flows of the man-woman relationship; and the many humiliations, small and large, of raising a differently abled child. In the title story, an ineffectual husband finally reaches his boiling point; ‘Coinsanv’s Cattle’ is a heart-breaking depiction of how a farmer couple must make the impossible choice—send their beloved animals to slaughter or face starvation; and, in the quietly humorous ‘A Writer’s Tale’, a senior author becomes the unwitting subject of a woman’s fiction. Compiled with care, and smoothly, felicitously translated by Xavier Cota, Teresa’s Man and Other Stories from Goa brings to readers tales which are as compellingly local in their flavour as they are universal in the ideas and emotions they evoke. This volume is a must-read.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    Every evening after dinner he entrances his fellow travellers with the tale of how he sailed with the fabled vessel the Argo on the Argonauts’ quest to retrieve the Golden Fleece.A master storyteller, Sjón seamlessly blends seafaring yarns of the ancient world with the manners of the modern age.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    It is a dark world, shot through with flashes of joy and lunacy."I used to be human once. So I'm told. I don't remember it myself, but people who knew me when I was small say I walked on two feet, just like a human being..." Ever since he can remember, Animal has gone on all fours, his back twisted beyond repair by the catastrophic events of "that night" when a burning fog of poison smoke from the local factory blazed out over the town of Khaufpur, and the Apocalypse visited his slums. Now just turned seventeen and well schooled in street work, he lives by his wits, spending his days jamisponding (spying) on town officials and looking after the elderly nun who raised him, Ma Franci. His nights are spent fantasizing about Nisha, the girlfriend of the local resistance leader, and wondering what it must be like to get laid. When Elli Barber, a young American doctor, arrives in Khaufpur to open a free clinic for the still suffering townsfolk -- only to find herself struggling to convince them that she isn't there to do the dirty work of the Kampani -- Animal gets caught up in a web of intrigues, scams, and plots with the unabashed aim of turning events to his own advantage. Profane, piercingly honest, and scathingly funny, Animal's People illuminates a dark world shot through with flashes of joy and lunacy. A stunning tale of an unforgettable character, it is an unflinching look at what it means to be human: the wounds that never heal and a spirit that will not be quenched.

    NO EXIT is an unforgettable portrayal of hell. THE FLIES is a modern reworking of the Electra-Orestes story. DIRTY HANDS is about a young intellectual torn between theory and praxis. THE RESPECTFUL PROSTITUTE is an attack on American racism.

    Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethe’s genius creates some of the most beautiful passages in literature. Here too we experience Goethe’s characteristic humor, the excitement and eroticism of the witches’ Walpurgis Night, and the moving emotion of Gretchen’s tragic fate.This authoritative edition, which offers Peter Salm’s wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe’s words.

    Written in 1935, an exploration of the looming threat of World War II, set against the backdrop of the familiar story of the Trojan War

    As he becomes more and more involved with the lives and troubles of the common people in his district, he finds himself sucked deeper and deeper into the dark heart of the desert. And there, with the help of the mysterious musician, the Sarangiya, he has an encounter with beauty in its purest, most absolute form. An encounter that precipitates a dangerous descent. The pages from the journal he keeps are combined with the narratives of those around him—a Tehsildar, a Circuit House guard, a camel-herder, a pair of tribal girls, a Medical Officer, a Police Superintendent and the Collector's orderly—to create a compelling account of his slide away from reality. Half-real and half-fable, and redolent with the songs and myths of Rajasthan, Anukrti Upadhyay's Daura announces the arrival of a powerful new literary talent.

    A thought provoking novel, in which the normal and the abnormal, the ordinary and the extraordinary, illusion and reality, resignation and desire rub shoulders.

    No one is more excited than Cripple Billy, an unloved boy whose chief occupation has been grazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples through his rumor-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order.

    This is a place where teenage love and friendships are tested by the violence that threatens to erupt at the slightest provocation. A town that always pulls you back into its ways, no matter how cosmopolitan the city has made you.In 'Diwali in Muzaffarnagar' - Tanuj Solanki's new book of short stories after 'Neon Noon' - young men and women straddle the past and the present, the metropolis and the small town, and also the parallel needs of life: solitude and family.

    Two different versions of the play were published in the Jacobean era, several years later. The powerful effect of early productions of the play is indicated by the legends that quickly accrued around them—that actual devils once appeared on the stage during a performance, "to the great amazement of both the actors and spectators", a sight that was said to have driven some spectators mad.

    a visionary work that bridges the history and culture of two worlds."--Frank Rich, New York TimesBased on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly.How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.TEXT OF THE BROADWAY REVIVAL

    Alice is a candidate for the position of junior nurse, grade 4. It is only a few weeks since her release from Borstal. She has returned to her childhood home in the French Colony, where her father, recently retired from his position as chief janitor, continues as part-time healer, and full-time headache for the local church. It seems she has inherited some of his gift.With guidance from the working nurse’s manual, and some tricks she picked up in prison, Alice brings succour to the thousands of patients littering the hospital’s corridors and concrete courtyard. In the process she attracts the attention of a lovesick patient, Teddy Bunt, apprentice to the nefarious ‘Gentleman Squad’ of the Karachi police. They fall in love; Teddy with sudden violence, Alice with cautious optimism.Their love is unexpected, but the consequences are not.Alice soon finds that her new life is built on foundations as unstable as those of her home. A Catholic snubbed by other Catholics, who are in turn hated by everyone around them, she is also put at risk by her husband, who does two things that no member of the Gentlemen Squad has ever done – fall in love with a working girl, and allow a potentially dangerous suspect to get away. Can Teddy and Alice ever live in peace? Can two people make a life together without destroying the very thing that united them? It seems unlikely, but then Alice Bhatti is no ordinary nurse...Filled with wit, colour and pathos, Our Lady of Alice Bhatti is a glorious story of second chances, thwarted ambitions and love in unlikely places, set in the febrile streets of downtown Karachi. It is the remarkable new novel from the author of A Case of Exploding Mangoes.