Created by poets for poets, this calendar of exercises offers inspiration and a place to begin. Whether you are a novice or well-established author, The Daily Poet is an essential resource for poets, teachers, professors, or anyone who wants to jumpstart their writing practice. The Daily Poet is portable, coffeeshop tested, and offers quick warm-ups for any writing group or classroom. An excellent guide for students, The Daily Poet is also a handy reference for poets looking for fresh ideas to share in their writing workshops.

    Heroic characters can be broken down into sixteen archetypes. By following the guidelines of the archetypes presented in this comprehensive reference work, writers can create extraordinarily memorable characters and elevate their writing to a higher level. Throughout the book, the authors give examples of well-known heroes and heroines from television and film so the reader can picture the archetype in his or her mind.At the very core of a character, every hero can be traced back to one of the eight major archetypes, as can every heroine. The core archetype tells the writer the most basic instincts of heroes or heroines - how they think and feel, what drives them and how they reach their goals. Whether you are a seasoned professional or a novice, The Complete Writer's Guide to Heroes & Heroines will help you improve your own writing and help you create truly memorable characters.

    Filled with practical advice for the beginning and more advanced poet, this text enlivens students' understanding of poetry, illustrates poetic principles, and serves as a reliable handbook. It also includes an anthology of classic and contemporary poems, a springboard for classroom discussion and student writing. - A new section on Memory, in Chapter 6, shows students how they can draw upon their memories to write poems. - 70 new poems illustrate various poetic strategies to help inspire students own work. - This edition includes a greater emphasis on the revision process. These sections help students see poems as part of a process not merely products. - Quotation boxes have been integrated throughout the text. These brief quotations from experienced poets provide inspiration and illumination to the beginning student. - The section on Versification (in Chapter 3) has been clarified and simplified to help students better understand this complex topic. - Combines comprehensive instruction and a practical, student-friendly approach. - A wealth of writing exercises promp

    This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.The bewildering variety of approaches, theorists and technical language is lucidly and expertly unraveled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.

    At once a memoir, meditation on the artistic process, and advice on craft, Still Writing is an intimate and eloquent companion to living a creative life.Through a blend of deeply personal stories about what formed her as a writer, tales from other authors, and a searching look at her own creative process, Shapiro offers her gift to writers everywhere: an elegant guide of hard-won wisdom and advice for staying the course. "The writer's life requires courage, patience, empathy, openness. It requires the ability to be alone with oneself. Gentle with oneself. To be disciplined, and at the same time, take risks." Writers--and anyone with an artistic temperament--will find inspiration and comfort in these pages. Offering lessons learned over twenty years of teaching and writing, Shapiro brings her own revealing insights to weave an indispensable almanac for modern writers.Like Anne Lamott's Bird by Bird, Virginia Woolf's A Writer's Diary, and Stephen King's On Writing, Dani Shapiro's Still Writing is a lodestar for aspiring scribes and an eloquent memoir of the writing life.

    Like Agatha Christie and Raymond Chandler, Sara Paretsky and Thomas Harris, you, too, can learn the trade secrets of quality detective fiction.It's true.  Just one year from now, you can deliver a completed mystery novel to a publisher--by writing only on weekends.  Authors Robert J.  Ray and Jack Remick guide you through the entire mystery-writing process, from creating a killer to polishing off the final draft.  Each weekend you'll focus on a specific task--learning the basics of novel-writing, the special demands of mystery-writing, and the secrets professionals use to create stories one scene at a time, building to a shivery, satisfying climax.  Using Agatha Christie's The Body in the Library as a model for the classical mystery tale and Martin Cruz Smith's Gorky Park for the hard-boiled mystery, this unique step-by-step program gives you all the information you need to reach your ultimate goal: a finished book in just 52 weeks!  Let two successful masters of the genre show you how...Discover: Why you must create your killer first The tricks to writing dialogue that does it all--moves your plot, involves your reader, and makes your style sizzle How to "bury" information (and corpses) for your reader to find Why you should NOT build your book around chapters Special techniques for clearing writer's block Plus: examples from Sue Grafton, Dashiell Hammett, Patricia Cornwell, Thomas Harris, Raymond Chandler, and more.

    Written by America’s most distinguished editors, these 38 essays will teach, inform, and inspire anyone interested in the world of editing. Editors on Editing includes essays on the evolution of the American editor; the ethical and moral dimensions of editing; what an editor looks for in a query letter, proposal, and manuscript; line editing; copyediting; the freelance editor; the question of political correctness; making the most of writers’ conferences; and numerous other topics

    If you want to be a writer, you begin by carefully observing the work of accomplished writers. Recognizing the importance that modeling plays in the learning process, high school English teacher Kelly Gallagher shares how he gets his students to stand next to and pay close attention to model writers, and how doing so elevates his students' writing abilities. Write Like This is built around a central premise: if students are to grow as writers, they need to read good writing, they need to study good writing, and, most important, they need to emulate good writers. In Write Like This, Kelly emphasizes real-world writing purposes, the kind of writing he wants his students to be doing twenty years from now. Each chapter focuses on a specific discourse: express and reflect, inform and explain, evaluate and judge, inquire and explore, analyze and interpret, and take a stand/propose a solution. In teaching these lessons, Kelly provides mentor texts (professional samples as well as models he has written in front of his students), student writing samples, and numerous assignments and strategies proven to elevate student writing. By helping teachers bring effective modeling practices into their classrooms, Write Like This enables students to become better adolescent writers. More important, the practices found in this book will help our students develop the writing skills they will need to become adult writers in the real world.

    In From Where You Dream, Butler reimagines the process of writing as emotional rather than intellectual, and tells writers how to achieve the dreamspace necessary for composing honest, inspired fiction. Proposing that fiction is the exploration of the human condition with yearning as its compass, Butler reinterprets the traditional tools of the craft using the dynamics of desire. Offering a direct view into the mind and craft of a literary master, From Where You Dream is an invaluable tool for the novice and experienced writer alike.

    As of August 30, 2013, this book has 35 5-star reviews and 8 4-star reviews on Amazon, out of a total of 45 reviews (average 4.7 out of 5 stars).Whether you’re planning your first novel or revising your fourth, you’ll discover lots of concrete ideas here for taking your fiction up a level or two, captivating readers, and gaining fans. Both published and aspiring authors of fast-paced, popular fiction will find these tips indispensable, and the reader-friendly format makes it easy to zoom in on specific advice, with examples, for creating compelling characters, planning a high-stakes plot, writing a riveting opening, ramping up the tension and intrigue, picking up the pace, revising for power, and creating a page-turner that sells.“Finally, someone who understands the thriller! More than ever an author must also be his own best editor and Jodie Renner is there to help. Writing a Killer Thriller should be on every thriller writer’s desk. It breaks down the thriller into its must-have component parts to write a scintillating, edge of the seat novel that will get readers buzzing and sales flowing.” ~ Robert Dugoni, New York Times bestselling author of The Jury Master and Murder One“Writing a Killer Thriller by Jodie Renner is an in-depth journey through each component of the thriller. Renner breaks down the process into key elements, each essential to keeping the reader turning those pages. From character development to building suspense, Writing a Killer Thriller should be on the desk of every thriller author out there. A staple for the beginner, a refresher for the pro.” ~ Joe Moore, #1 Amazon and international bestselling co-author of The Blade and The Phoenix Apostles“Writing is hard, editing harder, and self-editing almost impossible. Writing a Killer Thriller demystifies each of these steps on the road to a published manuscript. Read this book. It will help you now and for many years to come.”~ DP Lyle, Macavity Award winning and Edgar, Agatha, Anthony, Benjamin Franklin, Scribe, and USA Best Books nominated author of the Dub Walker thriller series“A killer of a thriller guide! Jodie Renner lays out, in clear, easy steps and lists, how the best writers craft their works of art – and shows how you can do it, too. A terrific how-to in avoiding the pitfalls and burnishing the gotta-haves of writing a bestselling thriller novel, by an editor who knows her way around action, drama and creating characters so fresh and real you’ll swear they were your friends.”~ Shane Gericke, national bestselling and No. 1 Kindle bestselling author of Torn Apart

    Polish your skills, build a winning resume and land the job you've always wanted. Books, magazines, Web sites, corporate documents - find out how to improve any type of publication and make yourself indispensable to writers, editors, and your boss.Balance between style and rules Master the art of the query Use proofreader symbols Edit and proof electronic documents Build a solid freelancing career

    The text includes full-length selections as well as student essays.

    Inventing the Truth offers wisdom from nine notable memoirists about their process (Ian Frazier searched through generations of family papers to understand his parents' lives), the hurdles they faced (Annie Dillard tackles the central dilemma of memoir: what to put in and what to leave out), and the unexpected joys of bringing their pasts to the page. Featured authors include Russell Baker on Growing Up; Jill Ker Conway on The Road from Coorain; Annie Dillard on An American Childhood; Ian Frazier on Family; Henry Louis Gates Jr. on Colored People; Alfred Kazin on A Walker in the City; Frank McCourt on Angela's Ashes; Toni Morrison on Beloved; and Eileen Simpson on Poets in Their Youth.

    Using charts, examples, and movies, the author breaks these key elements down into understandable components and walks the reader through the process of laying this foundation in his or her own work.Learn what causes sagging middles and how to fix them, which goals are important, which aren’t and why, how to get your characters to do what they need for your plot in a believable manner, and how to use conflict to create a good story. GMC can be used not only in plotting, but in character development, sharpening scenes, pitching ideas to an editor, and evaluating whether an idea will work.Be confident your ideas will work before you write 200 pages.Plan a road map to keep your story on track.Discovery why your scenes aren’t working and what to do about it.Create characters that editors and readers will care about.

    The reader will learn how to recognize common problems of writing. The reader will learn how to recognize words and phrases that should be cut; how to shorten cumbersome sentences; how to arrange the elements of pairs, series, and compound subjects and predicates; how to recognize and rectify mismanaged participles; and how to be on the lookout for the better word.The second part of the book consists of more than 1500 recommendations for cuts, changes, and comparisons that editors make to produce writing that is concise and effective.