It’s 1976, and while the country prepares to celebrate the bicentennial, Daniel Truitt’s family is falling apart. His father, Pete, has been fired from yet another teaching job, and his mother, Valerie, is one step away from leaving for good. But when Pete lucks into a crumbling mansion in the nation’s capital, he makes a bold plan to start a school under his own roof where students and teachers will be equals. Replete with the wry humor, human insight, and cultural resonance that characterizes Shreve’s critically acclaimed fiction, When the White House Was Ours will be a joy to anyone whose family has lived through an idealistic time and ended up in an era of compromise.

    It begins with a murderous chase through the streets of Kingston, Jamaica. When a local hard man escapes, the action moves to an unsuspecting Britain where Yardie drug dealers and criminals begin to die horribly. Meanwhile a small-time crook, Frank Newton, has gathered his posse to pull off the robbery that will finally give them financial independence - unaware that half the haul belongs to a London gang boss who knows who they are. In return for their lives they have to eliminate a merciless new Yardie chief, while they themselves are being shadowed by a tenacious police team. With millions of pounds now at stake, the risks are escalating, violence is soaring - and all is on course for a massive bloodbath

    Colleen Dugan works for the other one—not on Capitol Hill, but in a Chicago skyscraper that overlooks Lake Michigan, among coworkers with little to do but field calls from angry constituents while the future of the nation gets decided elsewhere. In the coming weeks, Colleen will navigate the perils of costumed protestors, thuggish union reps, vacuous interns, trifling bureaucrats, dirty tricks by the senator’s Republican rival, and the unexpected discovery of a scandalous secret that will give her the power to change the course of the election and shape her own fate—though not necessarily for the better. A quarter-life crisis viewed from the ghostly perspective of the Founding Fathers, this is a hilarious and heartbreaking story about American politics and the difficult business of being a good citizen: walking the tricky line between self-sacrifice and self-sabotage, between doing your part and knowing your place.

    It is October 23, 2018, and they are expecting Maurice’s estranged daughter (or is she?), Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles, rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today.

    A brilliant tale of ineptitude, self-righteousness, and human folly, it combines the mordant wit of W. Somerset Maugham with a sense of humor reminiscent of P.G. Wodehouse.When Dr. Sydney Prout is named the head of the United Nations mission to Elephant Island, he believes he is more than ready to meet the challenge of guiding its primitive inhabitants into the post-Colonial era, and eventually, full independence. But neither his many academic credentials nor the Journal of Race Relations have prepared Dr. Prout to reckon with the unrepentant bloody-mindedness of the natives, or anticipate the inventive ways their tribal philosophers will incorporate the most unlikely aspects of modern civilization into their religious lore and traditional way of life.Author Owen Stanley is an Australian explorer, a philosopher, and a poet who speaks seven languages. He is at much at home in the remote jungles of the South Pacific as flying his Staudacher aerobatic plane, deep-sea diving, or translating the complete works of Charles Darwin into Tok Pisin.

    Like Lucy, Lily has also fled an unhappy life in Yorkshire, but as Lily insinuates herself into Lucy's life, Lucy finds that she has gained a friend but lost her sometime lover, Teiji. "I had been in possession of a lover and a friend. Now I had neither. They had stolen themselves from each other and me." When Lily disappears and her body is found dismembered in Tokyo Bay, Lucy becomes the chief suspect and the focus of an intense police interrogation, through which she narrates her life story. From her unwelcome birth through her painful Yorkshire childhood, Lucy illuminates her growing fascination with music and language, both of which helped provide her means of escape.But Lucy now must struggle to prove her innocence in the murder of Lily. Alas, the first person she must convince is herself. "The defendant must decide how to plead. And here is my plea. Not guilty, but not not guilty.... I, of all people, should not be too hasty to judge." As she probes ever deeper into the enigmatic mind of Lucy Fly, Susanna Jones creates a brilliantly rendered drama of psychological suspense in which the ghostly vestiges of guilt, the thin line between love and obsession, and the seeming clarity of language combine to cloud the judgment of both character and reader alike.

    The doctor names her Kai, the Thai word for fever.Unable to recall what led her to end up at the bottom of a cliff, Kai’s only clue to her identity is a diary. Stuck in a foreign land with no memory, she begins to unpick the truth about her past. And she will discover who she and why she is in danger…This is Kai’s story.

    But in spite of his hopes and determination to build a better life, nothing goes to plan and Patrick is soon driven to take a desperate and chilling course of action.

    Toni Morrison uses modernist techniques of stream-of-consciousness, multiple perspectives, and deliberate fragmentation. Two different narrators tell the story. The first is Claudia MacTeer, who narrates in a mixture of a child’s and an adult’s perspectives, and the second is an omniscient narrator. Claudia’s and Pecola’s points of view are dominant, but the reader also sees things from other character’s points of view.The subtext of the first part of the novel ('Autumn' and 'Winter') suggests various topics. In my presentation, I mainly focus on the “Dick and Jane narrative” by means of which the novel opens. Furthermore, I will explore the themes “whiteness as the standard of beauty” and “seeing versus being seen” which are sometimes closely connected.'The Bluest Eye' provides an extended depiction of the ways in which internalized white beauty standards deform the lives of black girls and women. Implicit messages that whiteness is superior are everywhere, including the white baby doll given to Claudia, the idealization of Shirley Temple, the consensus that light-skinned Maureen is cuter than the other black girls, and the idealization of white beauty in the movies. Pecola eventually desires blue eyes in order to conform with these white beauty standards imposed on her.However, by wishing for blue eyes, Pecola indicates that she wishes to see things differently as much as she wishes to be seen differently.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    Hold your breath. Justin wants a sex life, not a sex death. Rebecca has breasts but doesn't understand them. She needs to talk to Dostoevsky about erections, hairy armpits and firing squads. Life is difficult. Steve wants cash so he can enjoy his trendy body. He wants Carly too, but she just wants a never-ending orgasm. Johnny wants to be touched and, if possible, he'd like to seem happy. Colin wants to know why tits make his fists clench.This is their story. They try their best. They drag their feet through the fashions, the foul, the famous and the drunk of twenty-first century Britain. They're looking for happiness. What they find is friction.

    When a chance meeting with an old school-mate develops into a secret friendship, Marion is reminded of the person she used to be. And might still be, if she leaves her domineering husband. But is it too late?

    Pong Lou is a larger-than-life, wildly creative Chinese American entrepreneur who sees something intriguing in Tiller beyond his bored exterior and takes him under his wing. When Pong brings him along on a boisterous trip across Asia, Tiller is catapulted from ordinary young man to talented protégé, and pulled into a series of ever more extreme and eye-opening experiences that transform his view of the world, of Pong, and of himself.In the breathtaking, "precise, elliptical prose" that Chang-rae Lee is known for (The New York Times), the narrative alternates between Tiller's outlandish, mind-boggling year with Pong and the strange, riveting, emotionally complex domestic life that follows it, as Tiller processes what happened to him abroad and what it means for his future. Rich with commentary on Western attitudes, Eastern stereotypes, capitalism, global trade, mental health, parenthood, mentorship, and more, My Year Abroad is also an exploration of the surprising effects of cultural immersion—on a young American in Asia, on a Chinese man in America, and on an unlikely couple hiding out in the suburbs. Tinged at once with humor and darkness, electric with its accumulating surprises and suspense, My Year Abroad is a novel that only Chang-rae Lee could have written, and one that will be read and discussed for years to come.

    For Tom already knows Danny Miller. When Danny was ten Tom helped imprison him for the killing of an old woman. Now out of prison with a new identity, Danny has some questions - questions he thinks only Tom can answer.Reluctantly, Tom is drawn back into Danny's world - a place where the border between good and evil, innocence and guilt is blurred and confused. But when Danny's demands on Tom become extreme, Tom wonders whether he has crossed a line of his own - and in crossing it, can he ever go back?

     Rowdy Talbot isn't the world's greatest bull rider. Not even close. But he lives by the cowboy code, and he never forgets to take off his cowboy hat during the national anthem. When Rowdy wins the rodeo in Crockett County, Colorado, he celebrates his triumph with two young Frenchwomen he meets in a local bar. The next morning, when he discovers that the two have left for Paris with the championship belt buckle he won, Rowdy does what any true cowboy would: he hops on a plane to the City of Light to retrieve it. What follows is a comic collision of cultures and personalities. In Rowdy in Paris, Tim Sandlin has concocted an unlikely but engaging mélange of characters: disaffected French revolutionaries, a turquoise-peddling CIA operative, and a middle-aged courtesan, all caught in a plot to destroy an American fast-food chain. At the center of the chaos is Rowdy himself, who finds as he searches for the belt buckle that there's another world beyond the back of a bull. By turns smart and satirical, biting and engaging, Rowdy in Paris is a surprisingly moving story about what it means to broaden one's horizons by opening one's heart.