He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Walk is in overdrive trying to protect them, but Vincent and Star seem bent on sliding deeper into self-destruction. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. At school the other kids make fun of Duchess―her clothes are torn, her hair a mess. But let them throw their sticks, because she’ll throw stones. Rules are for other people. She’s just trying to survive and keep her family together.A fortysomething-year-old sheriff and a thirteen-year-old girl may not seem to have a lot in common. But they both have come to expect that people will disappoint you, loved ones will leave you, and if you open your heart it will be broken. So when trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.Chris Whitaker has written an extraordinary novel about people who deserve so much more than life serves them. At times devastating, with flashes of humor and hope throughout, it is ultimately an inspiring tale of how the human spirit prevails and how, in the end, love―in all its different guises―wins.

    Jenny, the mother, is in charge of lopping any small limbs off the logs with a hatchet. Wade, the father, does the stacking. The two daughters, June and May, aged nine and six, drink lemonade, swat away horseflies, bicker, and sing snatches of songs as they while away the time.But then something unimaginably shocking happens, an act so extreme it will scatter the family in every different direction.In a story told from multiple perspectives and in razor-sharp prose, we gradually learn more about this act, and the way its violence, love and memory reverberate through the life of every character in Idaho.

    Each has a fate she must meet alone: one on a country road, one in the streets of Paris, and one in the corridors of her own imagination. Inhabiting their world are a charismatic man who cannot tell the truth, a neighbor who is not who he appears to be, a clumsy boy in Paris who falls in love and stays there, a detective who finds his heart’s desire, and a demon who will not let go.What does a mother do when one of her children goes astray? How does she save one daughter without sacrificing the others? How deep can love go, and how far can it take you? These are the questions this luminous novel asks. At once a coming-of-age tale, a family saga, and a love story of erotic longing, The Story Sisters sifts through the miraculous and the mundane as the girls become women and their choices haunt them, change them and, finally, redeem them. It confirms Alice Hoffman’s reputation as "a writer whose keen ear for the measure struck by the beat of the human heart is unparalleled" (The Chicago Tribune).

    They are happy, and the day has been close to perfect. But what Joan sees as she hustles her son toward the exit gate minutes before closing time sends her sprinting back into the zoo, her child in her arms. And for the next three hours—the entire scope of the novel—she keeps on running. Joan’s intimate knowledge of her son and of the zoo itself—the hidden pathways and under-renovation exhibits, the best spots on the carousel and overstocked snack machines—is all that keeps them a step ahead of danger.A masterful thrill ride and an exploration of motherhood itself—from its tender moments of grace to its savage power—Fierce Kingdom asks where the boundary is between our animal instinct to survive and our human duty to protect one another. For whom should a mother risk her life?

    Ev invites Mabel to spend the summer at Bittersweet, her cottage on the Vermont estate where her family has been holding court for more than a century; it’s the kind of place where children twirl sparklers across the lawn during cocktail hour. Mabel falls in love with midnight skinny-dipping, the wet dog smell that lingers near the yachts, and the moneyed laughter that carries across the still lake while fireworks burst overhead. Before she knows it, she has everything she’s ever wanted: friendship, a boyfriend, access to wealth, and, most of all, for the first time in her life, the sense that she belongs.But as Mabel becomes an insider, a terrible discovery leads to shocking violence and reveals what the Winslows may have done to keep their power intact - and what they might do to anyone who threatens them. Mabel must choose: either expose the ugliness surrounding her and face expulsion from paradise, or keep the family’s dark secrets and make Ev’s world her own.

    But on Miranda’s twelfth birthday, Billy has a mysterious falling-out with her mother and suddenly disappears from Miranda’s life. She doesn’t hear from him again until sixteen years later when she receives unexpected news: Billy has died and left her Prospero Books, which is teetering on bankruptcy—and one final scavenger hunt.

    The case rocked the small farm town of Penny Gate, Iowa, where Jack was raised, and for years Jack avoided returning home. But when his beloved aunt Julia is in an accident, hospitalized in a coma, Jack and Sarah are forced to confront the past that they have long evaded. Upon arriving in Penny Gate, Sarah and Jack are welcomed by the family Jack left behind all those years ago—barely a trace of the wounds that had once devastated them all. But as facts about Julia's accident begin to surface, Sarah realizes that nothing about the Quinlans is what it seems. Caught in a flurry of unanswered questions, Sarah dives deep into the puzzling rabbit hole of Jack's past. But the farther in she climbs, the harder it is for her to get out. And soon she is faced with a deadly truth she may not be prepared for.

    Lydia Smith lives her life hiding in plain sight. A clerk at the Bright Ideas bookstore, she keeps a meticulously crafted existence among her beloved books, eccentric colleagues, and the BookFrogs.....the lost and lonely regulars who spend every day marauding the store’s overwhelmed shelves. But when Joey Molina, a young, beguiling BookFrog, kills himself in the bookstore’s upper room, Lydia’s life comes unglued. Always Joey’s favorite bookseller, Lydia has been bequeathed his meager worldly possessions. Trinkets and books; the detritus of a lonely, uncared for man. But when Lydia flips through his books she finds them defaced in ways both disturbing and inexplicable. They reveal the psyche of a young man on the verge of an emotional reckoning. And they seem to contain a hidden message. What did Joey know? And what does it have to do with Lydia? As Lydia untangles the mystery of Joey’s suicide, she unearths a long buried memory from her own violent childhood. Details from that one bloody night begin to circle back. Her distant father returns to the fold, along with an obsessive local cop, and the Hammerman, a murderer who came into Lydia’s life long ago and, as she soon discovers, never completely left.

    Now, two years later, it is time for her to come to terms with marriage, career, family, parenthood, and Kevin's horrific rampage in a series of startlingly direct correspondences with her estranged husband, Franklin. Uneasy with the sacrifices and social demotion of motherhood from the start, Eva fears that her alarming dislike for her own son may be responsible for driving him so nihilistically off the rails.

    After twenty-seven years of marriage and three children, Annie has fallen in love with Viveca, the wealthy, cultured, confident Manhattan art dealer who orchestrated her professional success.Annie and Viveca plan to wed in the Oh family's hometown of Three Rivers, Connecticut, where gay marriage has recently been legalized. But the impending wedding provokes some very mixed reactions and opens a Pandora's box of toxic secrets—dark and painful truths that have festered below the surface of the Ohs' lives.We Are Water is an intricate and layered portrait of marriage, family, and the inexorable need for understanding and connection, told in the alternating voices of the Ohs—nonconformist Annie; her ex-husband, Orion, a psychologist; Ariane, the do-gooder daughter, and her twin, Andrew, the rebellious only son; and free-spirited Marissa, the youngest Oh. Set in New England and New York during the first years of the Obama presidency, it is also a portrait of modern America, exploring issues of class, changing social mores, the legacy of racial violence, and the nature of creativity and art.With humor and breathtaking compassion, Wally Lamb brilliantly captures the essence of human experience in vivid and unforgettable characters struggling to find hope and redemption in the aftermath of trauma and loss. We Are Water is vintage Wally Lamb—a compulsively readable, generous, and uplifting masterpiece that digs deep into the complexities of the human heart to explore the ways in which we search for love and meaning in our lives.

    A loving wife. And in-laws to die for.Gemma Robinson comes into Elliot’s life like a whirlwind, and they marry and settle into his home. When she asks him if her parents can come to stay for a couple of weeks, he is keen to oblige – he just doesn’t quite know what he’s signing up for.The Robinsons arrive with Gemma’s sister, Chloe, a mysterious young woman who refuses to speak or leave her room. Elliot starts to suspect that the Robinsons are hiding a dark secret. And then there are the scars on his wife’s body that she won’t talk about . . .As Elliot’s in-laws become more comfortable in his home, encroaching on all aspects of his life, it becomes clear that they have no intention of moving out. To protect Gemma, and their marriage, Elliot delves into the Robinsons’ past. But is he prepared for the truth?

    By 2016, their four radically different daughters are each in a state of unrest: Wendy, widowed young, soothes herself with booze and younger men; Violet, a litigator-turned-stay-at-home-mom, battles anxiety and self-doubt when the darkest part of her past resurfaces; Liza, a neurotic and newly tenured professor, finds herself pregnant with a baby she's not sure she wants by a man she's not sure she loves; and Grace, the dawdling youngest daughter, begins living a lie that no one in her family even suspects. Above it all, the daughters share the lingering fear that they will never find a love quite like their parents'.As the novel moves through the tumultuous year following the arrival of Jonah Bendt--given up by one of the daughters in a closed adoption fifteen years before--we are shown the rich and varied tapestry of the Sorensons' past: years marred by adolescence, infidelity, and resentment, but also the transcendent moments of joy that make everything else worthwhile.

    When her fog of sleep clears, she finds her world is suddenly, irretrievably shattered: Her husband, Brendan, has committed suicide.The first few hours following Nora’s devastating discovery pass for her in a blur of numbness and disbelief. Then, a disturbing awareness slowly settles in: Brendan left no note and gave no indication that he was contemplating taking his own life. Why would a rock-solid police officer with unwavering affection for his wife, job, and quaint hometown suddenly choose to end it all? Having spent a lifetime avoiding hard truths, Nora must now start facing them.Unraveling her late husband’s final days, Nora searches for an explanation—but finds a bewildering resistance from Brendan’s best friend and partner, his fellow police officers, and his brittle mother. It quickly becomes clear to Nora that she is asking questions no one wants to answer. For beneath the soft cover of snow lies a powerful conspiracy that will stop at nothing to keep its presence unknown . . . and its darkest secrets hidden.

    Julia Cates was one of the country's preeminent child psychiatrists until a shocking tragedy ruined her career. Retreating to her small western Washington hometown, Julia meets an extraordinary six-year-old girl who has inexplicably emerged from the deep woods nearby—a child locked in a world of unimaginable fear and isolation. To Julia, nothing is more important than saving the girl she now calls Alice. But Julia will need help from others, including the sister she barely knows and a handsome doctor with secrets of his own. What follows will test the limits of Julia's faith and strength, as she struggles to find a home for Alice . . . and for herself.

    Missing is gone.When Felix Brewer meets nineteen-year-old Bernadette "Bambi" Gottschalk at a Valentine's Day dance in 1959, he charms her with wild promises, some of which he actually keeps. Thanks to his lucrative—if not all legal—businesses, she and their three little girls live in luxury. But on the Fourth of July in 1976, Bambi's comfortable world implodes when Felix, facing prison, vanishes.Though Bambi has no idea where her husband—or his money—might be, she suspects one woman does: his devoted young mistress, Julie. When Julie disappears ten years to the day after Felix went on the lam, everyone assumes she's left to join her old lover—until her remains are discovered in a secluded park.Now, twenty-six years later, Roberto "Sandy" Sanchez, a retired Baltimore detective working cold cases for some extra cash, is investigating her murder. What he discovers is a tangled web of bitterness, jealousy, resentment, greed, and longing stretching over five decades. And at its center is the man who, though long gone, has never been forgotten by the five women who loved him: the enigmatic Felix Brewer.Felix Brewer left five women behind. Now there are four. Does at least one of them know the truth?