This beautifully illustrated compendium of first-person comics about the trials of the single life, school, stress, junk food, shaving, and maintaining a healthy self-image. Cassandra Calin's comics frequently highlight the humorous gap between expectations and reality, especially when it comes to appearance and how much she can accomplish in one day.

    Readers follow Lanzac’s fictionalized self, Arthur Vlaminck, a speechwriter for the French Foreign Minister. As part of a team of flamboyant ministerial advisors, he has been tasked with drafting France’s response to the growing international crisis in the Middle East, which is then delivered before the United Nations Security Council. A graphic milestone of diplomacy, Weapons of Mass Diplomacy—a bestseller in Europe—pro­vides a revelatory account of a period that saw French fries become “freedom fries” and an alternative perspective on the decisions leading up to the U.S.-led invasion of Iraq.

    Much has been written about this larger-than-life pitcher, but when it comes to Paige, fact does not easily separate from fiction. He made a point of writing his own historyand then re-writing it. A tall, lanky fireballer, he was arguably the Negro League's hardest thrower, most entertaining storyteller and greatest gate attraction. Now the Center for Cartoon Studies turns a graphic novelist's eye to Paige's story. Told from the point of view of a sharecropper, this compelling narrative follows Paige from game to game as he travels throughout the segregated South. In stark prose and powerful graphics, author and artist share the story of a sports hero, role model, consummate showman, and era-defining American.

    Oh, and the hero is a drug-sniffing beagle named Pretzels. Collects THE FIX #1-4.

    With the Houses of the Trust warily circling each other, looking for the right angle to take in their impending war, the remaining Minutemen continue to pick their sides - and set up their own battle plans.

    This graphic novel/photo-journal is a record of one reporter’s arduous and dangerous journey through Afghanistan, accompanying the Doctors Without Borders. Didier Lefevre’s photography, paired with the art of Emmanuel Guibert, tells the powerful story of a mission undertaken by men and women dedicated to mending the wounds of war.

    Tough as nails true tales of the world's baddest mobs, gangs, and ne'er do wells, this entry in the popular BIG BOOKS series focuses on gangs from ancient India to the mean streets of New York, from the Revolutionary War to the Wild West.

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    A Scarecrow Warrior God walks into a bar...and proceeds to drag a modern American city into a ten-thousand-year-old grudge-match! A bizarre new adventure—complete with boozehound shamans, monster queens, and a football-fetching hydra! Featuring an extended sketchbook section and a few surprises!Collects RUMBLE #1-5

    A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith.

    Presented in a loose narrative style that can be read front to back or dipped into at one’s leisure, the book spans three years of Debbie's life, from the end of college to the present day. In these early years of adulthood, Debbie slowly but finally discovers there is a name for her lifelong need to be alone: she’s an introvert.The first half of the book traces Debbie’s final year in college: socializing with peers, dating, falling in love (with an extrovert!), moving in, getting married, meeting new people, and simply trying to fit in. The second half looks at her life after graduation: finding a job, learning to live with her new husband, trying to understand social obligations when it comes to the in-laws, and navigating office life. Ultimately, Quiet Girl sends a positive, pro-introvert message: our heroine learns to embrace her introversion and finds ways to thrive in the world while fulfilling her need for quiet.

    There's no telling what she'll turn into - but Luna's got a plan. All she needs is an Omni-Wave Projector. Easy, right? That is, until a red-scaled beast is teleported from the prehistoric past to a far-flung future we call...today! Together they're the most Marvelous Team-Up of all - the Inhuman Moon Girl and time-tossed Devil Dinosaur! But will they be BFFs forever, or just until DD's dinner time? And Lunella soon learns that there are other problems with a having a titanic T. Rex as a pet in the modern-day Marvel Universe. School, for one. Monster hunters are another - especially when they're the Totally Awesome Hulk! Then there's the fact that everyone's favorite dino didn't journey through time alone. Beware the prehistoric savages known as the Killer-Folk - New York City's deadliest tourists! Can Lunella handle all this turmoil... and keep herself from transforming into an Inhuman monster? Collecting MOON GIRL AND DEVIL DINOSAUR #1-6.

    An anthology of cartoons from the syndicated comic strip, "Bloom County" encompasses highlights from the five-year span of the strip.

    Davis is one of the finest cartoonists of her generation, and has been producing comics since the mid-2000s. Happy represents the best stories she's drawn for such curatorial venues as Mome and No-Brow, as well as her own self-publishing and web efforts. Davis achieves a rare, subtle poignancy in her narratives that are at once compelling and elusive, pregnant with mystery and a deeply satisfying emotional resonance. Happy shows the full range of Davis's graphic skills -- sketchy drawing, polished pen and ink line work, and meticulously designed full color painted panels-- which are always in the service of a narrative that builds to a quietly devastating climax.

    Written by Warren Ellis, this collection features a host of one and two-page pieces from comics' finest artists illustrating excerpts from the Word columns of crazed outlaw journalist Spider Jerusalem.