Chulito, which means "cutie," is one of the boys, and everyone in his neighborhood has seen him grow up—the owner of the local bodega, the Lees from the Chinese restaurant, his buddies from the corner, and all of his neighbors and friends, including Carlos, who was Chulito's best friend until they hit puberty and people started calling Carlos a pato . . . a faggot.Chulito rejects Carlos, buries his feelings for him, and becomes best friends with Kamikaze, a local drug dealer. When Carlos comes home from his first year away at college and they share a secret kiss, Chulito's worlds collide as his ideas of being a man, being macho, and being in love are challenged. Vivid, sexy, funny, heartbreaking, and fearless, this brilliant work is destined to become a queer classic.

    . . There’s plenty of reason to hope for the future of a fiction that welcomes writers with such a passionate sense of the past.”–San Jose Mercury NewsOn New Year’s Day, 1959, Alejandra San José was born in Havana, entering the world through the heart of revolution. Fearing the turmoil brewing in Cuba, her parents took Ale and fled to the shores of North America–ending up in Chicago amid a close community of Cuban refugees. As an adult, Ale becomes an interpreter, which takes her back to her homeland for the first time. There, she makes her way back through San José history, uncovering new fragments of truth about the relatives who struggled with their own identities so long ago. For the San Josés, ostensibly Catholics, are actually Jews. They are conversos who converted to Christianity during the Spanish Inquisition. As Alejandra struggles to confront what it is to be Cuban and American, Catholic and Jewish, she translates her father’s troubling youthful experiences into the healing language of her own heart.“Lyrically written, Days of Awe reflects the way Cuban Spanish is spoken with poetic rhythm and frankness.”–Ms.“An ambitious work . . . A deft talent whose approach to sex, religion, and ethnicity is keenly provocative.” –Miami Herald“With intelligent, intense writing, Obejas approaches . . . the heady climes of Cuban American stalwarts Oscar Hijuelos and Cristina Garcia.”–Library Journal (starred review)

     She's the ultimate career girl. Devoted to work, with no time for anything more than casual steamy encounters. But all that changes when the missing persons story leads her to the enigmatic Callie. Callie is a family friend of the missing girl and an invaluable lead. The attraction between the two women is immediate, all consuming. Does Callie hold the answers to the mysterious disappearance? And beyond that, is she the one woman who can hold Astrid's attention beyond a sensational story?

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    North Morgan's third novel moves beyond the confines of fiction to examine how homosexuality's acceptance into society has created a new breed of demons for a generation of men born as outsiders yet living at the forefront of popular culture. Heartbreaking but never far from humour, Love Notes to Men Who Don't Read confirms Morgan's place as the leading interpreter of gay culture on either side of the Atlantic.

    Shan Hai Gaaru". This 2011 U.S. edition features an excerpt of the author’s WNYC Leonard Lopate Essay Contest-winning new novel "Memoirs of a Eurasian". In the post-Cultural Revolution Shanghai of 1984, university senior Sha-fei Hong longs to study in the U.S. for graduate school, ostensibly to pursue the American Dream, but partly to escape her sexually-harassing Communist cadre stepfather. She meets the visiting Chinese-American businessman Gordon Lou, who has political ambitions and ties to the Chinatown underworld in the U.S. He takes Sha-fei to the American Consulate in Shanghai to look into studying in America. There, Sha-fei meets the intern Edward Cook, a young, Caucasian American lawyer who has a strong preference for all things Asian. Within a year, these three people of entirely different cultural and socio-economic backgrounds cross paths in New York. Value systems and self-interests clash. The curtain falls on a dramatic stage of ambition, sex, intrigue, and murder.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    City of lights, City of love... City of drama! With a year remaining on Dominique's first presidential term, the Laroche camp is gearing up for her re-election campaign. Dominique herself, however, doesn't seem so keen on going through it all again.Aurore and Solange's relationship has been on and off so many times, nobody can keep count. The prospect of being on opposing sides of an election campaign is proving too difficult to overcome. Unless one of them can find it in her heart to make a sacrifice.Claire is showing signs of a midlife crisis. Rather than test her marriage to Margot, her behaviour puts in danger Barbier & Cyr, and her friendship with Juliette and Steph.Partnerships will be questioned, loyalties will shift and priorities will be reassessed as favourite characters, and old foes, return for a new season of Parisian drama and intrigue.Warning: This title contains sensual language, ladies making love, copious wine consumption and the occasional bout of political backstabbing.

    Jody is in his forties and runs a map store. Not one for the outside world, he stays in his store all the time. His friend, Carl is in his late thirties and has been bringing chairs of dead friends into Jody's store and leaving them there. When Jody needs to take an AIDS test, Carl tries to convince him it is not only okay to leave the store, but also that he must take responsibility for his life. If he doesn't, he will join the set of chairs that Carl has taken great pains to place in the right spots around the store. Jody finally leaves the map store to take his HIV test and return to find Carl sitting in a chair of his own. With this gesture, we know that Carl has joined the many of their friends who have died, but now Jody must take Carl's place as the caretaker.

    Infectiously moody and murderously comic, Castillo chronicles the rapturous beginnings, melancholy middles, and bittersweet endings of modern romance between men and women, men and men, and women and women.

    Auditioning for one of the luxury hotels in the Dominican Republic, Selena casts her spell over Hugo Graubel, one of the hotel's rich investors. Graubel is a powerful man in the Republic, married with children. Silena, determined to escape the poverty and abuse s/he suffered as a child, engages Graubel in a long seduction in this mordant, intensely lyrical tragi-comedy - part masque, part cabaret - about identity (class, race, gender) and "the hunger and desire to be other things."

    Almost one hundred years later, a groom-to-be prepares for his gay wedding.Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals.Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events - such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent - through deeply affecting and personal rites-of-passage stories.Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were staged at The Old Vic in London.This volume includes:The Man on the Platform by Mark GatissThe Perfect Gentleman by Jackie CluneSafest Spot in Town by Keith JarrettMissing Alice by Jon BradfieldI Miss the War by Matthew BaldwinMore Anger by Brian FillisA Grand Day Out by Michael DennisSomething Borrowed by Gareth McLean

    Things get more complicated when she realizes the groom's mother was her best friend back in high school - the first woman who ever made her heart beat faster, as well as her first kiss. Gloria and Bethany reconnect during the engagement, and Gloria begins to wonder if she could have her own fairytale romance. Is it too late for Gloria to find love? Or could the mother of the bride be the star of her own story?

    His grandmother burns his precious crosses for kindling. His cousins meet to plot their grandfather's death. Yet in the hills surrounding his home, another reality exists, a place where his mother wears flowers in her hair, and his cousin Celestino, a poet who inscribes verse on the trunks of trees, understands his visions. The first novel in Reinaldo Arenas's "secret history of Cuba," a quintet he called the Pentagonia, Singing from the Well is by turns explosively crude and breathtakingly lyrical. In the end, it is a stunning depiction of a childhood besieged by horror--and a moving defense of liberty and the imagination in a world of barbarity, persecution, and ignorance.

    It is an exploration of intimacy, identity, and the courage it takes to be who you really are.