During that one blustery winter solstice day, between the railway station and the church where a funeral mass is underway, he meets old villagers, forgotten neighbours, and characters who are either imagined or real. But there's only one person he seeks: the von Croft twin he taught to read music and to whom he wants to atone.Soucy creates a world where nothing is left to chance and the line between dream and reality is always shifting.

    It begins on a bull-breeding ranch in southern Andalucia, Spain, and takes the reader to Mexico and then back to Spain.The story centres on a girl named Luna Caballero Garcia, orphaned young and working as a servant of the famed Garcia family. Luna is determined to become a bullfighter, despite her lowly station in life and the fact that women are prohibited from graduating to the status of matador-do-toros. She burns for the ring, and is willing to bend or break any rule to enter it.Fortunately, Luna finds unlikely patrons in her master’s sons. Manuel, an aspiring poet and socialist, sees in his surrogate sister the genius he wishes he was; Pedro sees a chance to make an astonishing amount of money. The trio decides to travel abroad where Luna will have the opportunity to prove her skill but she knows her true destiny lies in the blood-soaked sands of home.Matadora is a powerful, compelling exploration of love and ambition. The pain that drives all our ambition, the yearning for love it reveals, the lengths we go to win love, and the price we pay along the way. Matadora is about someone like you, trying against all odds, to win love.

    Barbeau, in keeping with the popular thinking of the time, believed First Nations cultures were about to disappear completely, and that it was up to him to preserve what was left of these dying cultures while he could. Unfortunately, his methods of preserving First Nations cultures included purchasing totem poles and potlatch items from struggling communities in order to sell them to museums. While Barbeau strove to protect First Nations cultures from vanishing, he ended up playing an active role in dismantling the very same cultures he tried to save.Drawing inspiration from Barbeau’s canonical book Totem Poles, Jordan Abel explores the complicated relationship between First Nations cultures and ethnography. His poems simultaneously illuminate Barbeau’s intentions and navigate the repercussions of the anthropologist’s actions.Through the use of erasure techniques, Abel carves out new understandings of Barbeau’s writing – each layer reveals a fresh perspective, each word takes on a different connotation, each letter plays a different role, and each punctuation mark rises to the surface in an unexpected way. As Abel writes his way ever deeper into Barbeau’s words, he begins to understand that he is much more connected to Barbeau than he originally suspected.

    From the award-winning author of The Golden Mean.Saskia and Jenny are twins who are alike only in appearance. Saskia is a hard-working grad student whose interests are solely academic, while Jenny, an interior designer, is glamourous, thrill-seeking, capricious and narcissistic. Still, when Jenny is severely injured in an accident, Saskia puts her life on hold to be with her sister.Sara and Mattie are sisters with a difficult relationship. Mattie, the younger sister, is affectionate, curious and intellectually disabled. As soon as Sara is able, she leaves home, in pursuit of a life of the mind and the body: she loves nothing more than fine wines, sensual perfumes, and expensive clothing. But when their mother dies, Sara inherits the duty of caring for her sister. Arriving at the house one day, she finds out that Mattie has married Robert, her wealthy mother's handyman. Though Mattie seems happy, Sara cannot let this go, forcing the annulment of the marriage and the banishment of Robert. With him out of the picture, though, she has no choice but to become her sister's keeper, sacrificing her own happiness and Mattie's too. When Robert turns up again, another tragedy happens. The waves from these events eventually engulf Sara and Saskia, sisters in mourning, in a quest for revenge.Consent is a startling, moving, thought-provoking novel on the complexities of familial duty and on how love can become entangled with guilt, resentment and regret.

    Now new generations of readers will rediscover not only the early, though no less accomplished and passionate, work of one of our most beloved writers, but poetry that resonates loudly with relevance today.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    Her work as a translator draws her into an underworld of family-controlled drug cartels operating out of South America, and she falls in love with a son in one such family. Pregnant, she is kidnapped to an island off the coast of Colombia and slowly tricked into a dependence on cocaine. Her narrative - violent and bizarre, but also riveting, erotic and filled with the heady flamboyance of orchids - runs parallel to her account of life in "Death Clinic," as Death Row is called at the Heaven Valley Facility for Women. It is a moving story of friendship amongst three female inmates - portrayed with devastating wit - who share only the fact that they each have a date with the executioner.Cargo of Orchids swings through comedy and tragedy to shed a gradual, eerie light on the questions of guilt and innocence and moral ambiguity that lie at its heart.Excerpt from Cargo of Orchids:"Despite the freight of anger she carries, Rainy seems so frail it is hard to imagine her giving birth to anything heavier than tears. Rainy gave birth to twins and six months later left them on the railway tracks. She claims it prejudiced the jury. If she'd smothered them or driven them off a pier, it would have been more socially acceptable.-- But abandoning your kids on the tracks wasn't in fashion. She wishes now she'd gone out drinking for the evening instead, but she didn't have enough money to hire a babysitter and pay for the beer."

    Bands like The Tragically Hip, Blue Rodeo, and Sloan created a fever pitch for Canadian music, but there were also numerous others in the underground who created equally exciting work. This vital, lively, and entertaining examination of a groundbreaking decade contains vivid original photographs and interviews with all the major players.

    . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York TimesWhat if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema?These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The book is available with four different back covers, designed by artists Hadley+Maxwell.A quorum of crows will be your witness.And if you discover you were bought?You note the smell of rain, bread, and exhaust mixed with tiredness.And if you yourself are incompatible with your view of the world?And what is the subject but a stitching?Once again you are the one who promotes artifice.At 2 am on Friday, you burn with a maudlin premonition.And rankings and rankings and badges and repetitions.Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.

    Five families. One block.Ask yourself: How well do you know your neighbours? How well do you know your own family? Ultimately, how well do you know yourself? How deeply do the threads of your own life entwine with those around you? Do you ever really know how tightly those threads are knotted? Do you want to know?

    Nathanael "Crybaby" Isbister was once the greatest baseball player in the world, but now he's a down-on-his-luck drifter on the road to oblivion.  That is until he wanders into a circus sideshow troupe stranded in a tiny Michigan town dominated by a hellfire-and brimstone religious sect.  The sect vows to drive the troupe out, but give them one unlikely chance to remain--the baseball game to end all baseball games.A funny, moving novel, Home Game walks the straight but delicate line between absurdity and compassion with dazzling style and expertise.

    Oddly) Flowers is living quietly in Oregon with Winnifred, her tortoise, when she finds out her dear father has been knocked into a coma back in Newfoundland. Despite her fear of flying, she goes to him, but not before she reluctantly dumps Winnifred with her unreliable friends. Poor Winnifred. When Audrey disarms an Air Marshal en route to St. John’s we begin to realize there’s something, well, odd about her. And we soon know that Audrey’s quest to discover who her father really was—and reunite with Winnifred—will be an adventure like no other.

    In the aftermath of Hurricane Hazel, a young cop, Ray Townes, emerges as a hero. There are numerous accounts of his bravery, of the way he battled all night to save those who were trapped in houses swept away by the raging Humber River. His story is featured prominently in the newspapers, thrusting him into the spotlight as a local celebrity. His wife performs her own small miracles that night. Mary is a nurse at St. Joseph’s Hospital and she treats many of the survivors. The emergency room is overrun; the hallways are slick with river mud: of course, her feats go almost unnoticed. But among the victims she treats there is a woman, disoriented and near death, who reveals mad-seeming details of her ordeal — details that lead Mary to doubt her husband’s heroism. The officer and the nurse (with a new house, new friends, and plans for a family) try to normalize their life together in a shell-shocked city, but Mary also searches for the truth about her husband. Is he simply the tired hero who stares out at her from the cover of the Globe and Mail, or is it a much darker figure who sits across the table from her at breakfast? Definitive answers are elusive . . . Fifty years later, when a reporter comes knocking, wanting to revisit that violent night, the missing details finally surface — and threaten to destroy them.

    A collection of linked stories that navigate the difficult realm of friendship, charting its beginnings and endings, its intimacies and betrayals, its joys and humiliations.

    Newman, Canada's most "cussed and discussed" political journalist, on the death spiral of the Liberal Party.The May 2, 2011 federal election turned Canadian governance upside down and inside out. In his newest and possibly most controversial book, bestselling author Peter C. Newman argues that the Harper majority will alter Canada so much that we may have to change the country's name. But the most lasting impact of the Tory win will be the demise of the Liberal Party, which ruled Canada for seven of the last ten decades and literally made the country what it is. Newman chronicles, in bloody detail, the de-construction of the Grits' once unassailable fortress and anatomizes the ways in which the arrogance embedded in the Liberal genetic code slowly poisoned the party's progressive impulses.When the Gods Changed is the saga of a political self-immolation unequalled in Canadian history. It took Michael Ignatieff to light the match.