Tobias is obsessed with two things: God and girls. Mostly girls, of course. But being a Baptist preacher's son, he can't escape God. When his father is blinded in a bizarre accident (involving hard cider and bird droppings), Tobias must ride the rails to Texas to recover a long-hidden stash of money. Along the way, he's initiated into the hobo brotherhood by Craw, a ribald vagabond-philosopher. Obstacles arise in the form of a saucy prostitute, a flaming boxcar, and a man-eating catfish. But when he meets Sarah, a tough farm girl under a dark curse, he finds out that the greatest challenge of all is love.

    Those of humble birth suffer their heartbreaks and celebrate their triumphs unnoticed by the bards, leaving no trace in the fables of their time.... And so begins Elise Dalriss's storyWhen she hears her great-granddaughter recount a tale about a beautiful princess awakened by a handsome prince, it pushes open a door to the past, a door Elise has long kept locked. For Elise was the companion to the real princess who slumbered - and she is the only one left who knows the truth of what happened so many years ago.As the memories start to unfold, Elise is plunged back in to the magnificent world behind the opulent palace walls. Fleeing a hardscrabble existence and personal tragedy, she builds a new life for herself as a servant to the royal family and quickly rises within the castle hierarchy. As Elise proves herself a loyal confidante, she is drawn into the lives of an extraordinary cast of women: a beautiful queen who wakes each morning with tears on her pillow, an elderly spinster who in heartache shuts herself away, a princess who yearns to be free, and the ambitious and frightening sister who cannot accept the fact that she will never rule. Elise has guarded their secrets - and her own - for a lifetime. While Beauty Slept is her story.In this rich and compelling novel of love and terror, friendship and fate, we are introduced to a heroine of extraordinary determination - the true heart of a legend - who reveals what it really takes to reach happily ever after.

    In between, this vast, sprawling carnival of a book takes in Coney Island and the Lower East Side, midgets and gangsters, Bowery bars and opium dens, even Sigmund Freud and Carl Jung. It is, in short, a novel as big, lively, and ambitious as Gotham itself, and if you can stomach some of the more garish local color, it's every bit as much fun. Set at the turn of the century, in a New York as polyglot as any city on earth, Dreamland opens with an act of misplaced--and very stupid--compassion. Eastern European immigrant Kid Twist intervenes when villainous gangster Gyp the Blood is on the verge of murdering a young newsboy for sport. But surprise: that's no street urchin--that's Trick the Dwarf, self-proclaimed Mayor of Little City and a Coney Island tout, who dresses up as a boy, he says, as "a way I had of leaving myself behind." Trick hides Kid Twist in the hind parts of the Tin Elephant Hotel; Kid Twist meets Esther Abramowitz, impoverished seamstress and labor agitator, then falls in love; Trick woos Mad Carlotta, a three-foot beauty who thinks she's the Empress of Mexico; and Freud and Jung sail for America, where they squabble about psychoanalysis. There are also a few subplots involving police corruption, Tammany Hall, and the Triangle Shirtwaist Fire--but who's counting? Suffice to say that it all really does come together in the end, and you won't be bored for one step of the way. Baker served as chief historical researcher for Harold Evans's The American Century, and it's clear that he put his time there to good use; Dreamland is full of vivid historical detail, from Lower East Side slang to the lyrics of popular songs. If this is middlebrow entertainment, it's middlebrow in the same way as Dickens: extravagantly plotted, elegantly written, and compassionate to the core. --Mary Park

      The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.   Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.

    But she knows who you are…Suzi did a bad thing. She’s paying for it now, pregnant, scared, and living in an isolated cottage with her jealous husband, Nick.When Nora moves into the only house nearby, Suzi is delighted to have a friend. So much so that she’s almost tempted to tell Nora her terrible secret. But there’s more to Nora than meets the eye. It’s impossible—does she already know what Suzi did?Meanwhile, Elle spends her days in her perfect home, fixated on keeping up appearances. But when her husband betrays her, it unravels a secret going all the way back to her childhood. She’ll do whatever it takes to hold on to him, even if that means murder. After all, she’s done it before…Caught up in their own secrets and lies, these strangers will soon realise they have more in common than they could ever have imagined. When a shocking event brings them together, their lives will never be the same again.

    In Like A Charm, the cream of British and American crime writers combine for a must-have collection. From nineteenth-century Georgia, where the bracelet is forged in fire, to wartime Leeds, a steam train across Europe, the violent backstreets of 1980s Scotland, present-day London, a Manhattan taxi, the Mojave desert and back to Georgia, each writer weaves a gripping story of murder, betrayal and intrigue.

    Babs plays by no one’s rules: naked Christmas cards, lavish theme parties with lewd installations at her Lake Shore Drive penthouse, nocturnal visits from her married lover, who “admires her centerfold” while his wife sleeps at their nearby home. Bettina wants nothing more than to win her mother’s affection and approval, both of which prove elusive. When she escapes to an elite New Hampshire prep school, Bettina finds that her unorthodox upbringing makes it difficult to fit in with her peers, one of whom happens to be the son of Babs’s lover. As she struggles to forge an identity apart from her mother, Bettina walks a fine line between self-preservation and self-destruction. As funny as it is scandalous, The Chocolate Money is Mommie Dearest, Prep, and 50 Shades of Gray all rolled into one compulsively readable book.

    Taking advantage of the absolute latest advances in wood pulp technology, Building Stories is a book with no deliberate beginning nor end, the scope, ambition, artistry and emotional prevarication beyond anything yet seen from this artist or in this medium, probably for good reason.

    Marisa Silver's singular voice makes us care deeply about their everyday desperations and hard-won hopes.

    In this empowering retelling, she uses the mythology of the goddess to weave a common thread through the past and present. By the end of this book, Aphrodite make you believe in the possibility of your own healing.

    There’s a story out there buried in the muck, and Jordan Walsh, coming from a family of esteemed reporters, wants to be the one to dig it up. But it’s 1955, and the men who dominate the city room of the Chicago Tribune have no interest in making room for a female cub reporter. Instead Jordan is relegated to society news, reporting on Marilyn Monroe sightings at the Pump Room and interviewing secretaries for the White Collar Girl column.Even with her journalistic legacy and connections to luminaries like Mike Royko, Nelson Algren, and Ernest Hemingway, Jordan struggles to be taken seriously. Of course, that all changes the moment she establishes a secret source inside Mayor Daley’s office and gets her hands on some confidential information. Now careers and lives are hanging on Jordan’s every word. But if she succeeds in landing her stories on the front page, there’s no guarantee she’ll remain above the fold.…

    A dazzling tour de force, Bright Shiny Morning illuminates the joys, horrors, and unexpected fortunes of life and death in Los Angeles.

    He’s off-limits.At least that’s what I’ve always told myself.Then when he comes back into town, he keeps showing up just when I need him.My ex-husband is causing problems, threatening to take my daughter.And I feel like I’m about to lose it all.I know I should figure this out on my own, but Bart’s not having it.He’s taking matters into his own hands.Welcome to Forest Grove. It’s a small town in the hills of Tennessee where everyone knows each other and love always prevails.For one reason or another, the people may leave, but they each return to find love and romance in this small town with a big heart.Coming Home to the Grove is a series of interconnected, stand-alone small-town romance stories. Each book promises a sweet, steamy, happily ever after.

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    With nowhere to "go, go, go, " Anna hails a cab to her grandparents' neglected New Hampshire camp to plan her next move. It seems like a good idea--until she realizes there's no takeout to be had and the boy next door has grown into a sexy but surly recluse.Cameron Mayfield knows he can kiss his peace and quiet goodbye when Hurricane Anna blows in. She was loud and bossy as a ten-year-old--and besides developing some attractive curves, she hasn't changed. Cam's not looking for a relationship, especially not with a woman like Anna. He nearly broke down on that road once before. So why can't he stop thinking about her?It's not long before their sizzling attraction leads to smoking-hot kisses. But as the days get shorter, Anna must decide if she's found a new road to happiness, or just taken a detour.25,000 words