As Hope wins the fairy’s trust, Tink tells her the truth about Wendy and Peter—and her own role in their ultimate fate. Told in three alternating perspectives—past, present, and excerpts from a book called Neverland: A History written by Tink’s own fairy godmother—this queer adaptation is for anyone who has ever wondered if there might have been more to the story of Tinker Bell and the rest of the Peter Pan legend.

    Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    We also brought our demons. In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own.Emma Goldman--yes, that Emma Goldman--takes tea with the Baba Yaga and truths unfold inside of exquisitely crafted lies. In Among the Thorns, a young woman in seventeenth century Germany is intent on avenging the brutal murder of her peddler father, but discovers that vengeance may consume all that it touches. In the showstopping, awards finalist title story, Burning Girls, Schanoes invests the immigrant narrative with a fearsome fairytale quality that tells a story about America we may not want--but need--to hear.Dreamy, dangerous, and precise, with the weight of the very oldest tales we tell, Burning Girls and Other Stories introduces a writer pushing the boundaries of both fantasy and contemporary fiction.With a foreword by Jane Yolen

    Attempting to thwart her fate, Kezi and her love, Olus—the god of wind and loneliness—embark on a series of dangerous and seemingly impossible quests.

    The depth and diversity of perceptual awareness-so steadfast and radiant in American Primitive-continue in Dream Work. Additionally, she has turned her attention in these poems to the solitary and difficult labors of the spirit-to accepting the truth about one's personal world, and to valuing the triumphs while transcending the failures of human relationships. Whether by way of inheritance-as in her poem about the Holocaust-or through a painful glimpse into the present-as in "Acid," a poem about an injured boy begging in the streets of Indonesia-the events and tendencies of history take on a new importance also. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

    And in this way was the world complete, for light was joined to dark. For all time would they be joined together. Only the ending of the world could tear them apart. In other words, in the days in which my parents married, there was no such thing as divorce....Thus begins the tale of Mina, a girl-child born on the longest night of the darkest month of the year. When her father looked at her, all he saw was what he feared: By birth, by name, by nature, she belonged to the Dark. So when Mina turned sixteen, her father took her away from shadow and brought her into sunlight.In retaliation, her mother lured a handsome prince into a deadly agreement: If he frees Mina, he can claim her as his bride.Now Mina and her prince must endure deadly trials -- of love and fate and family -- before they can truly live happily ever after....

    Anansi. Brer Rabbit. Trickster characters have long been a staple of folk literature, and are a natural choice for the overarching subject of acclaimed editors Ellen Datlow and Terri Windling's third mythic anthology. The Coyote Road features a remarkable range of authors, each with his or her fictional look at a trickster character. These authors include Holly Black (The Spiderwick Chronicles), Charles de Lint (The Blue Girl), Ellen Klages (The Green Glass Sea), Kelly Link (Magic for Beginners), Patricia A. McKillip (Old Magic), and Jane Yolen. Terri Windling provides a comprehensive introduction to the trickster myths of the world, and the entire book is highlighted by the remarkable decorations of Charles Vess. The Coyote Road is essential reading for anyone interested in contemporary fantastic fiction.

    She suffers from the bizarre malady of experiencing stabbing pain in her feet. On her sixteenth birthday, she woke screaming from the sensation that her tongue had been cut out. No doctor can find a medical explanation for her pain, and even the most powerful drugs have proven useless. Only the touch of seawater can ease her pain, and just temporarily at that.Now Kathleen is a twenty-five-year-old opera student in Boston and shows immense promise as a soprano. Her girlfriend Harry, a mezzo in the same program, worries endlessly about Kathleen's phantom pain and obsession with the sea. Kathleen's mother and grandmother both committed suicide as young women, and Harry worries they suffered from the same symptoms. When Kathleen suffers yet another dangerous breakdown, Harry convinces Kathleen to visit her hometown in Ireland to learn more about her family history.In Ireland, they discover that the mystery—and the tragedy—of Kathleen’s family history is far older and stranger than they could have imagined.  Kathleen’s fate seems sealed, and the only way out is a terrible choice between a mermaid’s two sirens—the sea, and her lover. But both choices mean death… Haunting and lyrical, The Mermaid’s Daughter asks—how far we will go for those we love? And can the transformative power of music overcome a magic that has prevailed for generations?

    This digital original novella is the fifth installment in the prequel arc to the edgy and thrilling New York Times bestsellers Dorothy Must Die and The Wicked Will Rise and follows the Scarecrow after he finally gets his wish.In The Wonderful Wizard of Oz, the Scarecrow received the gift of a brain from the Wizard and was appointed the new ruler of Oz. In The Straw King, the Scarecrow's tale takes a crooked turn when his reign is threatened. With faith in his newfound wisdom shaken, the Scarecrow will turn to anyone who can help—even if others have their own interests at heart.The Straw King by Danielle Paige is a dark and compelling reimagining of a beloved classic and is perfect for fans of Cinder by Marissa Meyer, Beastly by Alex Flinn, and Wicked by Gregory Maguire.

    With smoke billowing, fires blazing and his people fleeing, Khalid races back to defend his city, and protect his queen. But Khalid is too late to do either. He and his men arrive to find the city in ruins, nothing but a maze of destruction, and Shahrzad is gone. But who could have wrought such devastation? Khalid fears he may already know the answer, the price of choosing love over the people of Rey all too evident.

    Now, in their third critically acclaimed collection of original fairy tales for adults, World Fantasy Award-winning editors Ellen Datlow and Terri Windling bring us twenty-one new stories by some of the top names in literature today. Joyce Carol Oates, Gahan Wilson, Gene Wolfe, Tanith Lee, Neil Gaiman -- these are but a few of the accomplished literary sorcerers who have gathered here to remold our timeless myths into more sensuous and disturbing forms. Like the fabled ruby slippers, there is powerful magic here. Rich witches in trendy resorts cast evil spells ... beautiful princesses age and wither in sleeping worlds ... terrible beasts reside beneath flawless skin.Dark, disturbing, delightful, each story was written expressly for this superb collection of distinctly grown-up fantasy -- a brilliant companion volume to Datlow and Windling's acclaimed anthologies, "Snow White, Blood Red and "Black Thorn, White Rose. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    Keturah follows a legendary hart into the king's forest, where she becomes hopelessly lost. Her strength diminishes until, finally, she realizes that death is near. Little does she know that he is a young, handsome lord, melancholy and stern. Renowned for her storytelling, Keturah is able to charm Lord Death with a story and thereby gain a reprieve but only for twenty-four hours. She must find her one true love within that time or all is lost. Keturah searches desperately while the village prepares for an unexpected visit from the king, and Keturah is thrust into a prominent role as mysterious happenings alarm her friends and neighbors. Lord Death's presence hovers over this all until Keturah confronts him one last time in the harrowing climax.

    Scottish novelist and poet Sir Walter Scott (1771 - 1832), a literary hero of his native land, turned to writing only when his law practice and printing business foundered. Among his most beloved works are Rob Roy (1818), and Ivanhoe (1820). American writer William Vaughn Moody (1869 - 1910) served as co-editor of the Harvard Monthly and assistant professor of English at the University of Chicago. He authored several verse plays, books of poetry, and histories and criticisms of English literature.

    Brings to vivid life the trials and tribulations of young Ella, mistreated by her nasty stepmother and unattractive stepsisters, who dreams of going to the Prince's ball.

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.