Years later, in London, Poppy, a stage actress with three children and a charming, handsome husband, never imagines that Carrie, now a sexy and passionate caterer, would try to hurt her. But Carrie can't help herself. She's resentful that Poppy has everything she always wanted: a successful, fulfilling career, a gorgeous husband, a loving family, a house in the country, while Carrie has nothing but debts, one-night-stands, and an uncertain future. Carrie discovers the chink in Poppy's armor, her husband Eduardo, and she sets out to exploit it in the way she knows best. She provides Eduardo with danger, excitement, and great sex - all things that have faded in Eduardo and Poppy's marriage. But in destroying her sister's peace of mind, Carrie risks losing all those who love her.Prue Leith has written a poignant and moving story about the real choices siblings have to make once they grow up and start taking stock of their lives. Sisters is a brilliantly crafted portrait of sibling rivalry, love, and the ultimate betrayal.

    Though initially employed as a maid, Mary soon becomes the daughter the couple were never able to have. With Britain at war, unable to remain idle, Mary finds employment in the local steel works but when her fiancé Tom Downing is killed in action Mary is convinced it is retribution for their night of sin during Tom's Christmas leave. However, Mary grows to love Jack Holmes, a local miner. They marry and move into a humble terrace house with little but their love to keep them going. As the years pass Mary is determined to achieve success for herself and her family. She sets up her own dressmaking business and it seems as if she has finally found peace of mind. But the business starts to dominate her life until tragedy once more threatens to destroy all she most cherishes...

    in this off-kilter, coming-of-age romantic comedy.Abbie, a twenty-something free spirit who is dreading her looming parent-mandated enrollment in graduate school, makes a semi-annual pilgrimage to visit her perfectly well meaning and perfectly boring grandfather, Henry. But Abbie is roused out of her quarter-life crisis when she meets her grandfather's persnickety, oddball friend, Johnson. With his cane and elderly clothing, he is the very picture of a bitter old man. The problem is, Johnson is 23 years old, and apparently completely delusional. Also a problem: Abbie is falling in love with him. The first novel from screenwriter Andrew Kevin Walker, OLD MAN JOHNSON is for the old (and young) at heart.Cover design by Kristen Radtke.Cover painting by Mark Allison.

    So says the Marquis de Sade, philosopher and pornographer. His virtuous Justine, who keeps to the rules, is rewarded with rape and humiliation; his Juliette, Justine's triumphantly monstrous antithesis, viciously exploits her sexuality.With brilliance and wit, Angela Carter takes on these outrageous figments of de Sade's extreme imagination and transforms them into symbols of our time: The Hollywood sex goddesses, mothers and daughters, pornography, even the sacred shrines of sex and marriage lie devastatingly exposed before our eyes.Author Bio: Angela Carter (1940-1992) was best known for her subversive short stories, including her most famous collection, The Bloody Chamber. Carter translated the fairy tales of Charles Perrault, and wrote the screenplay for Neil Jordan's 1984 film, The Company of Wolves, based on her short story.

    Which disasters are often indulgently plotted by his aristocratic partners His Amazing Grace Basil Nectarine and the languid Binky. But more frequently caused by Schultz's desperate need to seduce as many beautiful women as is humanly possible and then more.Meanwhile fighting furiously in the battle for bachelordom and in an unquenchable quest for the soothing balm of box-office riches embellished by a beautiful woman who will sock him in the spiritual solar-plexus...

    (The first book, 'Mrs Caldicot's Cabbage War was filmed starring Pauline Collins in the title role.) Mrs Caldicot and her colleagues from the Twilight Years Rest Home win the lottery. Their win is small but it transforms their lives in an unexpected way. A trip abroad results in disaster but Mrs Caldicot and company rise above their misfortune.

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death-and the ability of public transport to affect our lives.

    After three broken engagements I’m not going to waste my emotional energy on something that’s not going to give me anything.” – Shikha Bose.“I think my husband is having an affair with one of his colleagues. But I’m afraid to ask. Now it’s just in my head but if I ask and he doesn’t deny, it will become a reality.” – Preeti Singh.“My boyfriend doesn’t want to acknowledge me even as his friend in front of his family, let alone the fact that we’re lovers. It’s like I’m his dirty little secret.” – Siya Grewal.So the three friends come to a unanimous conclusion. Men suck. And like the characters in a sci-fi flick, perfect men are fictitious. The discussion takes off from there and ends with a post on social media. Attributes that this fictitious man should possess; some genuine, some funny and some downright naughty. Response to that post is unexpected in more ways than one. A Man to Die for creates a sensation with countless likes, retweets and forwards. And when the identities of the post-makers are revealed, the three friends are left to face the judging looks and snide comments. But when comments escalate to threatening calls and one of the three gets brutally murdered, the other two flounder in shock, grief, fear and fury. Someone has taken the post as a personal insult and was out for retribution by killing their friend and vowing to kill them too. Now, with the help of a DCP, who, according to Shikha was a dubious combination of a jerk and a hero, the killer must be caught. As the police race to unravel the identity, the killer strikes again...

    Robbie's a lovely lad, much less dangerous than Lu Cappa, who's always giving her the eye when he's out in his ice-cream van. Pam has to ask her best friend Jill to cover for her while she's out with Robbie. When Ivy finds out Pam's been lying, she makes sure the relationship with Robbie is over for good. Then Jill falls in love, and it's loneliness that makes Pam accept a date with Lu Cappa. Before she knows it, they're married. Even then, Pam knows Lu's still jealous of Robbie. And she can't help wondering what Lu's up to when he's out with his shifty brother. When Robbie comes back into their lives, it could be the last straw. One thing's for sure: until everyone starts to tell the truth, there will be as many sorrows as smiles in Pam's marriage...

    It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. Part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

     When the million-dollar stock prediction startup of Lakshya and Naman (two brilliant IIT-grads) tanks; they are taken in by Manav, their college friend who makes a living out of selling drugs. Debt-ridden and homeless, the two decide to help their friend in selling ‘The Holy Grail’, the newest drug in the Indian markets which is sold for margins never heard before, and the three end up making the quickest money they have seen. Lured and intrigued, they decide to sell and make as much as possible in two months before leaving the drug trade for good, and in that time, they expand their drug enterprise under Lakshya’s guidance by applying their startup strategies. Unknown to them though, they cross paths with the five infamous historical gangs of Bombay, who’ve survived and thrived since the British occupation of the city. Artavardiya, the powerful boss of the Parsi gang Surtis, takes interest in Lakshya and his drug enterprise after being charmed by his brilliance and vision. He takes him under his guidance and that is when Lakshya is able to gauge the extent to which the criminal underbelly of Mumbai is spread, spiralling down and knowing in his heart that he’d never be able to escape. In a tale of gang-wars and blood, love and loss, loyalty and betrayal, and mind-numbing revelations spread amidst brutal action and insane twists— explore the crime of the city that never sleeps. Will Lakshya and his friends expand their drug business like a startup? Will they succeed in dealing with mind-games and bullets of the five historical gangs of Mumbai? Will they survive the trials of their personal lives while the demons of their pasts try to catch up with them? And will these brilliant minds fall against the richest crime syndicates of the country? Read the crime-thriller that would keep you on the edge of your seats, about a few brilliant minds who lost their million-dollar startup and turned their skills to create a criminal empire.

    Zadie Smith brings to her essays all of the curiosity, intellectual rigor, and sharp humor that have attracted so many readers to her fiction, and the result is a collection that is nothing short of extraordinary. Split into four sections—"Reading," "Being," "Seeing," and "Feeling"—Changing My Mind invites readers to witness the world from Zadie Smith's unique vantage. Smith casts her acute eye over material both personal and cultural, with wonderfully engaging essays-some published here for the first time-on diverse topics including literature, movies, going to the Oscars, British comedy, family, feminism, Obama, Katharine Hepburn, and Anna Magnani. In her investigations Smith also reveals much of herself. Her literary criticism shares the wealth of her experiences as a reader and exposes the tremendous influence diverse writers—E. M. Forster, Zora Neale Hurston, George Eliot, and others—have had on her writing life and her self-understanding. Smith also speaks directly to writers as a craftsman, offering precious practical lessons on process. Here and throughout, readers will learn of the wide-ranging experiences—in novels, travel, philosophy, politics, and beyond—that have nourished Smith's rich life of the mind. Her probing analysis offers tremendous food for thought, encouraging readers to attend to the slippery questions of identity, art, love, and vocation that so often go neglected. Changing My Mind announces Zadie Smith as one of our most important contemporary essayists, a writer with the rare ability to turn the world on its side with both fact and fiction. Changing My Mind is a gift to readers, writers, and all who want to look at life more expansively.

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact.  Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit,  and her sanity and strength. It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come.