There are three things you should know about me:1. I’m in a coma.2. My husband doesn’t love me anymore.3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

    When the youngest grows gravely ill, their mother leaves with the child to get help from a nearby town. And they never return.As months pass, hope vanishes. Supplies are low. Livestock are dying. A brutal winter is bearing down. Then comes the stranger. He claims to be looking for the girls’ mother, and he’s not leaving without them.To escape, Wren and her sister must break the rule they’ve grown up with: never go beyond the forest.Past the thicket of dread, they come upon a house on the other side of the pines. This is where Wren and Sage must confront something more chilling than the unknowable. They’ll discover what’s been hidden from them, what they’re running from, and the secrets that have left them in the dark their entire lives.

    It’s the perfect getaway to unplug—and to calm an uneasy marriage. But on Adam’s first day out on the water, he sees Sophie abducted by a stranger. A hundred yards from shore, Adam can’t save her. And Sophie disappears.In a nearby cabin is another couple, Kristen and Connor Moss. Unfortunately, beyond what they’ve heard in the news, they’re in the dark when it comes to Sophie’s disappearance. For Adam, at least there’s comfort in knowing that Mason County detective Lee Husemann is an old friend of his. She’ll do everything she can to help. She must.But as Adam’s paranoia about his missing wife escalates, Lee puts together the pieces of a puzzle. The lives of the two couples are converging in unpredictable ways, and the picture is unsettling. Lee suspects that not everyone is telling the truth about what they know—or they have yet to reveal all the lies they’ve hidden from the strangers they married.

    Implicitly.You think your children are safe.But are they really?Midsummer night: a thirteen-year-old girl is found unconscious in a dark corner of the garden square. What really happened to her? And who is responsible?

    You will assume you know the anatomy of this tangled love triangle.Assume nothing. Twisted and deliciously chilling, Greer Hendricks and Sarah Pekkanen's The Wife Between Us exposes the secret complexities of an enviable marriage - and the dangerous truths we ignore in the name of love.Read between the lies.

    I read it in one go. I was totally hooked.’ MARIAN KEYES ‘Utterly addictive. Compulsive, twisty, tense.’ CLAIRE DOUGLAS, author of Local Girl Missing Her name was Rose. You watched her die. And her death has created a vacancy. When Emily lets a stranger step out in front of her, she never imagines that split second will change her life. But after Emily watches a car plough into the young mother – killing her instantly – she finds herself unable to move on.And then she makes a decision she can never take back.Because Rose had everything Emily had ever dreamed of. A beautiful, loving family, a great job and a stunning home. And now Rose’s husband misses his wife, and their son needs a mother. Why couldn’t Emily fill that space?But as Emily is about to discover, no one’s life is perfect … and not everything is as it seems. 'A powerful and emotional psychological thriller that will keep you guessing and leave you breathless.' C. L. TAYLOR, author of The Fear ‘I devoured it in a couple of days. Claire Allan managed to maintain an unsettling sense of unease that started at the very beginning and didn't let up at all.’ ELLE CROFT, author of The Guilty Wife ‘A psychological thriller with a heart: taut, emotionally challenging and unlike so many thrillers, each twist and turn is here because it deserves to be and not for the sake of it.’ JOHN MARRS, author of THE ONE

    To Solomon it was the ultimate betrayal.It’s been ten years since Rebecca’s testimony saw Solomon locked away. Enough time for the nightmares to recede, the nerves to relax; enough time to rebuild her life and put the past behind her.Then one day a phone rings in her bedroom—but it’s not her phone. Solomon has been in her home, and has a very simple message for her: for each of the ten years he has spent in jail, Rebecca must witness a crime. And, to make matters worse, she has to choose the victims.Fail to respond and you get hurt. Talk to police and you die. Ready to play? You have sixty seconds to decide…As the crimes grow more severe, the victims closer to home, Rebecca is forced to confront a past she had hoped was gone forever.

    It’s a secret she manages to keep for over two decades—from her daughter, the babysitter who helped raise her, family, coworkers, and friends. When Lucy’s now-grown daughter Mia discovers the devastating truth of her origins, she is overwhelmed by confusion and anger and determines not to speak again to the mother who raised her. She reaches out to her birth mother for a tearful reunion, and Lucy is forced to flee to China to avoid prosecution. What follows is a ripple effect that alters the lives of many and challenges our understanding of the very meaning of motherhood. Author Helen Klein Ross, whose work has appeared in The New Yorker, weaves a powerful story of upheaval and resilience told from the alternating perspectives of Lucy, Mia, Mia’s birth mother, and others intimately involved in the kidnapping. What Was Mine is a compelling tale of motherhood and loss, of grief and hope, and the life-shattering effects of a single, irrevocable moment.

    Two boys are in hospital after a tragic accident. One of them is Ben.She thought she could trust Emma, her new friend, to look after her little boy. After all, Emma’s a kindred spirit—someone Sophie was sure she could bare her soul to, despite the village rumours. But Sophie can’t shake the feeling that she’s made an unforgivable mistake and now her whole family is in danger.Because how well does she know Emma, really? Should she have trusted her at all?Time is running out. Powerless to help her child, still hours from home, Sophie is about to discover the truth. And her life will never be the same.

    But she knows why they are there. Be careful who you let in...A house swap becomes the eerie backdrop to a crumbling marriage, a long-buried affair, and the fatal consequences that unfold.When Caroline and Francis receive an offer to house swap--from their city apartment to a house in a leafy, upscale London suburb--they jump at the chance for a week away from home, their son, and the tensions that have pushed their marriage to the brink.As the couple settles in, the old problems that permeate their marriage--his unhealthy behaviors, her indiscretions--start bubbling to the surface. But while they attempt to mend their relationship, their neighbor, an intense young woman, is showing a little too much interest in their activities.Meanwhile, Caroline slowly begins to uncover some signs of life in the stark house--signs of her life. The flowers in the bathroom or the music might seem innocent to anyone else--but to her they are clues. It seems the person they have swapped with is someone who knows her, someone who knows the secrets she's desperate to forget. . . .Be careful who you let in. . .

    Eternally grateful to Callie and her family, Jenna gets closer to them, but she soon discovers that Callie’s perfect family is hiding some very dark secrets …Callie’s parents are grieving, yet Jenna knows they’re only telling her half the story. Where is Callie’s sister Sophie? She’s been ‘abroad’ since her sister’s death but something about her absence doesn’t add up. And when Jenna meets Callie’s boyfriend Nathan, she makes a shocking discovery.Jenna knows that Callie didn’t die in an accident. But how did she die? Jenna is determined to discover the truth but it could cost her everything; her loved ones, her sanity, even her life.A compelling, gripping psychological thriller with a killer twist from the author of the Number One bestseller The Sister.

    I stood in front of the police, my friends and family, and made up a story, my best one yet. And all of them believed me. I wasn't surprised. Telling stories is what made me famous. Fifteen bestsellers. Millions of fans. Fame and fortune.Now, I have one last story to write. It'll be my best one yet, with a jaw-dropping twist that will leave them stunned and gasping for breath.They say that sticks and stones will break your bones, but this story? It will be the one that kills me. This book is not a romance. It is contemporary fiction, but very suspenseful in nature. It is about a famous romance author and a dark secret she keeps.

    The kind we've all told - to a former acquaintance we can't quite place but still, for some reason, feel the need to impress. The story of our life, embellished for the benefit of the happily married lawyer with the kids and the lovely home.And the next thing you know, you're having dinner at their house, and accepting an invitation to join them on holiday - swept up in their perfect life, the kind you always dreamed of...Which turns out to be less than perfect. But by the time you're trapped and sweating in the relentless Greek sun, burning to escape the tension all around you - by the time you start to realise that, however painful the truth might be, it's the lies that cause the real damage...... well, by then, it could just be too late. Longlisted for the Theakstons Old Peculier Crime Novel of the Year Shortlisted for the British Book Awards Crime Novel of the Year

    Since then, their relationship has been like something out of a dream. But one Friday evening, Gemma returns home to find Danny is nowhere to be seen.After two days with no word from her husband, Gemma turns to the police. She is horrified with what she discovers – a serial killer is on the loose in Bristol. When she sees the photos of the victims she is even more stunned…the victims all look just like Danny.But, the detectives aren’t convinced by Gemma’s story. Why has no one apart from Gemma seen or heard from Danny in weeks? Why is there barely a trace of him in their flat? Is she telling them the truth, or are there more secrets and lies in this marriage than meets the eye?

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?