Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    To a generation bred on sentimental escapist literature, the idea of a heroine as wild as a bronco and as fiery as a tigress was nothing short of revolutionary. In the character of Judith Gare, Martha Ostenso had painted so naked and uncompromising a portrait of human passion and need that it crossed all bounds of propriety and convention.Today, Wild Geese is widely recognized as a milestone in the development of modern realist fiction. Set on the windswept prairies, it is a story of love and tyranny, of destruction and survival, told with vigour and lyric beauty. It is also a poignant evocation of loneliness, which, like the call of the wild geese, is beyond human warmth, beyond tragedy, “an endless quest.”From the Paperback edition.

    Klein’s most innovative and visionary work. The five “books” of the novel are a modern testament of Jewish experience to which are appended “glosses” or commentaries in the form of drama, epistle, poetry, and psalm. The action centres on a young writer from Montreal, whose search for his legendary Uncle Melech becomes a journey of revelation through Italy, Morocco, and the Holy Land. Dissident and exile, reformer and scholar, Melech is a messianic figure who enacts the destiny of his people and embodies the spiritual yearnings of everyman.The Second Scroll, Klein’s only novel, combines the lyric genius of his poetic works with compelling reportage to create one of the most eloquent and original works in Canadian fiction.

    The novel is at once a compassionate portrait of innocence and idealism, and an emphatic condemnation of a society where the lines between good and evil are essentially blurred.Such Is My Beloved is widely considered to be Morley Callaghan’s finest novel.From the Paperback edition.

    The feature film was released in the U.S. by Quentin Tarantino.

    River Hymns is the lyrical journey of a young black man’s spiritual reckoning with his family history.

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    She speaks of sexual politics and family in a fierce, determined tone voracious in its opinions about freedom and responsibility.    The author engages in mythology and art history, musically wooing the reader with texture and voice. As she references such disparate cultural figures as filmmaker Lars Von Trier, Annie from the film Annie Get Your Gun, Nabokov’s Lolita, facebook entries and Greek gods, they appear as part of the poet’s cultural critique.    Phrases such as “the caustic domain of urchins” and “the gelatin shiver of tea’s surface” take the poems from lyrical images to comic humor to angry, intense commentary. On writing about “downgrading into human,” she says, “Then what? Amorality, osteoporosis and not even a marble estuary for the ages.”     Giménez Smith’s poetic arsenal includes rapier-sharp wordplay mixed with humor, at times self-deprecating, at others an ironic comment on the postmodern world, all interwoven with imaginative language of unexpected force and surreal beauty. Revealing a long view of gender issues and civil rights, the author presents a clever, comic perspective. Her poems take the reader to unusual places as she uses rhythm, images, and emotion to reveal the narrator’s personality. Deftly blending a variety of tones and styles, Giménez Smith’s poems offer a daring and evocative look at deep cultural issues.

    A regular columnist for MTV.com, Willis-Abdurraqib brings his interest in pop culture to these poems, analyzing race, gender, family, and the love that finally holds us together even as it threatens to break us. Terrance Hayes writes that Willis-Abdurraqib "bridges the bravado and bling of praise with the blood and tears of elegy." The poems in this collection are challenging and accessible at once, as they seek to render real human voices in moments of tragedy and celebration.

    He found himself in the nightmare world of trench warfare; of mud and smoke, of chlorine gas and rotting corpses. In this world gone mad, Robert Ross performed a last desperate act to declare his commitment to life in the midst of death. The Wars is quite simply one of the best novels ever written about the First World War.

    Alberta is a university professor who would like to trade her two boyfriends for a baby but no husband; Lionel is forty and still sells televisions for a patronizing boss; Eli and his log cabin stand in the way of a profitable dam project. These three—and others—are coming to the Blackfoot reservation for the Sun Dance and there they will encounter four Indian elders and their companion, the trickster Coyote—and nothing in the small town of Blossom will be the same again…

    This book chews with its open mouth full of the juiciest words, the most indigestible images. This book undoes me. . . . francine j. harris brilliantly ransacks the poet's toolkit, assembling art from buckets of disaster and shreds of hope. Nothing she lays her mind's eye on escapes. You, too, will be captured by her work."—Evie ShockleyLyrically raw and dangerously unapologetic, play dead challenges us to look at our cultivated selves as products of circumstance and attempts to piece together patterns amidst dissociative chaos. harris unearths a ruptured world dictated by violence—a place of deadly what ifs, where survival hangs by a thread. Getting by is carrying bruises and walking around with "half a skull."From "low visibility":I have light in my mouth. I hunger you. You wantwhat comes in drag. a black squirrel in a black tar lane,fresh from exhaust, hot and July's unearthed steam.You want to watch it run over. to study the sog. You want the stink of gristle buried in a muggy weather.I want the faulty mirage. a life of grass.we want the same thing. We want their deathsto break up the sun.francine j. harris is a 2015 NEA Creative Writing Fellow whose first collection, allegiance, was a finalist for the 2013 Kate Tufts Discovery and PEN Open Book Award. Originally from Detroit, she is also Cave Canem fellow who has lived in several cities before returning to Michigan. She received an MFA in Creative Writing from the University of Michigan, and currently teaches writing at Interlochen Center for the Arts.

    Anything can happen, and probably will, and it will affect me in small or large ways that I couldn't have imagined. The precision of their imagery keeps me reeling with delight."—James TateThin Kimono continues Michael Earl Craig's singular breed of brilliant absurdist poetry, utterly and masterfully slanting the realities of daily existence.Michael Earl Craig is the author of two previous collections of poetry: Yes, Master (Fence Books, 2006) and Can You Relax in My House (Fence Books, 2002). He lives in Livingston, Montana, where he is a certified journeyman farrier.

    In the 1960s, Edna Staebler moved in with an Old Order Mennonite family to absorb their oral history and learn about Mennonite culture and cooking. From this fieldwork came the cookbook Food That Really Schmecks. Originally published in 1968, Food That Really Schmecks instantly became a classic, selling tens of thousands of copies. Interspersed with practical and memorable recipes are Staebler's stories and anecdotes about cooking, life with the Mennonites, family, and the Waterloo Region. Described by Edith Fowke as folklore literature, Staebler's cookbooks have earned her national acclaim.Back in print as part of Wilfrid Laurier University Press's Life Writing series, a series devoted celebrating life writing as both genre and critical practice, the updated edition of this groundbreaking book includes a foreword by award-winning author Wayson Choy and a new introduction by well-known food writer Rose Murray.