The Weary Blues announced the arrival of a rare voice in American poetry. A literary descendant of Walt Whitman ("I, too, sing America," Hughes wrote), he chanted the joys and sorrows of black America in unprecedented language. A gifted lyricist, he offered rhythms and cadences that epitomized the particularities of African American creativity, especially jazz and the blues. His second volume, steeped in the blues and controversial because of its frankness, confirmed Hughes as a poet of uncompromising integrity. Then in the 1930s came Dear Lovely Death (1931) and the radical A New Song (1938). Poems such as "Good Morning Revolution" and "Let America Be America Again" made his pen one of the most forceful in America during the Great Depression.

    He defines evangelism as "nudge"--awakening each other to the God who is already there.

    

    Liddel HartFor two thousand years, Sun-tzu's The Art of Warfare was the indispensable volume of warcraft. Although his work is the first known analysis of war and warfare, Sun-tzu struck upon a thoroughly modern concept: "The supreme art of war is to subdue the enemy without fighting."        Karl von Clausewitz, the canny military theorist who famously declared that war is a continuation of politics by other means, also claims paternity of the notion "total war."   His is the magnum opus of the era of the French Revolution and the Napoleonic vars.Now these two great military minds are made to share the same tent, metaphorically speaking, in The Book of War. What a bivouac it is, and what a conversation into the night.Military writer Ralph Peters has written a new Introduction for this Modern Library edition.

    And for most of them, there can be no Easter without Lent, the season that leads up to it.A time for self-denial, soul-searching, and spiritual preparation, Lent is traditionally observed by daily reading and reflection. This collection will satisfy the growing hunger for meaningful and accessible devotions. Culled from the wealth of twenty centuries, the selections in Bread and Wine are ecumenical in scope, and represent the best classic and contemporary Christian writers. Includes approximately fifty readings on Easter and related themes by Thomas à Kempis, Frederick Buechner, Oswald Chambers, Alfred Kazin, Jane Kenyon, Søren Kierkegaard, Thomas Merton, Henri Nouwen, Christina Rossetti, Edith Stein, Walter Wangerin, William Willimon, Philip Yancey, and others.

    . . some. We pray to stay sober, centered, or solvent. When the lump is deemed malignant. When the money runs out. When the marriage is falling apart. But wouldn’t we like to pray . . . more? Better? Stronger? With more fire, faith, and fervency?In this four-session video-based study (DVD/digital video sold separately), bestselling author Max Lucado reveals his struggles with prayer and how he discovered that it is not a privilege for the pious or the art of a chosen few but a simple tool everyone has been given to have a conversation with God. He shows you how to let go of uncertainties about prayer, trust that God hears you, and embrace a prayer life that brings peace and rest.Join Max Lucado on a journey to the very heart of biblical prayer and the power unleashed with five simple sentences: “Father, you are good. I need help. They need help. Thank you. In Jesus’ name, amen.” This study guide includes leader helps, discussion questions, conversation starters, and between-session activities to enhance your understanding and application of Max’s teaching.Sessions include:Father, You Are GoodI Need HelpThey Need HelpThank YouDesigned for use with Before Amen Video Study 9780529123428 (sold separately).

    Everything that suffuses her well-loved prose is here: compassion, insight, lyrical precision, and the clear, minimalist eye that reveals how life can turn on a single moment. Musing on the undercurrents and interconnections between legacy, memory, motherhood and the natural world, the poems in the collection begin on the surface and then take us, gracefully and effortlessly, to a far more thought-provoking place.

    High Art Lite provides a sustained analysis of the phenomenal success of YBA, young British artists obsessed with commerce, mass media and the cult of personality Damien Hirst, Tracey Emin, Jake and Dinos Chapman, Marcus Harvey, Sarah Lucas, among others. In this fully revised and expanded edition, Julian Stallabrass explores how YBA lost its critical immunity in the new millennium, and looks at the ways in which figures such as Hirst, Emin, Wearing and Landy have altered their work in recent years.

    Beginning his epic study with Baudelaire, whose lurid poetry scandalized French stalwarts, Gay traces the revolutionary path of modernism from its Parisian origins to its emergence as the dominant cultural movement in world capitals such as Berlin and New York. A work unique in its breadth and brilliance, Modernism presents a thrilling pageant of heretics that includes (among others) Oscar Wilde, Pablo Picasso, and D. W. Griffiths; James Joyce, Virginia Woolf, and T. S. Eliot; Walter Gropius, Arnold Schoenberg, and (of course!) Andy Warhol. Finally, Gay examines the hostility of totalitarian regimes to modernist freedom and the role of Pop Art in sounding the death knell of a movement that dominated Western culture for 120 years. Lavishly illustrated, Modernism is a superlative achievement by one of our greatest historians.

    S. Lewis’s classic works for readers contemplating the "grand miracle" of Jesus’s resurrection.Preparing for Easter is a concise, handy companion for the faithful of all Christian traditions and the curious to help them deepen their knowledge and consideration of this holy season—a time of reflection as we consider Jesus’s sacrifice and his joyous rise from the dead. Carefully curated, each selection in Preparing for Easter draws on a major theme in Lewis’s writings on the Christian life, as well as others that consider why we can have confident faith in what happened on the cross.

    And all that remains is the faces and the names of the wives and the sons and the daughters.” – Gordon Lightfoot, “The Wreck of the Edmund Fitzgerald” The Great Lakes have claimed countless thousands of vessels over the course of history, but its biggest and most famous victim was the SS Edmund Fitzgerald, the largest ship of its day to sail the Great Lakes and still the largest to lie below Lake Superior’s murky depths. The giant ore freighter was intentionally built "within a foot of the maximum length allowed for passage through the soon-to-be completed Saint Lawrence Seaway.” but despite its commercial purpose, the Edmund Fitzgerald was also one of the most luxurious ships to ever set sail in the Great Lakes. One person who sailed aboard the ship recounted, “Stewards treated the guests to the entire VIP routine. The cuisine was reportedly excellent and snacks were always available in the lounge. A small but well stocked kitchenette provided the drinks. Once each trip, the captain held a candlelight dinner for the guests, complete with mess-jacketed stewards and special ‘clamdigger’ punch.” Indeed, when it was completed in 1957, the Edmund Fitzgerald was nearly 730 feet long and dubbed “Queen of the Lakes”, and it was so popular that people would wait along the shores to catch a glimpse of the famous boat. The ship had already earned various safety awards and never suffered a serious problem when it set sail from Superior, Wisconsin with over 26,000 tons of freight on November 9, 1975 and headed for a steel mill near Detroit. During that afternoon, however, the National Weather Service, which had earlier predicted that a storm would miss Lake Superior, revised its estimates and issued gale warnings. Over the course of the next 24 hours, the Fitzgerald and other ships in Lake Superior tried to weather the storm, but by the early evening hours of November 10, the Fitzgerald’s captain radioed other ships to report that the ship was having some problems and was taking on water. In the ship’s last radio contact, the captain reported that the ship and crew were “holding our own,” but just what happened next still remains a mystery to this day. Minutes after that last contact, the Edmund Fitzgerald stopped replying on the radio and no longer showed up on radar, indicating that it sank, but no distress signal was ever given, suggesting something catastrophic happened almost instantly. At the time the ship went down with all 29 of its crew, winds had reached about 60 miles per hour, waves were about 25 feet high, and rogue waves were measured at 35 feet. The wreck of the ship was found within days, and the fact that it was found in two large pieces suggest it broke apart on the surface of the lake, but it’s still unclear how that happened. Since her loss with all hands, people from all walks of life have weighed in on the ship’s fate, including official investigators, sailors, and meteorologists, but no one has yet to come to a clear conclusion about what exactly went wrong. Various theories have since been put forth, attributing the sinking to everything from rogue waves to the flooding of the cargo hold, but the loss made clear that more stringent regulations on shipping in the Great Lakes was necessary, and it was also a painful reminder of the dangers of maritime travel.

    And as Philip Jenkins argues in The New Anti-Catholicism, this virulent strain of hatred--once thought dead--is alive and well in our nation, but few people seem to notice, or care. A statement that is seen as racist, misogynistic, anti-Semitic, or homophobic can haunt a speaker for years, writes Jenkins, but it is still possible to make hostile and vituperative public statements about Roman Catholicism without fear of serious repercussions. Jenkins shines a light on anti-Catholic sentiment in American society and illuminates its causes, looking closely at gay and feminist anti-Catholicism, anti-Catholic rhetoric and imagery in the media, and the anti-Catholicism of the academic world. For newspapers and newsmagazines, for television news and in movies, for major book publishers, the Catholic Church has come to provide a grossly stereotyped public villain. Catholic opinions, doctrines, and individual leaders are frequently the butt of harsh satire. Indeed, the notion that the church is a deadly enemy of women--the idea of Catholic misogyny--is commonly accepted in the news media and in popular culture, says Jenkins. And the recent pedophile priest scandal, he shows, has revived many ancient anti-Catholic stereotypes. It was said that with the election of John F. Kennedy, anti-Catholicism in America was dead. This provocative new book corrects that illusion, drawing attention to this important issue.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.

    Reporting the Troubles brings together over sixty stories from the journalists who were on the ground. This remarkable, important book spans the thirty-year conflict, from the day in 1969 that the violence erupted on Duke Street in Derry, to the Good Friday Agreement and the Omagh bomb. Contributions include: Anne Cadwallader (BBC, RTE, Reuters) on the 1983 Maze breakout, Denis Murray (former BBC Ireland Correspondent) on one of the less-remembered deaths of the Troubles that has stayed with him, John Irvine (ITV News Senior International Correspondent) on covering ten funerals in one week, Paul Faith (Press Association) on taking the famous `Chuckle Brothers' photograph of McGuinness and Paisley, Conor O'Clery (Irish Times) on Ian Paisley, Martin Bell (BBC) on working in Belfast, and staying at the Europa one of the many times it was bombed, Kate Adie (BBC) on a lesson learned from the Troubles, David McKittrick (BBC, Independent) on the peace line.

    It's all about God, and His glory. That's the purpose of Chris Tomlin's first book--to get you to think of yourself as one of God's fame builders. Through personal stories and his lyrics, Chris takes you on a journey to discover who you are and how you can live a life that tells the story of God.Includes a study guide for small groups or personal use.