Herter Norton offer Rilke's work to the English-speaking world in an accurate, sensitive, modern version.

    The philosophy of La Rochefoucauld, which influenced French intellectuals as diverse as Voltaire and the Jansenists, is captured here in more than 600 penetrating and pithy aphorisms.

    The creator of the Arthurian romance as a genre, Chrétien is revealed in this work as a witty, versatile writer who mastered both the soaring flight of emotion and the devastating aside and was as skillful a debater of the finer points of love as he was a describer of battles.

    In opening windows to pivotal moments of her own spiritual journey, she helps readers learn about belief, generativity, creativity, integrity, humility, vulnerability, saying no, and starting over, and shows how these virtues lead to generous living and the ability to joyously say yes to God"--Amazon.com.

    The Penseés is a collection of philosohical fragments, notes and essays in which Pascal explores the contradictions of human nature in pscyhological, social, metaphysical and - above all - theological terms. Mankind emerges from Pascal's analysis as a wretched and desolate creature within an impersonal universe, but who can be transformed through faith in God's grace.

    She was sunk in deep melancholy. Tears gushed from her beautiful eyes. The cause of her grief was known, as well as the fears she entertained lest that grief should displease the king, her father. The old man, Mambres, ancient magician and eunuch of the Pharoahs, was beside her, and seldom left her. He was present at her birth. He had educated her, and taught her all that a fair princess was allowed to know of the sciences of Egypt. The mind of Amasidia equaled her beauty. Her sensibility and tenderness rivaled the charms of her person; and it was this sensibility which cost her so many tears.The princess was twenty-four years old, the magician, Mambres, about thirteen hundred. It was he, as every one knows, who had that famous dispute with Moses, in which the victory was so long doubtful between these two profound philosophers. If Mambres yielded, it was owing to the visible protection of the celestial powers, who favored his rival. It required gods to overcome Mambres!

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.

    Provides a detailed examination and encouraging explanation of faith, hope, humility, love and chastity, human formation, patience, penance, joy, and obedience.

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    Sex. Detox. Art. Recovery. Prostitution. Music. Street life. Poetry. Toxic love. And, those are just on the surface. The layers and complexities of Addictarium will shock and enthrall you... When wild-child, and south Florida escapee, Danielle Martino finds herself curled in a ball on the cold tile floors of her filthy rank bathroom in the tiny studio she rents with her fiancé and partner-in-crime, she knows it's time to quit abusing heroin. Severely impaired from shooting a bad batch of black tar heroin, and already partially blind from the infection that the muddy poison has caused, she is forced to hitch a greyhound bus to New York City, and to abandon her care-free, American-bohemian, drug infested life-style.Hailed by many as a beautiful, unique, honest, raw and poetic account of recovery, Addictarium takes readers on a compelling journey through the life and eyes of the narrator; a creative, nomadic, deep--but, incidentally broken--young woman, and underlines the contributing factors to what it's really like to suffer from addiction. With magnificent candor--and sometimes emotionally crippling descriptions--we witness Danielle's fight towards recovery from more than just heroin, as Addictarium brings the readers on a fascinating and harrowing, brutal tale of a young women's recovery from total and mass self-destruction. --Addictarium highlights in the starkest of lights, why it is so difficult for addicts to receive the recovery they seek, when they finally do decide to put the drug down.

    Often, though, we go through the motions at Mass without an appreciation for what has really happened. Popular speaker and author Mark Hart helps Catholics move beyond the repetition and ritual to see the Mass for what it really is: a heavenly banquet, a wedding feast, in which heaven and earth meet. In his engaging style, Hart guides readers toward a deeper understanding of the Massits roots in the Jewish Sabbath, its sacrificial character, and its signs and symbols. As we are told to go in peace, he inspires us to see the Mass as a place to be nourished so that we can further Christs mission in the world. In the last part of the book, Hart provides pithy answers to frequently asked questions, such as Why cant I leave right after Communion? or Why did the words change? Finally, Hart offers ten things we can do to get more out of Mass.

    This essay is an attempt to contribute effective strategies to engage our own time and culture once more with the Gospel of Jesus Christ and – for a weary world – to awaken the Catholic imaginative vision.

    Francis of Assisi. This story has been told many times before, but Fr. Larranaga tells it with a new spirit, seamlessly combining a modern spirit with the freshness and sense of wonder of the Fioretti. When Francis Bernardone was held as a prisoner of war at the age of 20, he never dreamed that he would become a knight in the service of Lady Poverty. By the time he died 25 years later, he had become the Poor Man of God, the living image of the Crucified Savior.

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.

    Russell Ballard, "Jesus the Christ" by Elder James E. Talmage, "True to the Faith", and "Our Heritage". The missionary reference library is intended to aid full-time missionaries in strengthening their testimonies and increasing their knowledge of the restored gospel of Jesus Christ and in preparing to teach. This special edition of these four books can only be purchased as a set.