readers will be able to experience the phenomenon that became the inspiration for a blockbuster movie, a hit TV show, and a popular manga. A national sensation that touched over three million readers, Kyoichi Katayama brought innocent love and romance to the forefront of Japan's ultra-hip mass market. Affectionately known as "Sekachu" in Japan, Katayama's novel depects a sweet high school romance between an average guy and a popular girl. But tragedy ensues when the girl falls ill with leukemia. A bittersweet tale of young love, enduring devotion, and heartbreaking loss, socrates in Love is a story to cherish and nurture.

    When it becomes clear that his dragon, Axel, is gravely ill, she knows she can’t take another loss. The only hope to heal him seems to rest with her mother’s old friend, who lives in the far-off city of Caravon. Kira has never left her village, but to save Axel, she’ll embark on the journey, and soon discover that he isn’t the only one sick.In fact, a plague is sweeping through the dragons of Ragond, and no one knows the cause.When Kira finds an abandoned dragon hatchling named Gilda, she soon comes to believe that the young dragon may be the key to the mysterious illness. After all, her mother succumbed to the sickness, but the hatchling is surprisingly healthy and eager to help Kira find the answers needed to eradicate the plague.Both Kira and Gilda may be young, but they are far from ordinary, and as they begin to uncover the reasons for the illness, they discover a secret that threatens not only the dragons, but Ragond itself. Yet, curing the plague might not be enough to stop the dangers that threaten to overwhelm them.

    Her family and friends are shocked and terrified. The pass—which tunnels through a mountainous region of southern Japan—has an eerie history: a hideout for robbers, murderers, and ghostly creatures lurking at night. Soon afterward, a young construction worker becomes the primary suspect. As the investigation unfolds, the events leading up to the murder come darkly into focus, revealing a troubled cast of characters: the victim, Yoshino, a woman much too eager for acceptance; the suspect, Yuichi, a car enthusiast misunderstood by everyone around him; the victim’s middle-aged father, a barber disappointed with his life; and the suspect’s aging grandmother, who survived the starvation of postwar Japan only to be tormented by local gangsters. And, finally, there is desperate Mitsuyo, the lonely woman who finds Yuichi online and makes the big mistake of falling for him.  A stunningly dark thriller and a tapestry of noir, Villain is the English-language debut for Shuichi Yoshida, one of Japan’s most acclaimed and accomplished writers. From desolate seaside towns and lighthouses to love hotels and online chat rooms, Villain reveals the inner lives of men and women who all have something to hide. Part police procedural, part gritty realism, Villain is a coolly seductive story of loneliness and alienation in the southernmost reaches of Japan.

    Today it is thought of mainly as a children's story, and Kaguya-hime, the heroine, looks in the illustrations as lovable as Snow-White or Cinderella; there is no suggestions of the heartlessness that is perhaps her most memorable feature. Elements in the narrative recall similar tales from other parts of the world. The tests to which the suitors are subjected resemble the riddles asked by the icy Princess Turandot, or we may recall the three caskets among which the suitors had to choose in The Merchant of Venice. Perhaps the most interesting aspect of the tests Kaguya-hime imposes is the humor with which they are related. The second suitor's lyrical description of the magical island of Horai, where he allegedly found the jeweled branch, is interrupted by the mundane demands of the artisans who actually made it. Again, the fourth suitor, at the end of his unsuccessful quest, urges his men to stay away from the vicinity of the house of "that thief of a Kaguya-hime." Such a characterization of the heroine takes us from the realm of the children's story.About thirty-five years ago I first published a translation of The Tales of the Bamboo Cutter in the journal Monumenta Nipponica. A few years later-in the summer of 1965-a Japanese publisher conceived the plan of a book that would incorporate my translation, the translation into modern Japanese by the great novelist Yasunari Kawabata, and illustrations by one of the outstanding contemporary Japanese painters. I decided to take advantage of the opportunity to revise my translation.About this time, I visited an exhibition of kirie (paper-cut pictures) by Masayuki Miyata, and discovered that he had actually completed series of works illustrating The Tale if the Bamboo Cutter. I was delighted that at last it would be possible to realize the project first conceived so many years before. There were still further delays, but at last the book has materialized. [This work] combines the work of unknown Japanese writer of over a thousand years ago, the translation by a master of modern Japanese, illustrations by an outstanding artist, and a translation by an American who has devoted his life to the study of Japanese literature.

    This book features a selection of 60 of the master's woodcut prints, culled from the complete series of the 'Manga' volumes.

    Remarkable for its wit and frankness, the book is a moving record of a woman's survival on the margins of Japanese society -- in the words of the translator, "the superbly told tale of a woman whom fortune never favored yet never defeated."

    She's just the cook's daughter. It isn't her place to talk to nobility. And she definitely isn't supposed to sing the forbidden old, Jindo religion songs.But Lily was born in the year of the Tiger, and can't ever be like other village girls. In the woods snaring rabbits one day, she finds instead the Daimyo's son, Ashikaga, wounded, in the gooseberry brush. When the Pretender Emperor's men arrive to kill Ashikaga, Lily, desperate, sings a forbidden Jindo song.The song wakes a powerful spirit – as well as Ashikaga's interest. The prickly lord has hidden secrets of his own and a burning desire to prove himself to his father. He will stop at nothing to defeat his father's greatest enemy.All Lily wants to do is take care of her sisters. But the Pretender-Emperor's forces are drawing near, and now the Daimyo's son knows she communes with Jindo gods. She wants to trust Ashikaga when he swears he will not tell her secret, but he is a noble – and Lily only a peasant. Lily's heart is leading her down a dangerous path. She may have to defy her father, Ashikaga, and even the spirits themselves in order to defeat the Pretender-Emperor's magic and keep safe all that she loves.

    The 1907 printing was based on an incomplete manuscript, and the full edition was not published till 1950.[Source: Wikipedia]

    Told from the viewpoints of three different women, this is a story of the psychological impact of illicit love. First viewed through the eyes of Shoko, who learns of the affair through reading her mother's diary, then through the eyes of Midori, who had long known about the affair of her husband with Saiko, and finally through the eyes of Saiko herself.

    A Fairy Tale Revolution is here to remix and revive our favourite stories. ‘Please don’t even try to get down to the basement. Just leave it alone – okay? Otherwise you’ll ruin things for both of us…’Nia has met the man she wants to marry. Marcus is kind, clever and handsome, with a beard so dark it is nearly blue-black. Nia demands a single promise from him – that Marcus will never enter her study in the basement, her private space.But when Marcus’s curiosity begins to mount Nia feels more and more uneasy. Will he betray her? Can he accept that no means no? Can a woman ever have a room of her own?

    As he starts digging deeper and deeper into the mystery of her sudden reappearance, he discovers a secret that is somehow linked to the past...and the future. Is it possible to experience first love for a second time? Without question, the answer is yes!

    They each focus intently on their specific jobs: one studies moss, one shreds paper, and the other proofreads incomprehensible documents. Life in the factory has its own logic and momentum, and, eventually, the factory slowly expands and begins to take over everything, enveloping these poor workers. The very margins of reality seem to be dissolving: all forms of life capriciously evolve, strange creatures begin to appear… After a while—it could be weeks or years—the workers don’t even have the ability to ask themselves: where does the factory end and the rest of the world begin?Told in three alternating first-person narratives, The Factory casts a vivid—if sometimes surreal—portrait of the absurdity and meaninglessness of modern life. With hints of Kafka and unexpected moments of creeping humor, Hiroko Oyamada is one of the boldest writers of her generation.

    Michihiko Hachiya was director of the Hiroshima Communications Hospital when the world's first atomic bomb was dropped on the city. Though his responsibilities in the appalling chaos of a devastated city were awesome, he found time to record the story daily, with compassion and tenderness. His compelling diary was originally published by the UNC Press in 1955, with the help of Dr. Warner Wells of the University of North Carolina at Chapel Hill, who was a surgical consultant to the Atomic Bomb Casualty Commission and who became a friend of Dr. Hachiya. In a new foreword, John Dower reflects on the enduring importance of the diary fifty years after the bombing.

    The tip of Moonshadow's sword ambushed the lurking foe, who stood, still drawing his own weapon. It's the dawn of an age of peace in medieval Japan, and a power hungry warlord is plotting to plunge the nation into a deadly civil war using a secret weapon from the West. Enter Moonshadow, the newest and youngest agent for the Grey Light Order, a covert brotherhood of shinobi (ninja spy warriors) who work for the shogun. For his first mission, Moonshadow is sent on a perilous journey to capture the plans for the secret weapon. Can Moonshadow defeat the evil warlord, rogue samurai, professional killers, and another ninja spy to save his country from violent chaos? Or will his first mission also be his last? This thrilling ninja adventure by Simon Higgins, an expert Japanese swordsman, combines gripping action, humor, hold-your-breath suspense, and even a bit of magic for an exciting and fast-paced read!

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.