It is the 1860s; Japan is closed to foreigners and this has to be a clandestine operation. During his undercover negotiations with the local baron, Joncour's attention is arrested by the man's concubine, a girl who does not have Oriental eyes. Although the young Frenchman and the girl are unable to exchange so much as a word, love blossoms between them, conveyed by a number of recondite messages in the course of four visits the Frenchman pays to Japan. How their secret affair develops and how it unfolds is told in a narration as beautiful, smooth and seamless as a piece of the finest silk.

    Never mind her cunning, which rivals that of her twin brother, Kenshin, or her skills as an accomplished alchemist. Since Mariko was not born a boy, her fate was sealed the moment she drew her first breath.So, at just seventeen years old, Mariko is sent to the imperial palace to meet her betrothed, a man she did not choose, for the very first time. But the journey is cut short when Mariko’s convoy is viciously attacked by the Black Clan, a dangerous group of bandits who’ve been hired to kill Mariko before she reaches the palace.The lone survivor, Mariko narrowly escapes to the woods, where she plots her revenge. Dressed as a peasant boy, she sets out to infiltrate the Black Clan and hunt down those responsible for the target on her back. Once she’s within their ranks, though, Mariko finds for the first time she’s appreciated for her intellect and abilities. She even finds herself falling in love—a love that will force her to question everything she’s ever known about her family, her purpose, and her deepest desires.

    His first novel, Almost Transparent Blue, won Japan’s most coveted literary prize and sold over a million copies, and his most recent psychosexual thriller, In the Miso Soup, gave readers a further taste of his incredibly agile imagination. In Piercing, Murakami, in his own unique style, explores themes of child abuse and what happens to the voiceless among us, weaving a disturbing, spare tale of two people who find each other and then are forced into hurting each other deeply because of the haunting specter of their own abuse as children.

    Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Woman in the Dunes, Kangaroo Notebook, the Ruined Map, the Face of Another, Inter Ice Age 4. Source: Wikipedia.

    The closed world of the ancient aristocracy is being breached for the first time by outsiders - rich provincial families, a new and powerful political and social elite.Kiyoaki has been raised among the elegant Ayakura family - members of the waning aristocracy - but he is not one of them. Coming of age, he is caught up in the tensions between the old and the new, and his feelings for the exquisite, spirited Satoko, observed from the sidelines by his devoted friend Honda. When Satoko is engaged to a royal prince, Kiyoaki realises the magnitude of his passion.

    So when some of the beasts mysteriously die, Elin's mother is sentenced to death as punishment. With her last breath she manages to send her daughter to safety.Alone, far from home, Elin soon discovers that she can talk to both the terrifying water serpents and the majestic flying beasts that guard her queen. This skill gives her great powers, but it also involves her in deadly plots that could cost her life. Can she save herself and prevent her beloved beasts from being used as tools of war? Or is there no way of escaping the terrible battles to come?

    Unbeknownst to him, the deadly duo Tangerine and Lemon are also after the very same suitcase—and they are not the only dangerous passengers onboard. Satoshi, “the Prince,” with the looks of an innocent schoolboy and the mind of a viciously cunning psychopath, is also in the mix and has history with some of the others. Risk fuels him as does a good philosophical debate . . . like, is killing really wrong? Chasing the Prince is another assassin with a score to settle for the time the Prince casually pushed a young boy off of a roof, leaving him comatose.When the five assassins discover they are all on the same train, they realize their missions are not as unrelated as they first appear.A massive bestseller in Japan, Bullet Train is an original and propulsive thriller that fizzes with an incredible energy and surprising humor as its complex net of double-crosses and twists unwind. Award-winning author Kotaro Isaka takes readers on a tension packed journey as the bullet train hurtles toward its final destination. Who will make it off the train alive—and what awaits them at the last stop?

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

    But to the villagers the question remains, from what?Pursuing her career as a freelance cartographer, she lives in self-imposed isolation, seeking refuge in the harsh beauty of her surroundings. This is disturbed when she falls into an uneasy friendship with Trothan Gilbertson, a strange, other-worldly local nine-year old. Like Maggie, it’s unclear where Trothan really comes from, and what secrets might be lurking in his past. The lives of both become intertwined, with violent consequences that will change the destinies of woman and boy forever, forcing Maggie to confront the tragic events that first drew her to this isolated place.In this, her debut novel, award-winning writer Linda Cracknell explores themes of motherhood, guilt, myth and the elemental forces of nature in a lyrical, taut and haunting account of damaged lives seeking redemption.

    Fuji's spirit kingdom, Sora yearns to finally take on the sacred kami duties. But just as she confronts her parents to make a plea, a ghostly army invades the mountain. Barely escaping with her life, Sora follows her mother's last instructions to a heart-wrenching discovery: she is a human changeling, raised as a decoy while her parents' true daughter remained safe but unaware in modern-day Tokyo. Her powers were only borrowed, never her own. Now, with the world's natural cycles falling into chaos and the ghosts plotting an even more deadly assault, it falls on her to train the unprepared kami princess.As Sora struggles with her emerging human weaknesses and the draw of an unanticipated ally with secrets of his own, she vows to keep fighting for her loved ones and the world they once protected. But for one mortal girl to make a difference in this desperate war between the spirits, she may have to give up the only home she's ever known.

    In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title).Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima.Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston

    He is grieving for the loss of his wife when the tunnel collapses and traps the bus inside. In the darkness that follows, he manages to fumble out of the bus with the only other survivor, an astute and gentle woman who reminds him of his late wife. Without any light to guide them and with only each other to depend on, they try to escape the stifling darkness and along the way find themselves confronted by their pasts and given their last chance at intimacy, and ultimately, absolution.A realist story that plays with surreal elements, the tale poses a simple question: what is the meaning of hope?

    This thought-provoking trilogy of stories explores the very essence of loneliness and stands as a stirring introduction to modern Japanese literature.

    The Maids concerns all the young women who work—before, during, and after WWII—in the pampered, elegant household of the famous author Chikura Raikichi, his wife Sanko, and her younger sister. Though quite well-to-do, Raikichi has a small house: the family and the maids (usually a few, sharing a little room next to the kitchen) are on top of one another. This proximity helps to explain Raikichi’s extremely close observation of the maids and their daily lives, although his interest carries with it more than a dash of the erotic, calling to mind Tanizaki’s raciest books such as Diary of a Mad Old Man and The Key.In the sensualist, semi-innocent, sexist patrician Raikichi, Tanizaki offers a richly ironic self-portrait, but he presents as well a moving, nuanced chronicle of change and loss: centuries-old values and manners are vanishing, and here—in the evanescent beauty of the small gestures and intricacies of private life—we find a whole world to be mourned.  And yet, there is such vivacity and such beauty of writing that Tanizaki creates an intensely compelling epic in a kitchen full of lively girls.Ethereally suggestive, sensational yet serious, witty but psychologically complex, The Maids is in many ways The Makioka Sisters revisited in a lighter, more comic mode.

    His missteps, his violent rebellions, his tiny victories. But he is not a passive loser, content to accept all that fate hands him. He attempts one last escape to the edges of the city, holding the only safety net he has known – his dreams.Filled with lyrical longing and humour, Slow Boat captures perfectly the urge to get away and the necessity of finding yourself in a world which might never even be looking for you.