The Cenobites soon returned, and their leader, the chilling Pinhead (played by Doug Bradley), became an worldwide icon.The Hellraiser Chronicles is a beautifully produced, full colour photographic companion to Hellraiser, Hellbound: Hellraiser II and Hellraiser III: Hell on Earth. It features stunning, specially shot portrait photography unavailable elsewhere, plus script extracts, design sketches, behind-the-scenes stills and interviews. The only official Hellraiser book, it is a must for all fans of the series.Time to play"

    Now, for the first time, del Toro reveals the inspirations behind his signature artistic motifs, sharing the contents of his personal notebooks, collections, and other obsessions. The result is a startling, intimate glimpse into the life and mind of one of the world's most creative visionaries. Complete with running commentary, interview text, and annotations that contextualize the ample visual material, this deluxe compendium is every bit as inspired as del Toro is himself.Contains a foreword by James Cameron, an afterword by Tom Cruise, and contributions from other luminaries, including Neil Gaiman and John Landis, among others.

    From features, made-for-televsion, and straight-to-video, here are all the films you love and hate; the films you forgot about and never knew existed. Horror and science fiction fans will find films that matter and films that splatter in one critical and humorous guide.Featuring * Thousands of capsulized reviews * A five-star rating system * Hundreds of obscure and rare titles * Video distribution informaton (including mail order) *Cross-references to secondary titles, sequels and tricky retitlings * And more.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    Tricked by his cunning ... Treated to his savagery ... Annie, Linda and Laurie ... fresh, pretty, ready to be taken ... stalked by a sadistic power who has returned to claim new victims, on this ... the most frightening night of the year.

    Made specifically for the small screen, within the tight constraints of broadcasting standards, what these humble movies lacked in budget and star appeal, they made up for in other ways. Often they served as an introduction to genre films, particularly horror, mirroring their theatrical counterparts with a focus on sinister cults, women in prison, haunted houses and even animals in revolt. They were also a place to address serious contemporary issues - drugs, prostitution, sexual violence and justice -albeit in a cosy domestic environment. Production of telefilms continues to this day, but their significance within the history of mass media remains under-discussed. Are You in the House Alone? seeks to address this imbalance in a series of reviews and essays by fans and critics. It looks at many of the films, the networks and names behind them, and also specific genres - everything from Stephen King adaptations to superheroes to true-life dramas. So, kickback and crack open the TV guide once more for the event that is the Movie of the Week!

    Inspired more than thirty years ago by works as diverse as J.R.R. Tolkien's epics, Robert Browning's poetry, and Sergio Leone's Westerns, this is the tale that Stephen King has never abandoned. When he typed the first sentence in 1970, King feared the telling might take several lifetimes, but two thousand pages and four books later, the end is in sight. Published in anticipation of The Dark Tower V: Wolves of the Calla, A Concordance, Volume I is the definitive guide to the first four books in Stephen King's bestselling epic fantasy series, The Dark Tower. With the hundreds of characters, Mid-World geography, and the High Speech lexicon, this comprehensive handbook is one no Dark Tower fan will want to be without. It is the perfect way in for readers new to the series, or the perfect way back in for longtime fans who read the first four books years ago.

     Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

    His masterful examination of the nightmarish nexus of dreams and reality helped spark a career that has spanned close to forty years. Then, with their mix of horror, sex, and humor, Craven's Scream movies helped revitalize the slasher film genre. An absorbing portrait of cult film director Wes Craven's life and career in film Draws on the author's new interviews with Craven, including little-known details about the director's life and work Insights into the making of the Nightmare on Elm Street movies and the Scream films—the #1 horror franchise of all time Fascinating stories about the director's work with a range of producers, screenwriters, and actors, including Robert Englund Publication timing ties in with the release of Scream 4  If you've ever had nightmares about Freddy Krueger or psychopaths wearing Halloween scream masks, or if want to know more about the director behind the new Scream 4, this is one book you simply have to read.

    This comprehensive, chronological film guide summarizes the 101 most important horror movies ever produced, from the 1922 silent classic Nosferatu to the low-budget, 1999 Sundance Film Festival hit, The Blair Witch Project. General editor Stephen Jay Schneider presents film summaries, reviews from a wide array of critics, cast and credit lists, and film production notes. The book's 200 illustrations include unforgettable still shots from the movies as well as iconic film posters. Horror film buffs who open this book will renew their chilling memories of Hitchcock thrillers like Psycho and The Birds, revisit Dr. Frankenstein's castle with Boris Karloff, haunt the sewers of Paris with Lon Chaney's Phantom of the Opera, and recall Anthony Hopkins' most chilling role in The Silence of the Lambs. 101 Horror Movies is international in scope, and covers films from Japan, Russia, Italy, Germany, France, and Australia. Fans of horror movies will want to see all 101 films before they die--and they'll also want to own this entertaining and informative book.

    From the co-creator of the landmark television series Twin Peaks comes a novel that deepens the mysteries of that iconic town in ways that not only enrich the original series but readies fans for the upcoming Showtime episodes.

    Tolkien's epic masterwork, The Lord of the Rings. It is a massive production by fans of Tolkien's work for fans of Tolkien's work. This fully authorized Official Movie Guide is the perfect introduction to the total immersion in Tolkien's world that filmgoers will experience. In full color throughout, including lavish, full-bleed production stills, and with exclusive biographies of the stars and filmmakers, this book gives readers a privileged access to behind-the-scenes material found nowhere else. Featuring color photos of the cast, locations, sets, costumes, and creatures of the films, the book also includes an entertaining overview of the conception, design, and logistical challenges of a film project of this epic scale and grandeur.

    Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.

    This definitive reference work examines his novels and short stories, as well as the motion pictures, miniseries, and teleplays that King has written. The authors spent three years discovering and tying together the threads that exist in King's fiction. Their insightful results will entertain and surprise readers new and old. Once you have read The Stephen King Universe, you will never read Stephen King the same way againContents:The Worlds of The Dark Tower and The Stand --The Dark Tower: The Gunslinger --The Dark Tower II: The Drawing of the Three --The Dark Tower III: The Waste Lands --The Dark Tower IV: Wizard and Glass --The Eyes of the Dragon --The Talisman --Hearts in Atlantis --The Stand --Related Tales --"Night Surf" (from Night Shift) --"The Little Sisters of Eluria" --The Prime Reality, Part I: Derry --IT --Insomnia --Bag of Bones --Related Tales --"Autopsy Room Four" (from Six Stories) --"The Road Virus Heads North" --The Prime Reality, Part II: Castle Rock --The Dead Zone --Cujo --The Dark Half --Needful Things --Related Tales --"The Body" (from Different Seasons) --"Nona" (from Skeleton Crew) --"Uncle Otto's Truck" (from Skeleton Crew) --"Gramma" (from Skeleton Crew) --"The Sun Dog" (from Four Past Midnight) --"It Grows on You" (from Nightmares and Dreamscapes) --"The Man in the Black Suit" (from Six Stories) --The Prime Reality, Part III: Jerusalem's Lot and Stephen King's Maine --Carrie --'Salem's Lot --Pet Sematary --Cycle of the Werewolf --Gerald's Game --Dolores Claiborne --Storm of the Century --The Girl Who Loved Tom Gordon --Related Tales --"Jerusalem's Lot" (from Night Shift) --"Graveyard Shift" (from Night Shift) --"One for the Road" (from Night Shift) --"Rita Hayworth and Shawshank Redemption" (from Different Seasons) --"Mrs. Todd's Shortcut" (from Skeleton Crew) --"The Reach" (from Skeleton Crew) --"Secret Window, Secret Garden" (from Four Past Midnight).

    ChichesterCreator: Clive BarkerAdaptation: Alan Grant,John WagnerArtist: Jim BlaikieLetterer: Michael HeislerOriginal Editor: Greg WrigthtConsulting Editor: D.G. ChichesterReprint Editor: Marc McLaurinAsst. Editor: Tom DaningDesigner: Veronica CarlinExecutive Editor: Carl PottsCover art: Mike Mignola