In a preface, written for this edition, Rose considers some of Peter Pan's new guises and their implications. From Spielberg's Hook, to the lesbian production of the play at the London Drill Hall in 1991, to debates in the English House of Lords, to a newly claimed status as the icon of transvestite culture, Peter Pan continues to demonstrate its bizarre renewability as a cultural fetish of our times.

    When she sees the dust cloud on the horizon, she knows he has arrived. She knows he will want the loveliest girl: her sister. She vows she will not let her be next.And so she is taken in her sister’s place, and she believes death will soon follow. Lo-Melkhiin’s court is a dangerous palace filled with pretty things: intricate statues with wretched eyes, exquisite threads to weave the most beautiful garments. She sees everything as if for the last time. But the first sun rises and sets, and she is not dead. Night after night, Lo-Melkhiin comes to her and listens to the stories she tells, and day after day she is awakened by the sunrise. Exploring the palace, she begins to unlock years of fear that have tormented and silenced a kingdom. Lo-Melkhiin was not always a cruel ruler. Something went wrong.Far away, in their village, her sister is mourning. Through her pain, she calls upon the desert winds, conjuring a subtle unseen magic, and something besides death stirs the air.Back at the palace, the words she speaks to Lo-Melkhiin every night are given a strange life of their own. Little things, at first: a dress from home, a vision of her sister. With each tale she spins, her power grows. Soon she dreams of bigger, more terrible magic: power enough to save a king, if she can put an end to the rule of a monster.

    From New York Times bestselling author Holly Black comes a captivating original novel set between Disney's Maleficent and Maleficent: Mistress of Evil, in which newly-queened Aurora struggles to be the best leader to both the humans and Fair Folk under her reign; her beau, Prince Phillip, longs to get to know Aurora and her kingdom better; and Maleficent has trouble letting go of the past.

    Approved by both the Anne Frank House Foundation in Amsterdam and the Anne Frank-Fonds in Basel, run by the Frank family, this work of literary criticism unravels the complex, fascinating story of the diary and effectively makes the case for it being a work of art from a precociously gifted writer.

    Until now, the idyllic kingdom has been immune to his many violent conquests. To keep the visit friendly, Princess Amrita has offered herself as his bride, sacrificing everything—family, her childhood love, and her freedom—to save her people. But her offer isn't enough.The unthinkable happens, and Amrita finds herself a fugitive, utterly alone but for an oracle named Thala, who was kept by Sikander as a slave and managed to escape amid the chaos of a palace under siege. With nothing and no one else to turn to, Amrita and Thala are forced to rely on each other. But while Amrita feels responsible for her kingdom and sets out to warn her people, the newly free Thala has no such ties. She encourages Amrita to go on a quest to find the fabled Library of All Things, where it is possible for each of them to reverse their fates. To go back to before Sikander took everything from them.Stripped of all that she loves, caught between her rosy past and an unknown future, will Amrita be able to restore what was lost, or does another life—and another love—await?

    From Beauty and the Beast, to Hansel and Gretel, to the Ugly Duckling, these stories will be sure to pull you into a fantastical world of princes, romance, and maybe a little science fiction."Plan B" by Katie French. When Nolan is selected as one of the few candidates to work in the Breeders' hospital, he thinks all his troubles are over. Now he can afford precious medicine to save his ailing father. He’s heard of the Breeders’ cruelty, of their inhuman experiments, but he’s sure they’re fabrications. Then he stumbles into the Plan B room and learns how truly awful the Breeders can be. "Tailless" by Ariele Sieling. A retelling of the Ugly Duckling, set on a far away planet in an unknown galaxy. While fighting a war with her people's biggest enemy, young Bode struggles to understand why she feels out of place in her community, and why she, unlike her comrades, was born without a tail."I Am the Maid" by Sarah Dalton. A hostile zombie killing Maid Marian meets an ill-behaved ex-soldier Robin in this post-apocalyptic retelling of Robin Hood. When a young girl falls deathly sick, the two are forced to join forces in order to outwit the Sheriff, and the mysterious Guy Gisbon."Three Wishes" by Marijon Braden. When Aladdin rubbed the magic lamp, things went pretty well for him. But a few thousand years later, the world has changed and the genie is old, cranky, and doesn't play fair. Young Alison thinks she's found the answer to all her prayers, but instead finds that having wishes come true isn't all it's cracked up to be."Killing Snow White" by Jamie Campbell. A magical retelling of the story of Snow White, told entirely by the Evil Queen who supposedly tried to poison her. Think Snow White is innocent? Think again."A House in the Woods" by H.S. Stone. At the conclusion of a scavenger hunt for Old World artifacts, Hansel and Gretel find themselves lost on the outskirts of the city after dark. They stumble upon a house in the nearby woods, hoping that they will find help inside, but the house's inhabitant has other ideas.“Flight” by Zoe Cannon. A retelling of Beauty and the Beast. Dragged to the palace at swordpoint, commanded to cure the cursed prince with a kiss, Lucia wants nothing more than to return to her solitary world of books and magical study. But she soon discovers that she and the prince share more in common than she could have imagined… and that the truth behind his curse could destroy—or save—them both.

    While Izaveta remained at court to learn the skills she’d need as the future queen, Asya was taken away to train with her aunt, the mysterious Firebird, who ensured magic remained balanced in the realm.But before Asya’s training is completed, the ancient power blooms inside her, which can mean only one thing: the queen is dead, and a new ruler must be crowned.As the princesses come to understand everything their roles entail, they’ll discover who they can trust, who they can love—and who killed their mother.

    

    Marcus, shows incisively, that’s the three-hundred-year-old question that sparked the creation of a rambunctious children’s book publishing scene in Colonial times. And it’s the urgent issue that went on to fuel the transformation of twentieth-century children’s book publishing from a genteel backwater to big business. Marcus delivers a provocative look at the fierce turf wars fought among pioneering editors, progressive educators, and librarians--most of them women--throughout the twentieth century. His story of the emergence and growth of the major publishing houses--and of the distinctive literature for the young they shaped--gains extraordinary depth (and occasional dish) through the author’s path-finding research and in-depth interviews with dozens of editors, artists, and other key publishing figures whose careers go back to the 1930s, including Maurice Sendak, Ursula Nordstrom, Margaret K. McElderry, and Margret Rey. From The New England Primer to The Cat in the Hat to Cormier’s The Chocolate War, Marcus offers a richly informed, witty appraisal of the pivotal books that transformed children’s book publishing, and brings alive the revealing synergy between books like these and the national mood of their times.