Nox Pareidolia includes tales by Laird Barron, S.P. Miskowski, Brian Evenson, Gwendolyn Kiste, Micheal Wehunt, Kristi DeMeester, Christopher Ropes, Zin E. Rocklyn, Paul Jessup, Doungjai Gam, Don Webb and Duane Pesice, K.H. Vaughan, Alvaro Zinos-Amaro, and more yet to be announced!

     Simon delivers live bodies to a psychic creature in the water. He has a natural ability for the work and is even beginning to think he might enjoy it, until the creature asks for the life of his sister. He has less than 24 hours to save both their lives.

    The strangers came first for the timber. Next they came for the coal. Now, they've returned-for Widows Hollow. Pick McKinley is cursed with a fear of strangers. The strangers taunt mountain people and call them Hillbillys. Now, newly orphaned, illiterate, and impoverished, Pick must leave her mountain home and go among the strangers in town to find work if she and her younger siblings are to survive. Maybe it won't be so bad. Her mama had worked among them, cleaning and mending. Pick could not have been more mistaken. Her first encounter with Dr. Stephen Stalworth, Ashford's favorite son and one of its wealthiest, most powerful citizens, almost cost Pick her life and would have but for intervening fate and her rescuer, Jan Vandeventer, the handsome Bluegrass Son of wealthy, world famous horse breeders. Pick is no hillbilly. She's a survivor who has survived against all odds. She must save herself, her siblings, and her community from Stalworth who has vowed to destroy them and she must do it with the only weapons she possesses; faith, and a fairy tale-- called Rosemillion. In her debut novel, J.Helen Elza has crafted a tale of struggle and survival that transcends reading. Rosemillion is a tale to experience and Widows Hollow, despite its poverty, is a place you will want to return to time and again; To fish with the feisty and unapologetic mountain man, Samuel Llewellyn Simpson, "Stump"; "Pay 'em no mind, Miss, they's hollower 'n a cane pole and not nearly so useful." Or to laugh at the fiery- tempered Early Mae, "Mama- John Johnson"; "What is you up to, Old Man? You a'grinnin like a possum in a hen house!" Or to commiserate with Jan who is caught between his world of ivy-league universities and world champion thoroughbreds and her world of illiteracy and poverty; "Jacques, if you want to end our friendship here and now, you call her a hillbilly one more time! I'm sick of it! You and any one of the rest of our so-called peers pick a label, any label, and it's official! Margaret and Victoria call Pick a hillbilly, so she's a hillbilly, right?" Or to grab your hanky and sob or to stand up and shout for sixteen-year old Pick McKinley; "You may call me white trash and hillbilly. You may hate me and my kind, BUT YOU AIN'T GONNA CAUSE THAT LITTLE BABY TO BE A DYIN!" Written as a woman's novel, Rosemillion also appeals to men: "I really did enjoy reading the book and thought Ms. Miller did a wonderful job of placing the reader in the moment. Also, her character development is superb. I've told friends that I never found myself bored reading Rosemillion as I often do when reading other books. Jerry Snow USN Retired Rosemillion will leave you cheering and wanting more. Fortunately, there is more. Rosemillion is book one in J. Helen Elza's Appalachian Trilogy. Look for book two "Return to Widows Hollow," and book three "The Red Amaryllis," coming soon to book stores and kindles near you.

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    The second to some, would be considered outright lying, the last a surprise to those who view them as ladies with a gentle upbringing. But the Parker legacy has never been what it seems and keeping up appearances has trumped the truth every time. Just as Charlotte is about to break the news of her plan to strike out on her own, her daughter, Janie, returns from college to announce she’s pregnant. Her sister, Purdy, becomes desperate to take control and devises a sinister plan to rid the Parker’s of yet another family secret. But Janie’s upbringing has instilled a deeper faith in her than anyone realizes. Compelling and unexpected, Wide Planked Porches is a moving novel that will make you rethink family duty, faith, and fortitude. For fans of Kathryn Stockett (The Help) and Sue Monk Kidd (The Secret Life of Bees), a must-read for lovers of the South, and eavesdroppers who love to listen in on someone else's family drama.

    Are you happy?'After her board exams are over, Sonali – Li to her friends– meets a mysterious stranger called Omi Daan on Facebook. What begins as an idle chat soon takes over her waking hours and her dreams, as she, and through her, her friends Jo and Neel, get sucked inexorably into a world of darkness, danger and death. Who is Omi Daan?As they try to find out, their lives disintegrate and Li discovers that one cannot deal with darkness and remain untouched ...

    Perchance to Dream contains a selection of Beaumont’s finest stories, including five that he later adapted for Twilight Zone episodes.Beaumont dreamed up fantasies so vast and varied they burst through the walls of whatever box might contain them. Supernatural, horror, noir, science fiction, fantasy, pulp, and more: all were equally at home in his wondrous mind. These are stories where lions stalk the plains, classic cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. With dizzying feats of master storytelling and joyously eccentric humor, Beaumont transformed his nightmares and reveries into impeccably crafted stories that leave themselves indelibly stamped upon the walls of the mind. In Beaumont’s hands, nothing is impossible: it all seems plausible, even likely.

    Tilly's seance --Mrs. Amworth --In the tube --Roderick's story --Reconciliation --Face --Spinach --Bagnell terrace --A tale of an empty house --Naboth's vineyard --Expiation --Home sweet home --"And no bird sings" --Corner house --Corstophine --Temple --Step --Bed by the window --James Lamp --Dance --Hanging of Alfred Wadham --Pirates --Wishing-well --Bath-chair --Monkeys --Christopher comes back --Sanctuary --Thursday evenings --Psychical mallards --Clonmel witch burning.

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    Snyder, Tim Curran, Pete Rawlik, Sam Gafford, Christine Morgan, Cody Goodfellow and many more, Return of the Old Ones: Apocalyptic Lovecraftian Horror continues the Dark Regions Weird Fiction line with 19 original stories from some of the best authors in Lovecraftian horror and weird fiction today. Return of the Old Ones will only have one signed edition (deluxe slipcased hardcover) and will feature a similar stamp design to the popular Cthulhu head stamping featured on the World War Cthulhu hardcovers. It will be signed by all contributors and will feature the original color cover artwork by Vincent Chong as color end sheets.

    M. Homes. “It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse.” Jackson’s characters–mostly unloved daughters in search of a home, a career, a family of their own–chase what appears to be a harmless dream until, without warning, it turns on its heel to seize them by the throat. We are moved by these characters’ dreams, for they are the dreams of love and acceptance shared by us all. We are shocked when their dreams become nightmares, and terrified by Jackson’s suggestion that there are unseen powers–“demons” both subconscious and supernatural–malevolently conspiring against human happiness.In this volume Joyce Carol Oates, our leading practitioner of the contemporary Gothic, presents the essential works of Shirley Jackson, the novels and stories that, from the early 1940s through the mid-1960s, wittily remade the genre of psychological horror for an alienated, postwar America. She opens with The Lottery (1949), Jackson’s only collection of short fiction, whose disquieting title story–one of the most widely anthologized tales of the twentieth century–has entered American folklore. Also among these early works are “The Daemon Lover,” a story Oates praises as “deeper, more mysterious, and more disturbing than ‘The Lottery,’” and “Charles,” the hilarious sketch that launched Jackson’s secondary career as a domestic humorist.Here too are Jackson’s masterly short novels The Haunting of Hill House (1959), the tale of an achingly empathetic young woman chosen by a haunted house to be its new tenant, and We Have Always Lived in the Castle (1962), the unrepentant confessions of Miss Merricat Blackwood, a cunning adolescent who has gone to quite unusual lengths to preserve her ideal of family happiness. Rounding out the volume are 21 other stories and sketches that showcase Jackson in all her many modes, and the essay “Biography of a Story,” Jackson’s acidly funny account of the public reception of “The Lottery,” which provoked more mail from readers of The New Yorker than any contribution before or since.

    Ghosts in the windows. Something climbing the stairs. Ron lands the home of his dreams, isolated on a rural mountain, away from the noise and crowds of the city. With the house in need of repairs, he works on fixing it up before his wife and son join him. Unfortunately, the more he repairs, the more problems he uncovers. During the day, he works on the mundane: septic system, plumbing, electrical wiring. But when the night comes and a deep darkness settles on the lonely property, a whole new set of troubles develop: scratching at the windows, the sound of footsteps on the stairs, shadowy figures in the yard. Threats. Attacks. Ron comes to realize the house is unsafe — not because of the physical problems, but because of the unseen. He needs to rid the building of whatever evil has taken hold, but there’s one huge obstacle: he doesn’t believe in ghosts. He’s a total skeptic. His friend Jake helps with the repairs. Jake is more willing to accept that the nightmarish apparitions in the house are real, and his girlfriend Freedom attempts to cleanse the house. Her methods backfire, so she leaves, frightened, refusing to return to the house. She demands Jake leave too, but Ron convinces Jake not to abandon him. Desperate to solve the haunting, Jake ropes in others who claim to have “the gift,” but they all fail, unable to confront and outwit the evil inside the house. While Ron and Jake try to uncover the mystery, they go on a frightening journey, eventually coming to terms with the mountain’s troubled history. An ugly, brutal war waged between two families still consumes the area, and Ron’s house is caught in the middle of it. The Coldwater Haunting is a ghost novel of over 100,000 words. It contains chilling scenes some may find disturbing. Advance readers report the book interfering with their dreams… “Extremely creepy!” “Kept me on edge…no way to escape it.” “Goose flesh on my arms!” “The warning was merited…dreamt about it ALL night.” “The best book you’ve written.”

    Contributing authors include Julio Cortazar, Jean Muno, Karen Joy Fowler, Caitlin R. Kiernan, Nick Mamatas, Carmen Maria Machado, Nathan Ballingrud, and more. No longer the purview of esoteric readers, weird fiction is enjoying wide popularity. Chiefly derived from early 20th-century pulp fiction, its remit includes ghost stories, the strange and macabre, the supernatural, fantasy, myth, philosophical ontology, ambiguity, and a healthy helping of the outre. At its best, weird fiction is an intersecting of themes and ideas that explore and subvert the Laws of Nature. It is not confined to one genre, but is the most diverse and welcoming of all genres.

    Originally published in 1914 between 4 July and 22 August in The Weekly Tale-Teller, the stories were belatedly collected into the current volume in the late 1990s by Jack Adrian. This is a collection of eight ghost stories, written by the remarkably prolific husband and wife team of Claude and Alice Askew, centering on Aylmer Vance, an investigator of the supernatural. Dexter, the narrator, meets Vance during a fishing holiday and Vance tells him three ghost stories on successive nights, each story involving Vance more closely in the action. The fourth story brings Dexter himself into the action, and reveals him to have unsuspected clairvoyant powers. The remaining stories feature Vance and Dexter as a sort of Holmes-and-Watson team investigating incidents not all of which prove to have supernatural causes. The final story, "The Fear" is very effective, describing a house in which a general feeling of extreme fear grips the inhabitants at various times and locations; the emotion of fear is effectively evoked and an interesting tale is constructed as Vance and Dexter work to assign the fear "a local habitation and a name."

    Every few generations this strangeness crawls out from the dark places of the British imagination, seeping into our art and culture. We are living through such a time.This Dreaming Isle is an anthology of new horror stories and weird fiction with a distinctly British flavour. It collects together fifteen brand new horrifying or unsettling stories that draw upon the landscape and history of the British Isles for their inspiration. Some explore the realms of myth and legend, others are firmly rooted in the present, engaging with the country’s forgotten spaces.Featuring new and exclusive stories from:Ramsey Campbell, multi-award winning author of over 40 novels.Andrew Michael Hurley, author of The Loney and Devil’s Day.Catriona Ward, author of Rawblood and Little Eve.Robert Shearman, World Fantasy Award, British Fantasy Award and Shirley Jackson Award winning author of four collections.Jenn Ashworth, author of Fell, Cold Light and more.Gareth E. Rees, author of Marshland and The Stone Tide.Tim Lebbon, screenwriter and author of over 35 books including Dusk, The Silence and Relics.Alison Littlewood, author of The Crow Garden, The Hidden People and more.Aliya Whiteley, author of The Beauty, The Arrival of Missives and The Loosening Skin (forthcoming from Unsung Stories).Stephen Volk, screenwriter and author of Whitstable, Monsters in the Heart and more.Kirsty Logan, author of The Gloaming, The Gracekeepers, A Portable Shelter and The Rental Heart.James Miller, author of UnAmerican Activities, Lost Boys and Sunshine State.Jeannette Ng, author of Under the Pendulum Sun.Richard V. Hirst, co-author of The Night Visitors.Alison Moore, author of The Lighthouse, Missing and more.Gary Budden, author of Hollow Shores.Angela Readman, author of Don’t Try This at Home and The Book of Tides.