There were three suspects: Rob Westerfield, nineteen-year-old scion of a wealthy, prominent family, whom Andrea has been secretly dating; Paul Stroebel, a sixteen-year-old schoolmate, who had a crush on Andrea; and Will Nebels, a local handyman in his forties.It was Ellie who had led her parents to a hideout in which Andrea's body was found -- a secret hideaway in which she met her friends. And it was Ellie who was blamed by her parents for her sister's death for not telling them about this place the night Andrea was missing. It was also Ellie's testimony that led to the conviction of the man she was firmly convinced was the killer. Steadfastly denying his guilt, he spent the next twenty-two years in prison.When he comes up for parole, Ellie, now an investigative reporter for an Atlanta newspaper, protests his release. Nonetheless, the convicted killer is set free and returns to Oldham. Determined to thwart his attempts to whitewash his reputation, Ellie also returns to Oldham, intent on creating a Website and writing a book that will conclusively prove his guilt. As she delves deeper into her research, however, she uncovers horrifying and heretofore unknown facts that shed new light on her sister's murder. With each discovery, she comes closer to a confrontation with a desperate killer.Gripping and relentlessly compelling, Daddy's Little Girl, a portrayal of a family shattered by crime, reflects Mary Higgins Clark's uncanny insight into the twisted mind of a killer and is further evidence of why she is America's favorite author of suspense.

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.

    In his previous novels, he has explored this inner world and its manifestations in the lives of his characters with rare inventiveness and subtlety, shrewd humor and insight. In When We Were Orphans, his first novel in five years, he returns to this terrain in a brilliantly realized story that illuminates the power of one's past to determine the present.Christopher Banks, an English boy born in early-twentieth-century Shanghai, is orphaned at age nine when his mother and father both vanish under suspicious circumstances. Sent to live in England, he grows up to become a renowned detective and, more than twenty years later, returns to Shanghai, where the Sino-Japanese War is raging, to solve the mystery of the disappearances.The story is straightforward. Its telling is remarkable. Christopher's voice is controlled, detailed, and detached, its precision unsurprising in someone who has devoted his life to the examination of details and the rigors of objective thought. But within the layers of his narrative is slowly revealed what he can't, or won't, see: that his memory, despite what he wants to believe, is not unaffected by his childhood tragedies; that his powers of perception, the heralded clarity of his vision, can be blinding as well as enlightening; and that the simplest desires--a child's for his parents, a man's for understanding--may give rise to the most complicated truths.A masterful combination of narrative control and soaring imagination, When We Were Orphans is Kazuo Ishiguro at his best.

    The last don is Domenico Clericuzio, a wise and ruthless man who is determined to see his heirs established in legitimate society but whose vision is threatened when secrets from the family's past spark a vicious war between two blood cousins.This is a mesmerizing tale that takes us inside the equally corrupt worlds of the mob, the movie industry, and the casinos - where beautiful actresses and ruthless hit men are ruled by lust and violence, where sleazy producers and greedy studio heads are drunk with power, where crooked cops and desperate gamblers play dangerous games of betrayal, and where one man controls them all.

    As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began with a fire in an antiquarian bookstore.A distinguished Shakespearean scholar found tortured to death . . . A lost manuscript and its secrets buried for centuries . . . An encrypted map that leads to incalculable wealth . . . The Washington Post called Michael Gruber's previous work "a miracle of intelligent fiction and among the essential novels of recent years." Now comes his most intellectually provocative and compulsively readable novel yet. Tap-tapping the keys and out come the words on this little screen, and who will read them I hardly know. I could be dead by the time anyone actually gets to read them, as dead as, say, Tolstoy. Or Shakespeare. Does it matter, when you read, if the person who wrote still lives? These are the words of Jake Mishkin, whose seemingly innocent job as an intellectual property lawyer has put him at the center of a deadly conspiracy and a chase to find a priceless treasure involving William Shakespeare. As he awaits a killer—or killers—unknown, Jake writes an account of the events that led to this deadly endgame, a frantic chase that began when a fire in an antiquarian bookstore revealed the hiding place of letters containing a shocking secret, concealed for four hundred years. In a frantic race from New York to England and Switzerland, Jake finds himself matching wits with a shadowy figure who seems to anticipate his every move. What at first seems like a thrilling puzzle waiting to be deciphered soon turns into a dangerous game of cat-and-mouse, where no one—not family, not friends, not lovers—is to be trusted. Moving between twenty-first-century America and seventeenth-century England, The Book of Air and Shadows is a modern thriller that brilliantly re-creates William Shakespeare's life at the turn of the seventeenth century and combines an ingenious and intricately layered plot with a devastating portrait of a contemporary man on the brink of self-discovery . . . or self-destruction.

    London is in shock. The very look of daily life is a walking nightmare of German uniforms, artifacts, regulations. There are collaborators. There are profiteers. But there are others working in hope, in secret, and desperate danger, against the invader. And still others are living strangely ambiguous lives – none more so than Detective Superintendent Douglas Archer ("Archer of the yard" as the press like to call him), trying to maintain a peculiarly, almost sacredly, British institution under a Nazi chief. Archer has started work on what seems, at first, a routine murder case. But suddenly an SS Standartenführer from Himmler's personal staff flies in from Berlin to supervise the investigation, and Archer is plunged deep into an espionage battle for which he is completely unprepared, and where the stakes are incredibly high. "We’re dealing with something that could prove so deadly that not even the Black Death would compare with the consequences", the SS man tells him.Setting forth on a tight rope trail of violence, betrayal and danger, Archer moves into worlds within worlds of intrigue. The British resistance, wealthy collaborators, high-level scientists, German army and SS factions and vicious rivalry, a beautiful American reporter on assignment for the still-neutral papers back home – these are the players that Deighton's treacherously shifting drama, as it races toward its chattering climax that involves the fate of the King, and of England itself.SS–GB is fascinating in its premise, utterly authentic and convincing in its detail. It is the most gripping novel we have had from the author of The Ipcress File, Funeral in Berlin, and Bomber. Already, in England, it has become Len Deighton's greatest best seller.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    Foiled by their own vicious ineptitude and the greed of a superior mob, the kidnappers lose their million dollar prize. Blandish, terrified and broken, is now the captive of Ma' Grisson and her sadistic, sexually deviant son Slim.When Dave Fenner was hired to solve the Blandish kidnapping, he knew the odds of finding the girl were against him - the cops were still looking for her three months after the ransom had been paid. And the kidnappers, Riley and his gang, had disappeared in to thin air. But what none of them knew was that Riley himself had been wiped out by a rival gang - and the heiress was now in the hands of Ma Grisson and her son Slim, a vicious killer who couldn't stay away from women...especially his beautiful new captive. By the time Fenner began to close in on them, some terrible things had happened to Miss Blandish...

    He has no idea who he is or how he got there. The only clue to his identity is a map tracing a track called the Coffin Road. He does not know where it will lead him, but filled with dread, fear and uncertainty he knows he must follow it.A detective crosses rough Atlantic seas to a remote rock twenty miles west of the Outer Hebrides of Scotland. With a sense of foreboding he steps ashore where three lighthouse keepers disappeared more than a century before - a mystery that remains unsolved. But now there is a new mystery - a man found bludgeoned to death on that same rock, and DS George Gunn must find out who did it and why.A teenage girl lies in her Edinburgh bedroom, desperate to discover the truth about her father's death. Two years after the discovery of the pioneering scientist's suicide note, Karen Fleming still cannot accept that he would willfully abandon her. And the more she discovers about the nature of his research, the more she suspects that others were behind his disappearance.Coffin Road follows three perilous journeys towards one shocking truth - and the realisation that ignorance can kill us.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Petersburg...

    After a chance encounter she befriends the Gillespie family and soon becomes a fixture in all of their lives. But when tragedy strikes - leading to a notorious criminal trial - the promise and certainties of this world all too rapidly disorientate into mystery and deception.Featuring a memorable cast of characters, infused with atmosphere and period detail, and shot through with wicked humour, Gillespie and I is a tour de force from one of the emerging names of British fiction.

    Published in crime magazines, composed for events, broadcast on radio, they all share the best qualities of his phenomenally popular Rebus novels.Brought together for the first time, and including brand new material, this is the ultimate Rebus short-story collection and a must-have book for crime lovers and for Ian's millions of fans alike.No Rankin aficionado can go without it.

    An epic chronicle of one man's judgement and death, "The Death of Bunny Munro" is an achingly tender portrait of the relationship between father and son.

    Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.