Limited to only 1500 copies.

     These are some of the stories you will encounter in Chimerascope, the first full collection of short fiction from multi-award-winning Canadian author, Douglas Smith. Sixteen engaging stories of fantasy and science fiction that take you from love in fourteenth-century Japan to humanity's last stand, from virtual reality to the end of reality, from alien drug addictions to a dinner where a man loses everything.

    Though torn down years ago, the memories of their Residential School still live deep inside the hearts of those who spent their childhoods there. For some, like Floyd, the legacy of that trauma has been passed down through families for generations. But what is the greater story, what lies untold beneath Floyd’s alcoholism, under the pain and isolation of the play’s main character?Loring’s title was inspired by the mistranslation of the N’lakap’mux (Thompson) place name Kumsheen. For years, it was believed to mean “the place where the rivers meet”—the confluence of the muddy Fraser and the brilliant blue Thompson Rivers. A more accurate translation is: “the place inside the heart where the blood mixes.” But Kumsheen also refers to a story: Coyote was disemboweled there, along a great cliff in an epic battle with a giant shape-shifting being that could transform the world with its powers—to this day his intestines can still be seen strewn along the granite walls. In his rage the transformer tore Coyote apart and scattered his body across the nation, his heart landing in the place where the rivers meet.Floyd is a man who has lost everyone he holds most dear. Now after more than two decades, his daughter Christine returns home to confront her father. Set during the salmon run, Where the Blood Mixes takes us to the bottom of the river, to the heart of a People.In 2009 Where the Blood Mixes won the Jessie Richardson Award for Outstanding Original Script; the Sydney J. Risk Prize for Outstanding Original Script by an Emerging Playwright; and most recently the Governor General’s Literary Award for Drama.

    Her father said it was the home of Uncle Joe Spondoolak, an elf who’d moved in after the cottage had burned down long ago. Susan, a fanciful child, decided to become keeper of the hearth, tidying it up and leaving little gifts for the elves: handfuls of wild strawberries, daisy chains, a tiny birchbark canoe. Overnight the gifts would disappear. One morning, there was a tiny piece of carefully folded pink paper wedged in between the mossy stones.To Helen Susan Cameron Coyne: GreetingsHer Majesty, Queen Mab, has instructed me to thank you for making a home for all her people.Thus began Susan’s correspondence with a precocious young fairy princess, Nootsie Tah, and her indoctrination into the world of the great and little people.Susan took the letter next door to Mr. Moir, because he knew all sorts of interesting things. Sure enough, he had an entire library filled with books about characters such as Puck, Ariel and Oberon. The letters from Nootsie Tah continued, and that summer Susan developed two unique relationships: one with a proud princess from a mystical land, and the other with a gentle gardener with infinite wisdom and patience. These would sustain her throughout her life.

    Hector Penniac had been planning to go to university, perhaps to study medicine. Roger Savage, a loner who has had to make his own way since his youth, comes under suspicion of killing Hector over a union card and a morning’s work. Even if he can’t quite put it into words, Roger immediately sees the ways in which Hector’s death will be viewed as symbolic, as more than an isolated tragedy—and that he is caught in a chain of events that will become more explosive with each passing day.  The aging chief of Hector’s band, Amos Paul, tries to reduce the tensions raised by the investigation into Hector’s death and its connection to a host of other simmering issues, from territorial lines to fishing rights. His approach leads him into conflict with Isaac Snow, a younger and more dynamic man whom many in the band would prefer to lead them—especially when the case attracts press attention in the form of an ambitious journalist named Max Doran, the first of many outsiders to bring his own agenda and motives onto the Micmac reserve. Joel Ginnish, Isaac’s volatile and sometimes violent friend, decides to bring justice to Roger Savage when the authorities refuse to, blockading the reserve in order to do so. And though perhaps no one really means for it to happen, soon a single incident grows ineluctably into a crisis that engulfs a whole society, a whole province and in some ways a whole country.  Twenty years later, RCMP officer Markus Paul—Chief Amos Paul’s grandson, who was fifteen years old when Hector was killed—tries to piece together the clues surrounding Hector Penniac’s death. The decades have passed, and much about the case has been twisted beyond recognition by the many ways that different people have sought to exploit it. But, haunted by the past, Markus still struggles towards a truth that will snap “those chains that had once seemed impossible to break.” (290) This is a novel that begins with an instant from today’s headlines, and digs down into the marrow to explore the oldest themes we know: murder and betrayal, race and history, the brutal and chaotic forces that guide the groups we are drawn into. Nothing is one-sided in David Adams Richards’ world—even the most scheming characters have moments of grace, while the most benevolent are shown to have selfish motives, or the need to show off their goodness. All are depicted with an almost Biblical gravity, framed by an understated genius of storytelling that makes this novel at once both an utterly gripping mystery, and a vitally important document of Canada’s broken past and divided present.

    Among its pages are a couple who becomes obsessed with their friend hearing them have sex, then seeing them have sex…until they can’t have sex without him; a ten-year-old whose birthday party takes a sinister turn when she wishes for “something mean”; a woman who finds a book of spells half hidden at the library and summons her heart’s desire: a nameless, naked man; and a self-proclaimed “biter” who dreams of sneaking up behind and sinking her teeth into a green-eyed, long-haired, pink-cheeked coworker.Spanning a range of genres and topics—from the mundane to the murderous and supernatural—these are stories about sex and punishment, guilt and anger, the pleasure and terror of inflicting and experiencing pain. These stories fascinate and repel, revolt and arouse, scare and delight in equal measure. And, as a collection, they point a finger at you, daring you to feel uncomfortable—or worse, understood—as if to say, “You want this, right? You know you want this.”Bad boy --Look at your game, girl --Sardines --The night runner --The mirror, the bucket, and the old thigh bone --Cat person --The good guy --The boy in the pool --Scarred --The matchbox sign --Death wish --Biter --Acknowledgments

    He tells her that his words were stolen from him when he was taken to live at a residential school as a boy. The little girl then sets out to help her grandpa find his language again.

    Radicalized is the story of a desperate husband, a darknet forum and the birth of a violent uprising against the US health care system.The final story, The Masque of the Red Death, tracks an uber-wealthy survivalist and his followers as they hole up and attempt to ride out the collapse of society.

    His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller's contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller's life work. "I suspect," writes Durrell in his Introduction, "that Miller's final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller's birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.

    On January 26, no Australian can really look away.'Since publishing his critically acclaimed, Walkley Award-winning, bestselling memoir Talking to My Country in early 2016, Stan Grant has been crossing the country, talking to huge crowds everywhere about how racism is at the heart of our history and the Australian dream. But Stan knows this is not where the story ends.In this book, Australia Day, his long-awaited follow up to Talking to My Country, Stan talks about our country, about who we are as a nation, about the indigenous struggle for belonging and identity in Australia, and what it means to be Australian. A sad, wise, beautiful, reflective and troubled book, Australia Day asks the questions that have to be asked, that no else seems to be asking. Who are we? What is our country? How do we move forward from here?

    It was first published in the May 1954 issue of Universe Science Fiction, and has since been republished in several collections and anthologies, including Earth Is Room Enough (1957) and The Best Science Fiction of Isaac Asimov (1986). Like many of his stories, it is told as a conversation, in this case between two professors at a college faculty's annual Christmas party.It is likely that Asimov wrote this short story after seeing how literary academia viewed his own writing. His autobiography, In Memory Yet Green, describes how science fiction gradually became more "respectable", while at the same time, professors of literary studies wrote things about SF — even about Asimov's own stories — which he completely failed to grasp. "The Immortal Bard" is an expression of Asimov's own deep admiration for William Shakespeare which also satirizes the interpretations built upon Shakespeare's work — such as symbolic, Freudian, and New Critical.

    Meet ant, spider, and fox in a beautiful woodland landscape, the ancestral home of author and illustrator Julie Flett. This book is written in both English and Cree, in particular the n-dialect, also known as Swampy Cree from the Cumberland House area. Wild Berries is also available in the n-dialect Cree, from the Cross Lake, Norway House area, published by Simply Read Books.

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    At least, that's what she passes herself off as. The truth is, Keisha's real powers have more to do with separating troubled families from their money than actually seeing into the netherworld. Keisha watches the news for stories of missing family members. She gives it a few days, then moves in, tells these families she's had a vision, that she may have some clue to where these missing people are. And by the way, she charges for this service, and likes to see the money up front.Keisha's latest mark is a man whose wife disappeared a week ago. She's seen him on TV, pleading for his wife to come home, or, if she's been abducted, pleading with whoever took her to let her go. Keisha knows a payoff when she sees one. So she pays a visit to our troubled husband and tells him her vision.The trouble is, her vision just happens to be close enough to the truth that it leaves this man rattled. And it may very well leave Keisha dead...

    In her bestselling novels Lullabies for Little Criminals and The Girl Who Was Saturday Night, she transformed the shabbiest streets of Montreal with her beautiful, freewheeling metaphors. She described the smallest of things--a stray cat or a second-hand coat--with an intensity that made them otherworldly. In Daydreams of Angels, O'Neill's first collection of short stories, she gives free reign to her imaginative gifts. In "The Ugly Ducklings," generations of Nureyev clones live out their lives in a grand Soviet experiment. In "Dear Piglet," a teenaged cult follower writes a letter to explain the motivation behind her crime. And in another tale, a grandmother reveals where babies come from: the beach, where young mothers-to-be hunt for infants in the surf. Each of these beguiling stories twists the beloved narratives of childhood--fairy tales, storybooks, Bible stories--to uncover the deepest truths of family life.