The planet provides a lush but inexplicable landscape--trees offer edible, addictive fruit one day and poison the next, while the ruins of an alien race are found entwined in the roots of a strange plant. Conflicts between generations arise as they struggle to understand one another and grapple with an unknowable alien intellect.

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    Beneath its baneful light, Shadrapar, last of all cities, harbours fewer than 100,000 human souls. Built on the ruins of countless civilisations, surviving on the debris of its long-dead progenitors, Shadrapar is a museum, a midden, an asylum, a prison on a world that is ever more alien to humanity.Bearing witness to the desperate struggle for existence between life old and new, is Stefan Advani, rebel, outlaw, prisoner, survivor. This is his testament, an account of the journey that took him into the blazing desolation of the western deserts; that transported him east down the river and imprisoned him in verdant hell of the jungle's darkest heart; that led him deep into the labyrinths and caverns of the underworld. He will treat with monsters, madman, mutants. The question is, which one of them will inherit this Earth?

    Or almost no one. A few people, perhaps one in ten thousand, can still sleep, and they’ve all shared the same mysterious dream. A handful of silent children can still sleep as well, but what they’re dreaming remains a mystery. Global panic ensues. A medical fact: after six days of absolute sleep deprivation, psychosis sets in. After four weeks, the body dies. In the interim, a bizarre new world arises and swallows the old one whole. A world called Nod.

    . . through quantum space–time.  Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life.

    Still, like everything else in the Budayeen, he’s available…for a price.For a new kind of killer roams the streets of the Arab ghetto, a madman whose bootlegged personality cartridges range from a sinister James Bond to a sadistic disemboweler named Khan. And Marid Audrian has been made an offer he can’t refuse.The 200-year-old “godfather” of the Budayeen’s underworld has enlisted Marid as his instrument of vengeance. But first Marid must undergo the most sophisticated of surgical implants before he dares to confront a killer who carries the power of every psychopath since the beginning of time.Wry, savage, and unignorable, When Gravity Fails was hailed as a classic by Effinger’s fellow SF writers on its original publication in 1987, and the sequence of “Marid Audrian” novels it begins were the culmination of his career.

    In a fragmenting United States, the cities of Phoenix and Las Vegas skirmish for a dwindling share of the Colorado River. But it is the Las Vegas water knives - assassins, terrorists and spies - who are legendary for protecting Las Vegas' water supplies, and for ensuring Phoenix's ruin.When rumours of a game-changing water source surface, Las Vegas dispatches elite water knife Angel Velasquez to Phoenix to investigate. There, he discovers hardened journalist Lucy Monroe, who holds the secret to the water source Angel seeks. But Angel isn't the only one hunting for water, Lucy is no pushover, and the death of a despised water knife is a small price to pay in return for the life-giving flow of a river.

    It has people dancing in the streets and leaping off skyscrapers. And it's all because of the impenetrable gray shield that slid into place around the solar system on the night of November 15, 2034.Some see the bubble as the revenge of an insane God. Some see it as justice. Some even see it as protection. But one thing is for certain -- now there is the universe, and the earth. And never the twain shall meet.Or so it seems. Until a bio-enhanced PI named Nick Stavrianos takes on a job for an anonymous client: find a girl named Laura who disappeared from a mental institution by the most direct possible method -- walking through the walls.

    Ballard's mesmerizing and ferociously prescient novel imagines a terrifying future in which solar radiation and global warming have melted the polar ice caps and Triassic-era jungles have overrun a submerged and tropical London. Set during the year 2145, the novel follows biologist Dr. Robert Kerans and his team of scientists as they confront a surreal cityscape populated by giant iguanas, albino alligators, and endless swarms of malarial insects. Nature has swallowed all but a few remnants of human civilization, and, slowly, Kerans and his companions are transformed—both physically and psychologically—by this prehistoric environment. Echoing Joseph Conrad's Heart of Darkness—complete with a mad white hunter and his hordes of native soldiers—this "powerful and beautifully clear" (Brian Aldiss) work becomes a thrilling adventure and a haunting examination of the effects of environmental collapse on the human mind.

    The only time teenage Wade Watts really feels alive is when he's jacked into the virtual utopia known as the OASIS. Wade's devoted his life to studying the puzzles hidden within this world's digital confines, puzzles that are based on their creator's obsession with the pop culture of decades past and that promise massive power and fortune to whoever can unlock them. But when Wade stumbles upon the first clue, he finds himself beset by players willing to kill to take this ultimate prize. The race is on, and if Wade's going to survive, he'll have to win—and confront the real world he's always been so desperate to escape.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    Bob Johansson has just sold his software company and is looking forward to a life of leisure. There are places to go, books to read, and movies to watch. So it's a little unfair when he gets himself killed crossing the street. Bob wakes up a century later to find that corpsicles have been declared to be without rights, and he is now the property of the state. He has been uploaded into computer hardware and is slated to be the controlling AI in an interstellar probe looking for habitable planets. The stakes are high: no less than the first claim to entire worlds. If he declines the honor, he'll be switched off, and they'll try again with someone else. If he accepts, he becomes a prime target. There are at least three other countries trying to get their own probes launched first, and they play dirty. The safest place for Bob is in space, heading away from Earth at top speed. Or so he thinks. Because the universe is full of nasties, and trespassers make them mad - very mad.

    Maybe it will kill you when the per diem for your allotted food, water, and air runs out, just before you hit paydirt. Maybe it will kill you when you are trapped between the reigning corporations-the Five Dragons-in a foolish gamble against a futuristic feudal society. On the Moon, you must fight for every inch you want to gain. And that is just what Adriana Corta did. As the leader of the Moon's newest "dragon," Adriana has wrested control of the Moon's Helium-3 industry from the Mackenzie Metal corporation and fought to earn her family's new status. Now, in the twilight of her life, Adriana finds her corporation-Corta Helio-confronted by the many enemies she made during her meteoric rise. If the Corta family is to survive, Adriana's five children must defend their mother's empire from her many enemies... and each other.

    The heavens have been silent since - until a derelict space probe hears whispers from a distant comet. Something talks out there: but not to us. Who to send to meet the alien, when the alien doesn't want to meet? Send a linguist with multiple-personality disorder, and a biologist so spliced to machinery he can't feel his own flesh. Send a pacifist warrior, and a vampire recalled from the grave by the voodoo of paleogenetics. Send a man with half his mind gone since childhood. Send them to the edge of the solar system, praying you can trust such freaks and monsters with the fate of a world. You fear they may be more alien than the thing they've been sent to find - but you'd give anything for that to be true, if you knew what was waiting for them.

    As Riddley steps outside the confines of his small world, he finds himself caught up in intrigue and a frantic quest for power, desperately trying to make sense of things.