Sicily, April 16 1677. From his deathbed, Charles III's viceroy, Anielo de Guzmán y Carafa, marquis of Castle Rodrigo, names his wife, Doña Eleonora, as his successor. Eleonora de Moura is a highly intelligent and capable woman who immediately applies her political acumen to heal the scarred soul of Palermo, a city afflicted by poverty, misery, and the frequent uprisings they entail.The Marquise implements measures that include lowering the price of bread, reducing taxes for large families, re-opening women's care facilities, and establishing stipends for young couples wishing to marry—all measures that were considered seditious by the conservative city fathers and by the Church. The machinations of powerful men soon result in Doña Eleonora, whom the Church sees as a dangerous revolutionary, being recalled to Spain. Her rule lasted 27 days—one cycle of the moon.Based on a true story, Camilleri's gripping and richly imagined novel tells the story of a woman whose courage and political vision is tested at every step by misogyny and reactionary conservatism.

    I called work and booked some time off. Then I bought a one-way train ticket to Liverpool.'In 1981, Mike Carter's dad, Pete, organised the People's March for Jobs, which saw 300 people walk from Liverpool to London to protest as the Thatcher government's policies devastated industrial Britain and sent unemployment skyrocketing. Just before the 2016 EU referendum, Mike set off to walk the same route in a quest to better understand his dad and his country.As he walked, Mike found many echoes of the early eighties: a working class overlooked and ignored by Westminster politicans; communities hollowed out but fiercely resistant; anger and despair co-existing with hope and determination for change. And he also found that he and Pete shared more in common than he might have thought.All Together Now? maps the intricate, overlapping path of one man's journey and that of an entire country. It is a book about belonging, about whether to stay or go, and about the need to write new stories for our communities and ourselves.

    It is the true story of what the war was like in Bosnia and in Kosovo.Combined with the stories are his 'observations' about the military tactics that were applied in these conflicts. They provide practical advice for soldiers and civilians on how to survive in a war zone.

    The first volume (published in English in 1928 as My Autobiography) describes Mussolini's youth, years as an agitator and journalist, experiences in World War I, the formation and revolutionary struggles of the Fascist Party, the March on Rome, and his early years in power. The second volume (published in English in 1948 as The Fall of Mussolini) was written during the brief period between his rescue by the Germans in September 1943 and his execution by Italian partisans in April 1945. Here the Duce recounts his last year in power and the coup d'état that deposed him. My Rise and Fall allows readers to view the dictator from two unique vantage points: Il Duce, eyes on the horizon, chin thrust forward, as he nears his political zenith; and Mussolini at his nadir, a desperate, powerless, sawdust Caesar, soon to be shot and hanged, head down, for all to scorn.

    From that night, he has vowed to protect his mother and to follow the words of his father: Non mollare. Never give up.When Francesco is rounded up with a group of young men and herded into a camp on the island of San Domino, he realises that someone has handed a list of names to the fascist police; everyone is suspicious of one another. His former lover Emilio is constantly agitating for revolution. His old friend Gio jealously watches their relationship rekindle. Locked in spartan dormitories, resentment and bitterness between the men grows each day.Elena, a young and illiterate island girl on the cusp of womanhood, is drawn to the handsome Francesco yet fails to understand why her family try to keep her away from him. By day, she makes and floats her paper birds, willing them to fly from the island, just as she wants to herself. Sometimes, she is given a message to pass on. She's not sure who they are from; she knows simply that Francesco is hiding something. When Elena discovers the truth about the group of prisoners, the fine line between love and hate pulls her towards an act that can only have terrible consequences for all.

    The awnings are rolled up. Other tourists are gone. Cold damp weather takes him back to the 1950s & earlier--a golden, intensely personal age of tourism. Decades ago, He voyaged from N. Africa to Italy, Yugoslavia & Greece, enjoying the radical freedom of youth, unaccountable to time because there was always time to make up for mistakes. He recalls the journey less to look inward into his own past than to look outward in order to dissect the process of learning thru travel, in which a succession of new landscapes can lead to books & artwork never before encountered. He 1st imagines Tunis as the glow of gypsum lamps shimmering against lime-washed mosques; the city he actually discovers is even more intoxicating. He goes to the ramparts of a Turkish kasbah where Carthaginian, Roman & Byzantine forts once stood: "I could see deep into Algeria over a ribwork of hills so gaunt it seemed the wind had torn the flesh off them." In these surroundings he discovers Augustine; the courtyards of Tunis lead him to the historical writings of Ibn Khaldun. He goes to the 5th-century Greek temple at Segesta & reflects on the failed Athenian invasion of Sicily. At Hadrian's villa, "Shattered domes revealed clouds moving overhead in countless visions of eternity. It was a place made for silence & for contemplation, where you wanted a book handy. Everycorner was a cloister. No view was panoramic: each seemed deliberately composed." His bus, train & nighttime boat rides, his long walks to archeological sites lead him to subjects as varied as the Berber threat to Carthage; the Roman army's hunt for the warlord Jugurtha; the legacy of Byzantine art; the medieval Greek philosopher Georgios Gemistos Plethon, who helped kindle the Italian Renaissance; 20th-century British literary writing about Greece; & the links between Rodin & the Croatian sculptor Ivan Mestrovic. Within these pages are smells, tastes & the profundity of chance encounters. Mediterranean Winter begins in Rodin's sculpture garden in Paris, passes thru gritty streets of Marseilles, ends with a moving epiphany about Greece as the world prepares for the 2004 Summer Olympics. Mediterranean Winter is the story of an education, filled with memories & history, not the author's alone, but humanity's as well.

    With his new book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly. He examines how it changed the world and changed itself over the course of the last hundred years, from the creation of the Daily Mail and the first stokings of anti-German sentiment in the years leading up to the First World War, to the Sun's propping up of the Thatcher government, and beyond. In this self-analysis from one of the pillars of modern journalism some searching questions are asked, including whether the press can ever be truly free and whether we would desire it to be so.Always incisive, brilliantly readable and never shy of controversy, "Lies Like Truth "sees John Simpson at the height of his game as one of Britain's foremost commentators.

    These are right-wing Hindu fundamentalism, leftwing Maoist extremism, and seccessionist movementsseeking up the break-up of India. In recent years, to those three longstanding threats have been added three more: inequality, corruption, and environmental degradation.Guha analyses each of these six threats in turn, explaining their origins and course, and suggesting ways in which they may be tamed or overcome.

    It has been identified with totalitarianism, state terror, fanaticism, orchestrated violence, and blind obedience, and was directly associated with the horrors of the Second World War, which left more than 40 million dead and introduced inconceivable notions of inhumanity. The mere mention of the term today evokes visions of atrocities and ineffable cruelty. Yet, the end of the twentieth century appears to have spawned a renewed interest in fascism, suggesting that it is time for us to examine our understanding of its ideas, ideals, and inequities. Edited by Roger Griffin, described as 'the premier theorist {of fascism} of the younger generation' (Contemporary European History), this important Oxford Reader demonstrates why fascism strongly appeals to many people, and how dangerous the result of this fascination may be. It includes a wide selection of texts written by fascist thinkers and propagandists, as well as by prominent anti-fascists from both inside and outside Europe, before and after the Second World War. Included are texts on fascism in Germany and Italy, on the abortive pre-1945 fascisms in more than a dozen countries around the world, on reactions to fascism, and on post-war and contemporary fascism. With contributions from writers as diverse as Benito Mussolini and Primo Levi, Joseph Goebbels and George Orwell, Martin Heidegger and Max Horkheimer, this compelling anthology provides insight into the depths and breadths of the destructive repercussions of fascist ideology. In no other volume will students of political theory, history, sociology, and psychology have access to such a compendium of key texts on this simultaneoulsy intriguing and frightening political force.

    

    Now, as the Party's 18th National Congress oversees the biggest leadership transition in decades, and installs the Bo family's long-time rival Xi Jinping as president, China's rulers are finding it increasingly difficult to keep their poisonous internal divisions behind closed doors.Bo Xilai's breathtaking fall from grace is an extraordinary tale of excess, murder, defection, political purges and ideological clashes going back to Mao himself, as the princeling sons of the revolutionary heroes ascend to control of the Party. China watcher John Garnaut examines how Bo's stellar rise through the ranks troubled his more reformist peers, as he revived anti-'capitalist roader' sentiment, even while his family and associates enjoyed the more open economy's opportunities. Amid fears his imminent elevation to the powerful Standing Committee was leading China towards another destructive Cultural Revolution, have his opponents seized their chance now to destroy Bo and what he stands for? The trigger was his wife Gu Kailai's apparently paranoid murder of an English family friend, which exposed the corruption and brutality of Bo's outwardly successful administration of the massive city of Chongqing. It also led to the one of the highest-level attempted defections in Communist China's history when Bo's right-hand man, police chief Wang Lijun, tried to escape the ruins of his sponsor's reputation.Garnaut explains how this incredible glimpse into the very personal power struggles within the CCP exposes the myth of the unified one-party state. With China approaching super-power status, today's leadership shuffle may set the tone for international relations for decades. Here, Garnaut reveals a particularly Chinese spin on the old adage that the personal is political.

    By the end of the decade Britain's inner cities were in the midst of a crack epidemic. Narrated by the leader of the Harginey Drugs Squad, 'Crack House' describes a series of breathtaking raids as well as arrests, beatings, stabbings and shootings.

     Theo Aronson's The Kaisers is the story of six people whose bitter differences were a microcosm of, and greatly influenced, a national conflict which echoed all round the world. Kaiser Wilhelm I, born 1797, King of Prussia 1861, proclaimed Emperor of all Germany 1871, died only in 1888 an autocratic, militaristic man of the eighteenth century completely opposed to the liberalizing ideas which swept Europe in his lifetime. In contrast his Empress, Augusta, was progressive in thought, open-minded in outlook, yet with all had a taste for the theatrical and pageantry of her royal status. The best of her was seen in their son, Kaiser Frederick III, who was Crown Prince for all but the last few cancer-torn weeks of his life. He personified the best of European liberalism of the nineteenth century. In this he was supported—many said unduly influenced by his energetic and vivacious English wife Victoria, Queen Victoria's eldest and 'Dearest Child', who brought to the marriage the enlightened ideals and hopes of her shrewd, practical mother and her far-seeing father, the Prince Consort. The tragedy, the tempting speculation of Germany's history, is that this couple reigned for only three months before Frederick III's death brought their son to the throne. Kaiser Wilhelm II, 'Kaiser Bill' of the first World War, was again the antithesis of everything his parents stood for. Queen Victoria's hopes that her grandson might be 'wise, sensible, courageous — liberal-minded — good and pure', could hardly have been more misplaced. The sixth, the dominating figure in the Hohenzollern story, is Prince Otto von Bismarck, the ruthless 'Iron Chancellor', virtual dictator of Germany for nearly thirty years. He served all three Kaisers, claiming with justification that on his shoulders he had carried the first to the Imperial throne—where he manipulated him to his will despite the hatred and manoeuvrings of the Empress Augusta. He feared the reign of the short-lived second Kaiser and feared more perhaps (and never missed an opportunity to disparage) the Empress Victoria and the constant, commonsense influence from England of her mother. (`That', he said ruefully after their one meeting, 'was a woman ! One could do business with her ! ') Their son he flattered, siding with him against his parents, and in so doing brought about his own downfall, when the vainglorious young man he had schooled as Crown Prince came as Kaiser to believe that he could do without his mentor. But for Europe it was too late, and the policies of one and the vanities of the other were already leading Europe helter-skelter into the holocaust of 'the Kaiser's War'. Theo Aronson's gifts as a writer have deservedly brought him high regard as a chronicler of the complex histories of Europe's great ruling Houses. Rarely have his talents been better employed than in this study of the comet-like rise and fall of the House of Hohenzollern, the House of the Kaisers of Germany. It is a story of bitter, almost continual conflict, yet even in what can now be seen as a path to inevitable destruction Mr. Aronson finds passages of light and shade that show the Hohenzollerns not simply as Wagnerian puppets posturing on a vast European stage, but people deserving of our understanding and compassion.

    Hamilton Jr., and the veteran military history writer and bestselling author of One Shot One Kill,, Hill 488, and Crosshairs on the Kill Zone, Charles W. Sasser, detailing how Hamilton brought together a combination of Navy, Army, and CIA training methods to shape the United States’ unconventional military force, culminating in the Navy Seals, the world's most effective warriors in combating terrorists and international criminals, whose Team Six carried out the assassination of Osama bin Laden.