But when he opens an early Christmas present left on his doorstep, he soon realises it is no gift. Inside is a gruesome surprise, and a promise – twelve days, twelve murders. Not long after, the first body is found, half frozen in the snow. As the blizzards descend, panic spreads through the remote Cumbrian village – there’s a killer amongst them, and with eleven more victims to go, anyone could be next…. Can James stop the killer before they strike again?The first in a new series, Alex Pine has written a dark, atmospheric crime novel, set in a snowed-in Cumbrian village, for fans of Val McDermid, Ross Greenwood and LJ Ross.

    Leaving could be worse.Leah and McKenna have never met, though they have parallel lives.They don’t—ever—find themselves in the same train carriage or meet accidentally at the gym or the coffee shop. They don’t—ever—discuss their problems and find common ground. They don’t—ever—acknowledge to each other that although their lives have all the trappings of success, wealth and happiness, they are, in fact, trapped.Because Leah understands that what’s inside a home can be more dangerous than what’s outside. Driving past McKenna’s house one night, she sees what she knows only too well herself from her own marriage: McKenna’s “perfect” husband is not what he seems. She decides to keep an eye out for McKenna, until one night, she intervenes.Leah and McKenna have never met. But they will.

    Determined to finally let go of the past, she throws herself into life at Knollwood, the prestigious New Englandschool she attends. Charlie quickly becomes friends with Knollwood’s “it” crowd.Charlie has also been tapped by the A’s—the school’s elite secret society well known for terrorizing the faculty, administration, and their enemies. To become a member of the A’s, Charlie must play The Game, a semester-long, diabolical high-stakes scavenger hunt that will jeopardize her friendships, her reputation, even her place at Knollwood.As the dark events of past and present converge, Charlie begins to fear that she may not survive the terrible truth about her family, her school, and her own life.

    The other, she has never seen. But everything in it is accurate. Recent photos of her and her friends, her and her husband, her and her kids. Even of her new kitchen. A photo taken inside her house.She is bemused, angry, and worried. Who was able to do this? Any why?But this, it soon turns out, is just the beginning. It is only now–almost as though someone has been watching, waiting for her to find the profile–that her problems really start…

    Three years later, he’s released to a world that refuses to let him move on. Belinda’s mother, once Thea’s good friend, galvanizes the community to rally against him to protest in her daughter’s memory. The media paints Stefan as a symbol of white privilege and indifferent justice. Neighbors, employers, even some members of Thea's own family turn away.Meanwhile Thea struggles to understand her son. At times, he is still the sweet boy he has always been; at others, he is a young man tormented by guilt and almost broken by his time in prison. But as his efforts to make amends meet escalating resistance and threats, Thea suspects more forces are at play than just community outrage. And if there is so much she never knew about her own son, what other secrets has she yet to uncover—especially about the night Belinda died?

    Maybe Tess is overprotective, but passing her daughter off to her ex and his new young wife fills her with a sense of dread. It's not that Jason is a bad father--it just hurts to see him enjoying married life with someone else. Still, she owes it to her daughter Poppy to make this arrangement work.But Poppy returns from the weekend tired and withdrawn. And when she shows Tess a crayon drawing--an image so simple and violent that Tess can hardly make sense of it----Poppy can only explain with the words, "He did kill her."Something is horribly wrong. Tess is certain Poppy saw something--or something happened to her--that she's too young to understand. Jason insists the weekend went off without a hitch. Doctors advise that Poppy may be reacting to her parents' separation. And as the days go on, even Poppy's disturbing memory seems to fade. But a mother knows her daughter, and Tess is determined to discover the truth. Her search will set off an explosive tempest of dark secrets and buried crimes--and more than one life may be at stake.

    After calling 911, the veterinarian makes a split-second decision that will throw her sedate suburban life into chaos. Against all reason and advice, she gets out of her minivan and chases after the violent man, trying to help his victim. When Cassie physically tries to stop him, he suddenly turns on her and spits out an ominous threat: “Let her die, and I’ll let you live. And this will change her life.”

    . . .Pete Riley answers the door one morning and lets in a parent's worst nightmare. On his doorstep is Miles Lambert, a stranger who breaks the devastating news that Pete's son, Theo, isn't actually his son--he is the Lamberts', switched at birth by an understaffed hospital while their real son was sent home with Miles and his wife, Lucy. For Pete, his partner Maddie, and the little boy they've been raising for the past two years, life will never be the same again.The two families, reeling from the shock, take comfort in shared good intentions, eagerly entwining their very different lives in the hope of becoming one unconventional modern family. But a plan to sue the hospital triggers an official investigation that unearths some disturbing questions about the night their children were switched. How much can they trust the other parents--or even each other? What secrets are hidden behind the Lamberts' glossy front door? Stretched to the breaking point, Pete and Maddie discover they will each stop at nothing to keep their family safe.They are done playing nice.

    For the past two decades, Maeve has worked hard to build a normal life in New York City, where she keeps everything—and everyone—at a safe distance.When Andrea suddenly reappears, Maeve regains the only true friend she’s ever had. Soon she’s spending more time at Andrea’s remote Catskills estate than in her own cramped apartment. Maeve doesn’t even mind that her cousin’s wealthy work friends clearly disapprove of her single lifestyle. After all, Andrea has made her fortune in the fertility industry—baby fever comes with the territory.The more Maeve immerses herself in Andrea’s world, the more disconnected she feels from her life back in the city; and the cousins’ increasing attachment triggers memories Maeve has fought hard to bury. But confronting the terrors of her childhood may be the only way for Maeve to transcend the nightmare still to come…

    322 miles of road. 6 hours. 2 strangers. 1 killer. Too many secrets. Midnight. Cait Monaghan and Rebecca McRae are on a desolate road that slices through the New Mexican desert. They've never met before tonight. Both have secrets to protect. Both of their lives are in danger. When a truck pulls up fast behind them, they assume it's punk teenagers or run-of-the-mill road rage, but it soon becomes clear that whoever is driving the truck is hunting them for sport—and they are out to draw blood. As the miles unspool and the dangers mount, the pasts they've worked so hard to keep buried have come back to haunt them. Someone wants one of them dead. But which one? And given the lives the two women have been leading, that someone could be almost anyone.If Cait and Rebecca are going to survive, they'll have to learn to trust one another—and themselves. But trust is a costly business, and they’ve both paid the price before. . . .

    She says your name. Then she jumps... In a split second, Morgan Kincaid’s life changes forever. She’s on her way home from work when a mother begs her to take her baby, then places the infant in her arms. Before Morgan can stop her, the distraught mother jumps in front of an oncoming train. Morgan has never seen this woman before, and she can’t understand what would cause a person to give away her child and take her own life. She also can’t understand how this woman knew her name. The police take Morgan in for questioning. She soon learns that the woman who jumped was Nicole Markham, prominent CEO of the athletic brand Breathe. She also learns that no witness can corroborate her version of events, which means she’s just become a murder suspect. To prove her innocence, Morgan frantically retraces the last days of Nicole’s life. Was Nicole a new mother struggling with paranoia or was she in danger? When strange things start happening to Morgan, she suddenly realizes she might be in danger, too. Woman on the Edge is a pulse-pounding, propulsive thriller about the lengths to which a woman will go to protect her baby—even if that means sacrificing her own life.

    Her first assignment takes her to northern Alberta, where she falls in love with her mentor, the daring and brilliant Tate. After they’re separated from each other on another assignment, Marian is shattered to learn of Tate’s tragic death. Worse still is the aftermath in which Marian discovers disturbing inconsistencies about Tate’s life, and begins to wonder if the man she loved could have been responsible for the unsolved murders of at least four women.Hoping to clear Tate’s name, Marian reaches out to a retired forensic profiler who’s haunted by the open cases. But as Marian relives her relationship with Tate and circles ever closer to the truth, evil stalks her every move.…

    A LUXURY RETREAT. IT'S GOING TO BE MURDER.It's been years since Grace, Felicity, Alice, and Hannah were together. The "Wild Girls," as they were once called, are no longer so wild. Alice is a teacher. Hannah has a new baby. Grace is a homebody. Only Felicity seems to have retained her former spark.Then Felicity invites them all on the weekend of a lifetime--a birthday bash in Botswana. It will be a chance to have fun and rekindle their once bomb-proof friendship... and finally put that one horrible night, all those years ago, behind them for good.But soon after arriving at the luxury safari lodge, a feeling of unease settles over them. There's no sign of the party that was promised. There's no phone signal. They are on their own... and things start to go very, very wrong.A fresh approach to the classic locked-room mystery, The Wild Girls is sure to appeal to fans of Ruth Ware and Lucy Foley.

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.

    So when she's offered the chance to be an emergency replacement at the UN research station in Antarctica, she jumps at the chance. The previous doctor, Jean-Luc, died in a tragic accident while out on the ice.The move seems an ideal solution for Kate: no one knows about her past; no one is checking up on her. But as total darkness descends for the winter, she begins to suspect that Jean-Luc's death wasn't accidental at all. And the more questions she asks, the more dangerous it becomes for them all . .