She’s landed the chance of a lifetime, an invitation to the US Muay Thai Open, which could lead to a spot on the first-ever Olympic team. If only her sport wasn’t seen as something too rough for girls, something she’s afraid to share with anyone outside of her family. Despite pleasing her parents, exceling at school, and making plans to get her family out of debt, Kareena’s never felt quite Indian enough, and her training is only making it worse.Which is inconvenient, since she’s starting to fall for Amit Patel, who just might be the world’s most perfect Indian. Admitting her feelings for Amit will cost Kareena more than just her pride–she’ll have to face his parents’ disapproval, battle her own insecurities, and remain focused for the big fight. Kareena’s bid for the Olympics could very well make history–if she has the courage to go for it.

    During an exceptionally hot summer, the young married couple move in, and Asa does her best to quickly adjust to their new rural lives, to their remoteness, to the constant presence of her in-laws and the incessant buzz of cicadas. While her husband is consumed with his job, Asa is left to explore her surroundings on her own: she makes trips to the supermarket, halfheartedly looks for work, and tries to find interesting ways of killing time.       One day, while running an errand for her mother-in-law, she comes across a strange creature, follows it to the embankment of a river, and ends up falling into a hole—a hole that seems to have been made specifically for her. This is the first in a series of bizarre experiences that drive Asa deeper into the mysteries of this rural landscape filled with eccentric characters and unidentifiable creatures, leading her to question her role in this world, and eventually, her sanity.

    It reprints, on facing pages, the version of "The Prelude" was was completed in 1805, together with the much-revised work published after the poet's death in 1850. In addition the editors include the two-part version of the poem, composed 1798-99. Each of these poems has its distinctive qualities and values; to read them together provides an imcomparable chance to observe a great poet composing and recomposing, through a long life, his major work.

    With sharp wit and relentless questioning, Shapero crafts poems a reader can, if not believe in, then trust--to level with us, to surprise us, and to stay with us long after we put the book down. No Object is a fast ride you will not easily forget.

    In the magnificent opening story, "Love and Honor and Pity and Pride and Compassion and Sacrifice," a young writer is urged by his friends to mine his father's experiences in Vietnam--and what seems at first a satire of turning one's life into literary commerce becomes a transcendent exploration of homeland, and the ties between father and son. "Cartagena" provides a visceral glimpse of life in Colombia as it enters the mind of a fourteen-year-old hit man facing the ultimate test. In "Meeting Elise," an aging New York painter mourns his body's decline as he prepares to meet his daughter on the eve of her Carnegie Hall debut. And with graceful symmetry, the final, title story returns to Vietnam, to a fishing trawler crowded with refugees, where a young woman's bond with a mother and her small son forces both women to a shattering decision. Brilliant, daring, and demonstrating a jaw-dropping versatility of voice and point of view, "The Boat" is an extraordinary work of fiction that takes us to the heart of what it means to be human, and announces a writer of astonishing gifts.

    Yousaf reread the letters she had written him. In them he found his proposal, as well as inspiration to write his own prose and poetry. From this inspiration, Sincerely was born. It carries messages of positivity, hope, and most of all, true love.

    Known for her eponymous blog and her confessional style of writing, this is Trista Mateer's second collection of poetry.

    Focusing on inspiration, Doby's poetry invites its reader to "Come as you are. Your tribe has arrived.  Your breath can rest here."both softand fiercecan coexist and still be powerful

    Depression & Other Magic Tricks explores themes of mental health, love, and family. It is a documentation of struggle and triumph, a celebration of daily life and of living. Benaim's wit, empathy, and gift for language produce a work of endless wonder.

    He is in awe of her aloofness, her skill at slipping sandwiches into bags, and, most electric of all, her ice-blue eyelids. Every day he is drawn to the supermarket just to watch her in action. But life has a way of interfering – there is his mother, forever distracted, who can tell the fortunes of women; his grandmother, silently dying, who listens to his heart; and his classmate, Tutti, no stranger to pain, who shares her private thrilling world with him.Tender, warm, yet unsentimental, Ms Ice Sandwich is a story about new starts, parents who have departed, and the importance of saying goodbye.

    With her marriage shattered, Erin Belieu sifts the wreckage for the black box, the record of disaster. Propelled by a blistering and clarifying rage, she composed at fever pitch and produced riveting, unforgettable poems, such as the ten-part sequence “In the Red Dress I Wear to Your Funeral”:I root through your remains,looking for the black box. Nothing leftbut glossy chunks, a pimp’s platinumtooth clanking inside the urn. I play youover and over, my beloved conspiracy,my personal Zapruder film—look. . .When Belieu was invited by the Poetry Foundation to keep a public journal on their new website, readers responded to the Black Box poems, calling them “dark, twisted, disturbed, and disturbing” and Belieu a “frightening genius.” All true.

    In 2015, Rudy Francisco decided to take on the challenge. After the task was completed, he published the poems in the form of a chapbook and chose to call it "No Gravity."

    Lyrically complex and startling—yet forthright and unflinching— these poems address rape, abortion, sex work, and other subjects frequently omitted from male-dominated literary traditions, without forsaking the pleasures of being embodied, or the value of personal freedom, of moonlight, and of hope. Throughout, the topography and mythology of California, as well as the uses and failures of language itself, are players in what it means to be a woman, a sexual being, and a trauma survivor in contemporary America.

    Now a freshman at MIT, she is on track to fulfill the rest of this predetermined future: become a doctor, marry a preapproved Taiwanese Ivy Leaguer, produce a litter of babies.With everything her parents have sacrificed to make her cushy life a reality, Mei can't bring herself to tell them the truth--that she (1) hates germs, (2) falls asleep in biology lectures, and (3) has a crush on her classmate Darren Takahashi, who is decidedly not Taiwanese.But when Mei reconnects with her brother, Xing, who is estranged from the family for dating the wrong woman, Mei starts to wonder if all the secrets are truly worth it. Can she find a way to be herself, whoever that is, before her web of lies unravels?

    She writes about giving up too much of yourself to someone else, not fitting in, endlessly Googling “how to be happy,” and ultimately figuring out who you are.This hardcover collection features completely new material plus some fan favorites from Caroline's account. Filled with haunting, spare pieces of original art, Light Filters In will thrill existing fans and newcomers alike.it’s okay if some thingsare always out of reach.if you could carry all the starsin the palm of your hand,they wouldn’t behalf as breathtaking