Their friendship has now lasted thirty-five years. As their birthdays all fall in the same week they long ago made a pact to spend each big decade birthday together. So far they'd managed it. Now as their thirty-ninth birthday looms, Angel, a famous Hollywood actress, announces that this will be her last birthday. Terrified of aging, she absolutely refuses to turn forty. So Lexi, the mother hen of the group and an artist, invites them to Florida for a week-long celebration of this, their last birthday together. Brenda, mother to five grown-up children, flies in from Dublin, eagerly looking forward to her first foreign holiday ever. Mel, however, has to be prised away from New York where she is a successful partner in a law firm - she is a workaholic with no other friends or love in her life. The four come together for the celebration but soon things start to unravel and the week ends disastrously. Lexi is distraught. Can their friendship endure? Only time will tell.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    All she did was fall in love with a white Christian carnivore instead of a conventional Indian boy. Years later, with her parents not speaking to her and her controversial relationship in tatters, all Preeti has left is her career at a prestigious Los Angeles law firm.But when Preeti receives word of a terrible accident in the city where she was born, she returns to India, where she’ll have to face her estranged parents…and the complicated past they left behind. Surrounded by the sights and sounds of her heritage, Preeti catches a startling glimpse of her family’s battles with class, tradition, and sacrifice. Torn between two beautifully flawed cultures, Preeti must now untangle what home truly means to her.

    About the story, John says "THE SEQUEL contains a lot of the ideas that ended up in THE FAULT IN OUR STARS, although it's a very different kind of story. I worked on THE SEQUEL between 2008 and 2010 before finally putting it aside. There is of course a REASON why I abandoned it: It isn't very good. But it has some moments I still like, and I'm hoping seeing a draft like this will provide a window into one writer's process. And of course I want to raise some money for the HPA!" THE SEQUEL is the story of a young woman named Hannah al-Hajji who finds herself alone in the world after the novel in which she is a character ends. Everyone else in the novel disappears, but she for some reason is left with us. The story costars a young student chaplain, recently graduated from college, who happens to have read the novel that Hannah was a minor character in. The selection is 6,437 words long.

    Scott Fitzgerald’s ongoing lush fantasies about the extremes of wealth with his much more somber understanding of what underpins it.  Loosely inspired by a summer he spent as a teenager working on a ranch in Montana, The Diamond as Big as the Ritz is Fitzgerald’s hallucinatory paean to the American West and all its promises.It’s the story of John T. Unger, a young Southerner who goes to Montana for summer vacation with a wealthy college classmate. But the classmate’s family proves to be much more than simply wealthy: They own a mountain made entirely of one solid diamond. And they’ve gone to dreadful lengths to conceal their secret … meaning John could be in danger.But the family also has a daughter, lovely Kismine, and with her help, John may yet escape the fate her family has meted out to all their other guests so far …

    Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman.A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home. There’s also Star, a teenage runaway with a secret too painful to share. And the little boy with heart-shaped stones, who comes with a hope for reconciliation—and a warning.Soon Jess learns that she’s not the only lost soul running from the ghosts of the past. She and Star have been brought together for a reason: to be saved by the very thing that destroyed them.

    Last Times. Connections. And No Regrets...I only wanted a tattoo. A mark on my body to remind me of who I used to be. Something to hold onto when I started my penance for all the things I’d done wrong, the bad choices I’d made by the time I turned nineteen. Instead, I found a night of possibility, of truth, of hope for the future. And the most intense physical connection I’ve ever had. The only one I’ve ever had, and one I will never forget.Trey...When she walked into my tattoo shop, I knew she was like me. Harley had secrets. She had a messed-up past, and things she wanted to run from, or forget ever happened. I couldn’t let her go. So we agreed on one night – to spend it together wandering around the city, getting to know each other, the clock ticking because we knew tomorrow would bring an end to the possibility of an us.Unless tonight was only the start.How can one night be the start of something when tomorrow it has to end?

    She’s flying to Crete to reunite with friends she met there five years ago and relive an idyllic vacation. Basking in the warmth of the sun, the azure sea, and the aura of antiquity, she can once again pretend—for a little while—that she belongs. Her ex-boyfriend Marcus will be among them, but even he doesn’t know the secrets she keeps hidden behind a veil of lies. None of them really know her, and that’s only part of the problem.Then again, how well does she know them?When Jan awakens in utter darkness, chained to a wall, a manacle around her wrist, her echoing screams only give her a sense of how small her cell is. As she desperately tries to reconstruct what happened and determine who is holding her prisoner, dread covers despair like a hand clamped over her mouth. Because, like the Minotaur in the labyrinth in Greek myth, her captor will be coming back for her, and all the lies will catch up to her…

    Then life took an unexpected turn. Can Olivia find hope in the midst of her darkest hour? When Olivia Martinelli, a naive nineteen-year-old, moved out on her own, she never could have imagined what direction her life would take. A life-changing decision, a betrayal of trust, and a painful consequence leave her devastated. Will Olivia find the strength she needs for the journey ahead?

    But John is a deeply damaged soul, bound to his tormented past. Can André save him from himself?Submissive Kelly Flynn has a huge crush on John Taylor, and is restrained by troubling ties of her own. She is suffering from the "Fatal Female Flaw" when ordinarily sensible women fall madly in love with an unattainable man who can't, or won't love them back. There's no possible way Kelly can ever break through John's defenses to the tortured soul beneath... or can she?

    And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.

    A picture-perfect street with a secret at its heart.When Joe and Christy Davenport step behind the Oxford Blue painted door of their 'for ever' home, they believe their dreams have come true.Yet the boxes aren't even unpacked before a series of events leads Christy to become obsessed with the previous occupant, the glamorous, enigmatic Amber Fraser, whose departure from Lime Park Road is shrouded in mystery.What happened to her? And why are Joe and Christy's attempts at friendship with neighbours met with an unnerving silence?As Christy unravels the shocking truth about the Frasers and the place she now calls home, she discovers that behind the closed doors of even the most desirable postcodes, terrible secrets lurk.

    What’s worse is that every time she leaves the house, she winds up in some kind of altercation. She can’t help but wonder if she’s an idiot magnet, or if she’s the smart-mouth stirring things up. Hoping for a little peace of mind, Ace gives in to the advice of her best friend and goes to see a therapist. But she quickly discovers that the road to nirvana isn’t what it’s cracked up to be. And as Ace goes from one therapeutic misadventure to another, the plus-sized spitfire becomes more determined than ever to find enlightenment—even if it means bending herself into a pretzel to do it.

    She’d confess her situation to her friends—if it wasn’t for those dreadful words of warning in his goodbye note: “I’ll tell them what you did.”Instead, she does her best to keep up appearances, even as months pass and she can barely put food on the table—much less replace a light bulb. While she looks for a job, she lives in fear that someone will see her stuffing toilet paper into her handbag or pinching basil from a neighbor’s window box.Soon, blindsided by catastrophe, surprised by romance, and stunned by the kindness of a stranger, Tabitha realizes she can’t keep her secrets forever. Sooner or later, someone is bound to figure out that her life is far from perfect.

    Though her new life as a wedding photographer provides a semblance of purpose, it’s also a distraction from her profound pain.When asked to photograph a wedding at the historic Woodmont estate, Libby meets the owner, Elaine Grant. Hoping to open Woodmont to the public, Elaine has employed young widower Colton Reese to help restore the grounds and asks Libby to photograph the process. Libby is immediately drawn to the old greenhouse shrouded in honeysuckle vines.As Libby forms relationships and explores the overgrown—yet hauntingly beautiful—Woodmont estate, she finds the emotional courage to sort through her father’s office. There she discovers a letter that changes everything she knows about her parents, herself, and the estate. Beneath the vines of the old greenhouse lie generations of secrets, and it’s up to Libby to tend to the fruits born of long-buried seeds.