consultant Mac Sullivan it’s just another day. Since losing his wife two years ago, he’s thrown himself into work and has no interest in serious relationships.Enter nurse Louisa Young, who brings warmth, sparkle and Christmas into his E.R. department. The question is, can she bring it into his life as well? Louisa’s one Christmas wish is that maybe, just maybe, she can melt the ice that surrounds the gorgeous consultant’s heart…

    These pieces evidence Mamet's love of language, particularly the introductory essay, "Eight Kings", which celebrates the private languages of carpenters, carnival workers, and all crafts and trades, and "The Northern Novel", which propounds Mamet's affection for the line of American fiction exemplified by Willa Cather and Theodore Dreiser. Some of the essays are prose portraits from Mamet's life: "Deer Hunting" and "The Diner" delineate worlds far from the public eye. Make-Believe Town also contains beautifully written recollections of Mamet's early days as a writer ("Girl Copy"), his start in the theater ("Memories of Off Broadway"), his education as a gambler ("Gems From a Gambler's Bookshelf"), and bygone days on Broadway ("Delsomma's"). Mamet's incisive thoughts about public issues - support for the arts, nudity in films, the roles given Jewish characters, even the posthumous rehabilitation of Richard Nixon - round out a far-reaching collection.

    Opening with a chapter on how Emily BrontA's masterpiece was received in the nineteenth century, the "Guide" links together a selection of extracts that demonstrate the major critical developments of the twentieth century -- from humanism through formalism to deconstruction. Within this general framework, subsequent chapters focus on psychoanalytic readings, source studies, readings using discourse theory, work on dissemination, and political readings from Marxist, postcolonialist, and feminist points of view.

    Chip Kidd is renowned and revered as a maverick graphic designer. Specifically, Kidd's book jacket designs for such major New York publishers as Alfred A. Knopf are among the most significant and innovative of our time. This richly illustrated book--the first critical selection of kid's design work--looks closely at this contemporary visual pioneer. Veronique Vienne presents a full and nuanced view of Kidd, discussing how he has developed celebrity status as a designer, design critic, lecturer, and editor. She also relates how Kidd is greatly influenced by popular culture, noting his vast collection of Batman memorabilia. Vienne concludes by examining Kidd's editorial involvement with books on cartoonists as well as his own first novel, The Cheese Monkeys, published in 2001 to critical acclaim. Chip Kidd reveals the fascinating life and career of a revolutionary graphic designer with a winning public persona, whose ambitions now also lean toward editing and writing. The book will appeal to anyone involved in design and popular culture as well as admirers of Kidd's extraordinary creative spirit.

    ----- From the mind of pulp great, H.P. Lovecraft. Lovecraft's major inspiration and invention was cosmic horror: the idea that life is incomprehensible to human minds and that the universe is fundamentally alien. He's developed a cult following for his Cthulhu Mythos, a series of loosely interconnected fictions featuring a pantheon of human-nullifying entities, as well as the Necronomicon, a fictional grimoire of magical rites and forbidden lore. His works were deeply pessimistic and cynical, challenging the values of Enlightenment, Romanticism, and Christian humanism. -----48 Stories included in this volume: The Beast in the Cave; The Alchemist; The Tomb; Dagon; A Reminiscence of Dr. Samuel Johnson; Sweet Ermengarde; Polaris; The Green Meadow; Beyond the Wall of Sleep; Memory; Old Bugs; The Transition of Juan Romero; The White Ship; The Doom that Came to Sarnath; The Statement of Randolph Carter; The Terrible Old Man; The Tree; The Cats of Ulthar; The Temple; Facts Concerning the Late Arthur Jermyn; The Street; Poetry and the Gods; Celephais; From Beyond; Nyarlathotep; The Picture in the House; The Crawling Chaos; Ex Oblivione; The Nameless City; The Quest of Iranon; The Moon-Bog; The Outsider; The Other Gods; The Music of Erich Zann; Herbet West: Reanimator; Hypnos; What the Moon Brings; Azathoth; The Horror at Martin's Beach; The Hound; The Lurking Fear; The Rats in the Walls; The Unnamable; The Festival; The Shunned House; The Horror at Red Hook; He; In the Vault ---- Full of intrigue, romance and adventure, this collection is a must for pulp literature fans!

    Mitch Pacwa, SJ, tackles these and other questions in this comprehensive book on discernment. He says that first we need to believe in God and his moral laws and make a commitment to please him in all that we do. Then we need to pray so that we can experience the peace that can come only from God. Fr. Pacwa draws from St. Ignatius' Spiritual Exercises, using plenty of everyday examples as well as stories from Scripture to help clarify his points. He encourages readers to develop a rich prayer life and says we can learn to listen to God's powerful voice and hear him speaking lovingly to us even when we are suffering in some way.Confronts modern-day assumptions that can prevent us from being open to God's will for our lives.Emphasizes the many ways we can develop our prayer life to nourish an authentic relationship with the Lord.

    This novel blends the gritty and the everyday with the evocative and the enchanting, to create an original, inventive and often moving portrayal of family ties, suburban life, love and growing up.

    Tolkien's The Lord of the Rings? His bright blue coat and yellow boots seem out-of-place with the grandeur of the rest of the narrative. In this book, C.R. Wiley shows that Tom is not an afterthought but Tolkien's way of making a profoundly important point. Tolkien once wrote, "[Tom Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function." Tom Bombadil and his wife Goldberry are a small glimpse of the perfect beauty, harmony, and happy ending that we all yearn for in our hearts. To understand Tom Bombadil is to understand more of Tolkien and his deeply Christian vision of the world."

    His Nobel Lecture offers a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive world politics.

    Jay Slater explains how the myth of the Haitian walking dead (zombies) merged with legends of third-world cannibalism to create such gruesome zombie cult films as Cannibal Holocaust, an acknowledged influence on The Blair Witch Project.

    As Greil Marcus shows in this remarkable book, Presley's journey after death takes him even further, pushing him beyond his own frontiers to merge with the American public consciousness--and the American subconscious.As he listens in on the public conversation that recreates Elvis after death, Marcus tracks the path of Presley's resurrection. He grafts together scattered fragments of the eclectic dialogue--snatches of movies and music, books and newspapers, photographs, posters, cartoons--and amazes us with not only what America has been saying as it raises its late king, but also what this strange obsession with a dead Elvis can tell us about America itself.

    She was a victim of domestic violence that left her physically scarred and emotionally broken. Hunter Vaugh was handsome, rich and brilliant. He was a golden boy who thought he was invincible until a tragedy took away his perfect life… along with his ability to see.When they met, Allison was running away from her nightmares, and Hunter thought he had no reason to undergo the treatments needed to recover his eyesight. He was blind, but he saw how beautiful she was, and she gave him a reason to live… a reason to see again. She was his angel, and he was hers.Hunter went away with a promise that once he returns, he will be able to see her, protect her… be the guardian angel she deserved.But once he got his eyesight back, can he look past the scars that her nightmares left her? Will he still keep the promises he made when he left?Or will he go back to his perfect life and leave her in the hands of the new angel, who took care of her when he left?

    To say the least. She calls Sweet Meadow, Georgia, home, where she works for her father doing auto repairs. She also drives the tow-truck, although Sweet Meadow's rather colorful denizens tend to treat Bertie more like the local, free taxi service. You know, someone has to get to a doctor's appointment or pick something up at the dry cleaners. Bertie's favorite day of the week is Friday, when she leaves the wrecker with her father for the whole weekend and joins her friends at the Dew Drop Inn for a night of dancing. Her best friend, Mary Lou, sometimes fixes her up with dubious dates, although Bertie has to remind her friend not to tease her hair too high for those occasions. Like the time when they went to Carrie Sue's open house, and a ceramic cow with angel wings hanging from a ceiling fan locked its hooves into Bertie's big hair and refused to let go. She had to wear it all night, dangling chain and all. Bertie's nearly perfect life is about to take a downhill turn, however. It starts when her landlord, Pete, currently a resident in a nearby nursing home, starts showing up at her house. In his birthday suit. A very badly wrinkled birthday suit. And then she goes to her mailbox, a rubber large mouth bass, and finds a notice from the zoning commission saying she can no longer park the wrecker in her driveway. The notice is signed by George Bigham. But when she goes to the courthouse to take care of her little problem, it is only to discover George Bigham is deceased. And Mary Lou's pregnancy test just came up positive. Can it get any worse?

    But it is also a terrifically engrossing exploration and exploitation of self-reflection, self-absorption, full-blown narcissism, and the impulse to write about oneself. In a world awash with memoirs and tell-alls, Shields has created something unique: he invites the reader into his mind as he turns his life into a narrative. With moving and often hilarious candor, Shields ruminates on a variety of subjects, all while exploring the impulse to confess, to use oneself as an autobiographical subject, to make one's life into a work of art.Shields explores the connections between fiction and nonfiction, stuttering and writing, literary forms and literary contents, art and life; he confronts bad reviews of his earlier books; he examines why he read a college girlfriend's journal; he raids a wide range of cultural figures (from Rousseau, Nabokov, and Salinger to Bill Murray, Adam Sandler, and Bobby Knight) for what they have to tell him about himself; he quotes a speech he wrote on the occasion of his father's ninetieth birthday and then gives us the guilt-induced dream he had when he failed to deliver the speech; he also writes about basketball and sexuality and Los Angeles and Seattle, but he is always meditating on the origins of his interest in autobiography, on the limits and appeals of autobiography, on the traps and strategies of it, and finally, how to use it to get to the world.The result is a collection of poetically charged self-reflections that reveal deep truths about ourselves as well.

    Black music and with it the private black self were suddenly grossly public—tossed onstage, dressed in clown white, and bandied about with a gleeful arrogance that just yesterday had chosen to ignore and condescend.Blacks, it seemed, had lost the battle for mythological ownership of rock, as future events would prove.Written more than 40 years ago with astonishing prescience, celebrated critic and memoirist Margo Jefferson’s Ripping Off Black Music—her first published essay—is at once unflinchingly honest and dead-on in its critique of appropriation in popular music, from Chuck Berry to Elvis, Jimi Hendrix to the Beatles. Features an introduction by the author.Ripping Off Black Music was originally published in Harper’s, January 1973. Cover design by Adil Dara.