Unfolding through a series of letters written by an unnamed narrator, Last Words tells the story of a passionate relationship between two young women—their sexual awakening, their gradual breakup, and the devastating aftermath of their broken love. In a style that veers between extremes, from self-deprecation to pathos, compulsive repetition to rhapsodic musings, reticence to vulnerability, Qiu’s genre-bending novel is at once a psychological thriller, a sublime romance, and the author’s own suicide note.The letters (which, Qiu tells us, can be read in any order) leap between Paris, Taipei, and Tokyo. They display wrenching insights into what it means to live between cultures, languages, and genders—until the genderless character Zoë appears, and the narrator’s spiritual and physical identity is transformed. As powerfully raw and transcendent as Mishima’s Confessions of a Mask, Goethe’s The Sorrows of Young Werther, and Theresa Cha’s Dictée, to name but a few, Last Words from Montmartre proves Qiu Miaojin to be one of the finest experimentalists and modernist Chinese-language writers of our generation.

    Buck.In the small southern town of Chin-kiang, in the last days of the nineteenth century, two young girls bump heads and become thick as thieves. Willow is the only child of a destitute family, Pearl the headstrong daughter of zealous Christian missionaries. She will ultimately become the internationally renowned author Pearl S. Buck, but for now she is just a girl embarrassed by her blonde hair and enchanted by her new Chinese friend. The two embark on a friendship that will sustain both of them through one of the most tumultuous periods in Chinese history. Moving out into the world together, the two enter the intellectual fray of the times, share love interests and survive early marriages gone bad. Their shared upbringing inspires Pearl's novels, which celebrate the life of the Chinese peasant and will eventually earn her both a Pulitzer and a Nobel Prize. But when a civil war erupts between the Nationalists and Communists, Pearl is forced to flee the country just ahead of angry mobs. Willow, despite close ties to Mao’s inner circle, is punished for loyalty to her 'cultural imperialist' friend. And yet, through love and loss, heartbreak and joy, exile and imprisonment, the two women remain intimately entwined. In this ambitious new novel, Anchee Min brings to life a courageous and passionate woman who is now hailed in China as a modern heroine. Like nothing before it, Pearl of China tells the story of one of the twentieth century’s greatest writers, from the perspective of the people she loved and of the land she called home.

    It recounts in vivid historical detail the turbulent years at the close of the Han Dynasty, when China broke into three competing kingdoms and over half the population were either killed or driven from their homes. Part myth, part fact, readers will experience the loyalty and treachery, the brotherhood and rivalry of China's legendary heroes and villains during the most tumultuous period in Chinese history.Considered the greatest work in classic Chinese literature, The Three Kingdoms is read by millions throughout Asia today. Seen not just as a great work of art, many Chinese view it as a guide to success in life and business as well as a work that offers great moral clarity—while many foreigners read it to gain insights into Chinese society and culture. From the saga of The Three Kingdoms, readers will learn how great warriors motivate their troops and enhance their influence, while disguising their weaknesses and turning the strengths of others against them.This third volume concludes the tale of Liu Bei and his sworn brothers-in-arms, Zhang Fei and Guan Yu, whose loyalty and fidelity are sorely tested in a society at war for its very survival.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    The novel spans a total of 126 chapters and was written between 1966 and February 1969. The story is about a pair of twin brothers who were separated from each other at birth and raised under different circumstances. The twins first see each other as enemies but gradually become friends and eventually acknowledge each other as brothers.

    This includes many who have fled from the final stages of the Chinese Civil War, both Chinese and Europeans long settled in China.It portrays an insight into class and race prejudice that is as relevant today in Hong Kong as it was in the fifties. Although it is technically a novel, the book is strongly autobiographical. Han Suyin's real life lover was killed in The Korean War in 1950. Two years later, she married Leon F. Comber, a British officer in the Malayan Special Branch,

    Traveling from his rural home in Freshwind to the city of Xi’an, Happy brings only an eternally positive attitude, his devoted best friend Wufu, and a pair of high-heeled women’s shoes he hopes to fill with the love of his life.In Xi’an, Happy and Wufu find jobs as trash pickers sorting through the city’s filth, but Happy refuses to be deterred by inauspicious beginnings. In his eyes, dusty birds become phoenixes, the streets become rivers, and life is what you make of it. When he meets the beautiful Yichun, he imagines she is the one to fill the shoes and his Cinderella-esque dream. But when the harsh city conditions and the crush of societal inequalities take the life of his friend and shake Happy to his soul, he’ll need more than just his unrelenting optimism to hold on to the belief that something better is possible.

    Xiaolu’s first novel in English is an utterly original journey of self-discovery.

    Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award-winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

    The rain and snow have weathered me, and I too have weathered them’.At the end of the twentieth-century an old woman sits among the birch trees and thinks back over her life, her loves, and the joys and tragedies that have befallen her family and her people. She is a member of the Evenki tribe who wander the remote forests of north-eastern China with their herds of reindeer, living in close sympathy with nature at its most beautiful and cruel.An idyllic childhood playing by the river ends with her father’s death and the growing realisation that her mother’s and uncle’s relationship is not as simple as she thought. Then, in the 1930s, the intimate, secluded world of the tribe is shattered when the Japanese army invades China. The Evenki cannot avoid being pulled into the brutal conflict which marks the first step towards the end of their isolation…In The Last Quarter of the Moon, prize-winning novelist Chi Zijian, creates a dazzling epic about an extraordinary woman bearing witness not just to the stories of her tribe but also to the transformation of China.

    

    Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

    Inside the Forbidden City, she witnessed seductions, plots, murders, and brazen acts of treason. Propelled by a shrewd intelligence, an extraordinary persistence, and a friendship with the imperial heir, she rose through the ranks to become the first Empress of China. On the one hand, she was a political mastermind who quelled insurrections, eased famine, and opened wide the routes of international trade. On the other, she was a passionate patron of the arts who brought Chinese civilization to unsurpassed heights of knowledge, beauty, and sophistication.And yet, from the moment of her death to the present day, her name has been sullied, her story distorted, and her memoirs obliterated by men taking vengeance on a women who dared become Emperor. For the first time in thirteen centuries, Empress Wu flings open the gates of her Forbidden City and tells her own astonishing tale–revealing a fascinating, complex figure who in many ways remains modern to this day.

    Other stories in this book by the same author deal with Shanghai in the 1930s and the harsh realities of rural life then and in the base areas during the war against Japan.

    The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.