The nation knows him as a sharpshooter, buffalo hunter, moving pictures pioneer, and one-time proprietor of the greatest Wild West show the nation has ever seen. Some of the stories are true, some exaggerated, and some rank among the wildest of tall tales. But for a man who has lived like Colonel Cardiff, the facts trump the myth. In the spring of 1868, Denver is the richest, wildest city west of the Mississippi. When an overweight Easterner named Dr. Bogardus rolls into town to announce a shooting contest with a $1,000 prize, ears prick up. Young Hugh wins the shoot with an ancient muzzle-loading rifle, knocking glass balls out of the air and missing only four out of one hundred targets. He is famous at nineteen, and the Colonel’s wild life is just getting started.

    What ensues is a story that is at once comical, sensitive and sharply insightful -- a work that has already earned astonishing reviews, and that "in every way fulfills the promise of Morton's lovely first novel, The Dylanist.(*)"

    Among them: a middle-aged Aeschylus taking his place at Marathon, still vying for parental approval. A maddeningly indefatigable Victorian explorer hauling his expedition, whaleboat and all, through the Great Australian Desert in midsummer. The first woman in space and her cosmonaut lover, caught in the star-crossed orbits of their joint mission. Two Texas high school football players at the top of their food chain, soliciting their fathers’ attention by leveling everything before them on the field. And the rational and compassionate chief executioner of Paris, whose occupation, during the height of the Terror, eats away at all he holds dear.Brimming with irony, compassion, and withering humor, these eleven stories are at once eerily pertinent and dazzlingly exotic, and they showcase the work of a protean, prodigiously gifted writer at the height of his form. Reading Jim Shepard, according to Michael Chabon, “is like encountering our national literature in microcosm.”

    In this stunningly inventive collection—a finalist for the 2001 National Book Award in poetry—Ali excavates the devastation wrought upon his childhood home, Kashmir, and reveals a more personal devastation: his mother's death and the journey with her body back to Kashmir.

    But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.

    He runs away from home in Paterson, New Jersey, to New York City and learns the bare bones of life before he hits the road with a traveling carnival. Then one icy night in the Adirondacks, the young man sees a private train roar by. In its lit windows, he spies an industrial tycoon, a poet, a gangster, and a heartbreakingly beautiful girl. He follows them, as one follows a dream, to an isolated private estate on Loon Lake.Thus the stage is set for a spellbinding tale of mystery and menace, greed and ambition, harsh lust and tender love, that lays bare the darkest depths of the human heart and the nightmarish underside of the American dream. E. L. Doctorow has written a novel aglow with poetry and passion, lit by the burning fire of humanity and history, terror and truth.

    . . . Each poem adds its incisive particulars to the general stoic wreck; but what startles, then reassures in all this canon of the inconsolable, the unsanctified, the dispossessed, is Hugo’s poetics, the analogy of language to experience. . . . Richard Hugo is such an important poet because the difficulties inherent in his art provide him a means of saying what he has to say. It is no accident that he must develop a negative in order to produce a true image.”

    . . . Here, said I, in wild proclamation, is one for history and a half."— Gordon LishFirework is the story of a man who, though ill-equipped to help himself, attempts to help someone else, and the beautifully rendered, perhaps necessary catastrophe that results. Unequaled in intensity and often blackly humorous, it is also an exhilarating expression of the all-too-human impulse to become more than what we seem to be.Eugene Marten is the author of In the Blind and Waste.

    Everyone else is annihilated. When a medic finally rescues Paco almost two days later, he is waiting to die, flies and maggots covering his burnt, shattered body. He winds up back in the US with his legs full of pins, daily rations of Librium and Valium, and no sense of what to do next. One evening, on the tail of a rainstorm, he limps off the bus and into the small town of Boone, determined to find a real job and a real bed—but no matter how hard he works, nothing muffles the anguish in his mind and body. Brilliantly and vividly written, Paco's Story—winner of a National Book Award—plunges you into the violence and casual cruelty of the Vietnam War, and the ghostly aftermath that often dealt the harshest blows.

    As the novel's perspective shifts to each of the four primary characters, four discrete stories take form, stories that Sorrentino further enriches by using a variety of literary methods--fantasies, letters, a narrative question-and-answer, fragments of dialogue and memory. Combining humor and feeling, balancing the details and the rhythms of experience, Aberration of Starlight re-creates a time and a place as it captures the sadness and value of four lives.

    His son has died in a POW camp in Korea. It is August 15, 1953, the day of a tumultuous street carnival in Elephant Park, an Italian immigrant enclave in Ohio. The man is Rocco LaGrassa, and his many years of dogged labor, paternal devotion, and steadfast Christian faith are about to come to a crashing end. He is the first of many exquisitely drawn characters we meet that day, each of whom will come to their own conclusion.The End by Salvatore Scibona follows an elderly abortionist, an enigmatic drapery seamstress, a teenage boy, a jeweler—dramatically into the heart of a crime that will twist all their lives. Against a background of immigration, broken loyalties, and racial hostility, we at last return to August 15, 1953, and see everything Rocco saw—and vastly more—through the eyes of various characters in the crowds.The End is the unforgettable debut of a singular new American novelist.

    The Jump-Off Creek gives readers an intimate look at the hardships of frontier life and a courageous woman determined to survive.

    He begins working as a washer of robes at a hotel for itinerant judges. There he meets and falls in love with Prudence, a forensic photographer whose pictures reveal the secrets of the dead.When Prudence disappears, Frank sets out in search of her, a quest that leads him into the shadowy world of a revolutionary salon, then to prison, and finally to discover the city's strange secrets and the secrets of his own heart.A haunting novel that recalls the early work of Paul Auster and Steven Millhauser, The Artist of the Missing is a stunning debut, both a richly imagined evocation of another world and a piercing examination of the mystery of love, and beautifully illustrated by the acclaimed artist Stephen Alcorn.A visionary novel about love, loss, imagination, and despair.

    Marge Hogan and her community struggle to keep their farms when corporate farming takes over, causing the disappearance of the family farm and its culture, skills, and ethics

    Connell sends us through the complete experience of a man initially intrigued and then enslaved by art: a curious interest, a rapt fixation, and the becoming of a connoisseur. The Connoisseur trails the evolution of Muhlbach, an insurance executive on a business trip in Taos, New Mexico, who develops an obsession with pre-Columbian figurines after meandering through a curio shop. Entranced yet bewildered by his sudden affinity for a little figurine, Muhlbach succumbs to his intrigue and, thirty dollars later, begins his journey as a connoisseur.With superb delivery and subtle clarity, Connell allows us to see and feel Muhlbach’s emerging mania, with its impending tension and sudden exhilaration. He illustrates how a new fixation alters our lens on life and shapes our actions.