An Arab American with a conflicted past, he is now in Turkey, attempting to cross into Syria and join the fight against Bashar al-Assad’s regime. But he is robbed before he can make it, and is taken in by Amir, a charismatic Syrian refugee and former revolutionary, and Amir’s wife, Daphne, a sophisticated beauty haunted by grief. As it becomes clear that Daphne is also desperate to return to Syria, Haris’s choices become ever more wrenching: Whose side is he really on? Is he a true radical or simply an idealist? And will he be able to bring meaning to a life of increasing frustration and helplessness? Told with compassion and a deft hand, Dark at the Crossing is an exploration of loss, of second chances, and of why we choose to believe—a trenchantly observed novel of raw urgency and power.

    A story of 20th-century womanhood, of Gram, the Queen of Persia herself, who rules a house where five daughters and four granddaughters spin out the tragedies and triumphs of rural life in the 1950's.

    The novel's protagonist, living at a time that might be the present in a city that might be anywhere, has decided for reasons of mental hygiene to keep a detailed record of his thoughts, words, and deeds. Very quickly, however, the project begins to absorb his entire life, as the increasingly meticulous recording of experience threatens to supplant experience itself. To make matters worse, what he records offers its own grist for worry: his devoted wife suddenly grows secretive, his equally devoted mistress turns evasive, his frustratingly independent son might or might not be visiting that same mistress behind his back, and his closest friend begins acting in mysterious ways (and is it just his imagination, or is this friend having clandestine meetings with his wife?). His ever more convoluted perceptions breed a dark muddle of suspicion, leading to a climax that is at once intensely funny and excruciatingly poignant.

    Mayhem. Millennials.What was supposed to be a night of hope and change unwittingly launches an adventure into chaos as five friends uncover a dark past, a secret society, and a sinister plan. Leo, Joy, Shane, Clementine, and Nick have known each other since high school, but life has taken each of them in vastly different directions. Our story begins as they all gather together to celebrate the inauguration of President Barack Obama.In Nathan Monk's latest novel he weaves together a story that spans decades set against the backdrop of friendships built around a neighborhood bar. Using his powerful storytelling and immersive characters he transports us through the troubles of the millennial dilemma.The All Saints Hotel and Cocktail Lounge is a stunning story of collective trauma. The book travels through time looking at major events from 9/11 and the Columbine Massacre to the technology boom through the lens of an unsuspecting cast of characters who are simply attempting to survive a world that doesn't seem built for them.This Southern Gothic tale confronts some of the darkest parts of our modern history and takes the reader on a journey through the perils of the Great Recession, the Occupation of Wall Street, and right up the edge of a global pandemic that will transform the world as we know it. Who will survive the unprecedented events that unfold?Not even student debt is as perilous as the adventure you are about to embark on. No amount of cutting back on avocado toast and caramel lattes can save you from the dangers ahead.In his unique style, Nathan creates characters that are at times hard to like but impossible not to love. This tale is full of betrayal, romance, and kitchen grease as this rag-tag group of friends attempt to make the world a better place and are confronted with the question, "Do we even have the power to make any meaningful change at all and if not, is there even hope?"Pull up a barstool, light 'em if you got 'em, and pour yourself a tall glass of suspense and romance masquerading as casual sex as you journey into the seedy halls of the All Saints Hotel and Cocktail Lounge.

    His use of it gives him yet another chance to say things never said before in prose or in verse and, as well, to bring new life to a form in which Donne talked to Death, Shelley to the West Wind, Whitman to the Earth, Pound to his Songs, O'Hara to the Sun at Fire Island.  Koch, in this new book, talks to things important in his life -- to Breath, to World War Two, to Orgasms, to the French Language, to Jewishness, to Psychoanalysis, to Sleep, to his Heart, to Friendship, to High Spirits, to his Twenties, to the Unknown. He makes of all these "new addresses" an exhilarating autobiography of a most surprising and unforeseeable kind.From the Hardcover edition.

    The poems in The Book of Endings try to make sense of, or at least come to some kind of reckoning with absence--the death of the author's mother, the absence of the beloved, the absence of an accountable god, cicadas, the dead stars arriving, the dead moon aglow in the night sky.

    Likewise Swensen’s lyrics, which, with elliptical phrasing and play between visual and aural, change the act of seeing—and reading—offering glimpses of the spirit (or ghost) that enters a poem where the rational process breaks down.From “The Invention of Streetlights”Certain cells, it’s said, can generate light on their own.There are organisms that could fit on the head of a pin.and light entire rooms. .Throughout the Middle Ages, you could hire a man.on any corner with a torch to light you home. were lamps made of horn.and from above a loom of moving flares, we watched.Notre Dame seem small. .Now the streets stand still. .By 1890, it took a pound of powdered magnesium.to photograph a midnight ball.“Goest, sonorous with a hovering ‘ghost’ which shimmers at the root of all things, is a stunning meditation—even initiation—on the act of seeing, proprioception, and the alchemical properties of light as it exists naturally and inside the human realm of history, lore, invention and the ‘whites’ of painting. Light becomes the true mistress and possibly the underlying language of all invention. Swensen’s poetry documents a penetrating ‘intellectus’—light of the mind—by turns fragile, incandescent, transcendent.”—Anne Waldman

    At the story's center is Guzmán, an almost mythic figure whose adventures and exile, salvation and return leave him a broken man but preserve his place in the heart and imagination of his niece, who is his secret biographer.

    His gift for dialog, his shrewd instinct for phrase and language, and his unerring knowledge of the regions of soul where desire, regret and loneliness lie in wait for the traveller make this remakable novel a work as moving and powerful as his enduring plays - A Streetcar Namde Desire, Cat on a Hot Tin Roof and The Glass Menagerie.At the center of Moise and the World of Reason is the need of three people for each other: Moise, an impoverished and quixotic young painter with a gift for unfinished canvassas; the narrator, a young man from Thelma, Alabama, who is determinied to be a distinguished writer; and Lance, the man whose intensity, strength and sensuality held them all togther while he lived, and whose absence gives the novel its strange and haunting power and pathos. For the subject of Tennessee Williams' novel is the need for love - a need which Lance once filled in the narrator and his new lover does not, and which Moise's never entirely fills for her. It is this need that propels them through a long and restless night in Greenwich Villiage - a night in which Moise gives a party to announce her retirement from "the world of reason"; in which the narrator loses his roommate, the "second love of his life"; and in which a lifetime of experience, hope, the loss of innocence and the rekindling of desire is exposed in a series of scenes and encounters so dramatic, moving and precise that only Tennesse Williams could have written them. Erotic, sensual, comic, and totally convincing, Moise and the World of Reason is a major work by one of the most distinguised artists of Amercan literature.

    With school behind him and a summer job at a brick works, Tom had his whole life before him. Years later, alone in a rented flat in Edinburgh and lost in memories, Tom recalls the intellectual and sexual awakening of his youth. In looking back, Tom discovers that only by understanding where he comes from can he make sense of his life as it is now.

    Decades ago Massachusetts salesman Ellis Hock spent four years in Africa - and the continent has never left him. So when his wife walks out and his business goes belly up, Ellis turns back to the one place in which he briefly found happiness.Yet returning to the village of Malabo shocks him. The school he built is a ruin. The people he remembers are poor, apathetic, hostile. The country labours as if under a great, invisible burden. However, Ellis is determined. This is his escape, a paradise regained.But escape can be a snare, a trap for the unwary . . .The Lower River is a hypnotic, compelling and brilliant return to a terrain no one has ever written better about than Paul Theroux: the tragic stage of modern Africa, AIDS-ravaged and despairing in the face of creeping consumerism, greed and dependence.'Remarkable, admirable, riveting, heartbreaking. A masterly, moving portrait of how Africa ensnares and enchants' Guardian'Terrific writing. Theroux's senses are always on full alert' Evening Standard'Powerful, vivid, shocking' The Times'Theroux invests this very 21st-century journey into the heart of ennui with a caustic bite, like the snakes that pop up throughout' Metro'The sense of menace is masterful. Theroux has never written a better novel' Sunday TelegraphAmerican travel writer Paul Theroux is known for the rich descriptions of people and places that is often streaked with his distinctive sense of irony; his novels and collected short stories, My Other Life, The Collected Stories, My Secret History, The Stranger at the Palazzo d'Oro, A Dead Hand, Millroy the Magician, The Elephanta Suite, Saint Jack, The Consul's File, The Family Arsenal, The Mosquito Coast, and his works of non-fiction, including the iconic The Great Railway Bazaar are available from Penguin.

    It had cracked 100 the day before, and the old weatherman on channel four, the guy who Joyce had said was the most accurate but heard was a pervert, had said today would be hotter by a few degrees."The summer heat in Tucson makes some people dry up and some people boil over. In the dusty, gated desert community of Rancho Sin Vacas (Ranch Without Cattle), a handful of residents are finding that neighborhood life is becoming increasingly bizarre among the crumbling swimming pools, overwatered lawns, and disaffected children.Sixteen-year-old Kendra obsessively hones her body into a perfectly muscled machine, even as she struggles to master a mounting violent streak. Thomas, her increasingly misanthropic brother, rarely leaves the house, all the while cultivating a disturbing little obsession of his own under the front porch. Down the street, Merv is stuck in a rut, thirty years old and still living at home. Lonely and looking for a way out, he's reaching his breaking point over his insomniac mother, whose oddly compulsive behavior with household appliances threatens to wreak havoc on his life.When a strung-out, magic marker sniffing teenager disappears from the neighborhood and rumors of murder surface, these malcontents find themselves in an unlikely alliance that will alter the course of one long, sun-baked summerand perhaps their lives.Funny and disturbing, Modern Ranch Living probes the emptiness of modern American culture, the strange things people do to satisfy their twin hungers for pleasure and oblivion, and the unexpected small acts of kindness they can sometimes perform to ease one another's pain. This delicately deadpan comedy makes brilliantly clear why Mark Jude Poirier was named "the young American writer to watch" by the Times Literary Supplement.

    Now Merullo delivers a dazzling and finely nuanced political thriller about a clandestine plot to assassinate Cuban dictator Fidel Castro.Former CIA agent Carolina Perez has spent five years working deep undercover with a singular goal: to take down Castro and free Cuba from his troubled presence. Recruited by a powerful shadow organization known as the White Orchid, steely and sexy Carolina has passed test after test to prove herself ready for the ultimate assignment. Convinced of the rightness of her cause, she will do anything to complete her mission. That includes duping her uncle Roberto Anzar, a wealthy and influential player in Miami’s Cuban American community. But when suspicious details raise questions about her mysterious employer, not even Carolina is prepared for the elaborate web of deceit that surrounds her.Across the Straits of Florida, Carlos Gutierrez has been lured into playing a pivotal role in the plot to overthrow el Comandante. The minister of health and a member of Castro’s inner circle, Carlos has grown disenchanted with a political system that pays lip service to the Revolution’s egalitarian ideals while ruling the country with ruthlessness, corruption, and lies. As his involvement deepens at great risk to himself and those he loves, the doctor who has dedicated his career to saving lives must decide how much blood he is willing to have on his own hands in the name of freedom. For both Carlos and Carolina, the threat of betrayal looms large. Who can be trusted in a byzantine network of spies, double agents, and informants? Is the plot real or is it an elaborate ruse to expose the underground dissidents in Cuba? From the sizzling opulence of Miami to the paranoid dreamscape of Havana, Fidel’s Last Days is a dizzying ride by a novelist whose genre-crossing talents know no bounds.From the Hardcover edition.

    The wind from behind had kept the dust moving forward at a pace just equal to the gallop of his horse. Not until he had brought his mount to a halt in front of the hotel and swung down to the ground did either he or his horse become distinctly visible. Then it was seen that the animal was in the last stages of exhaustion, with dull eyes and hanging head and forelegs braced widely apart, while the sweat dripped steadily from his flanks into the white dust on the street. Plainly he had been pushed to the last limit of his strength. The rider was almost as far spent as his mount, for he went up the steps of the hotel with his shoulders sagging with weariness, a wide-shouldered, gaunt-ribbed man. Thick layers of dust had turned his red kerchief and his blue shirt to a common gray. Dust, too, made a mask of his face, and through that mask the eyes peered out, surrounded by pink skin. Even at its best the long, solemn face could never have been called handsome. But, on this particular day, he seemed a haunted man, or one fleeing from an inescapable danger. . . .

    He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and underground.”—The Atlantic Monthly“W.S. Merwin is our strongest poet.”—The New York Times Review of BooksIn this new masterwork from one of America’s foremost poets, W.S. Merwin guides his readers to universal themes through worldly specifics. Akin to Neruda’s Elemental Odes, every poem in Present Company directly addresses the people and things of daily life, as in “To the Thief at the Airport” or “To Lingering Regrets.” To This May They know so much more now about the heart we are told but the world still seems to come one at a time one day one year one season and here it is spring once more with its birds nesting in the holes in the walls its morning finding the first time its light pretending not to move always beginning as it goesThese poems to the world are playful, deadly serious, and full of wonder. Whether writing of an unused vehicle in “To Zbigniew Herbert’s Bicycle” or watching fireworks from a distance in “To the Coming Winter,” Merwin’s poems create a rare and compelling intimacy. There is no one writing today like W.S. Merwin.Poet and translator W.S. Merwin has long been committed to artistic, political, and environmental causes in both word and deed. He has received nearly every major literary accolade, including the Pulitzer, Tanning, Lannan, and Bollingen prizes. His most recent award is the International Golden Wreath from the Struga Foundation, a longstanding literary honor that, in its 70-year history, has been offered to only three English-speaking poets. W.S. Merwin lives in Hawaii, where he cultivates endangered palms.