You've got your full uniform provided, cups of tea and sandwiches, the odd comfy snooze in a lay-by while you wait to clock off, and a healthy weekly wage. And all you've got to do is turn up for work! But it could all so easily come to an end.

    In this outrageously farcical adventure, hero  George Giles sets out to conquer the terrible Wescac computer system that threatens to destroy his community in this brilliant "fantasy of theology, sociology, and sex" (Time).

    Irascible and still lecherous at eighty-one, Falstaff spins out these outrageously bawdy memoirs as an antidote to legend, and in the process manages to recreate his own. This splendidly written novel is a feast, opening wide the look and feel of another age and bringing Shakespeare's Falstaff to life in a totally new way. Like Jack Falstaff himself, it's sprawling, vivid, oversized -- big as life. We return in an instant to an England that was ribald, violent, superstitious, coursing with high spirits and a fresh sense of national purpose. We see what history and the Bard of Avon overlooked or avoided: what really happened that celebrated night at the windmill when Falstaff and Justice Shallow heard the chimes at midnight; who really killed Hotspur; how many men fell at the Battle of Agincourt; what actually transpired at the coronation of Henry V ("Harry the Prig"); and just what it was that made the wives of Windsor so very merry. Falstaff "tells all" about Prince Hal, John of Gaunt ("that maniac"), Pistol, Bardolph, Doll Tearsheet, and Jane Nightwork. At the same time, his racy narrative offers us a tapestry of the Middle Ages: the Black Death and May Day; an expedition to Ireland and a pilgrimage to the Holy Land; nights at the Boar's Head; the splendor of London Bridge; and hundreds of other sights and sounds and people zestfully recalled between scabrous opinions and irreverent meditations -- in sum, the very flavor of a great age. Falstaff brandishes a spirit that seems to come out of that age as well as comment on it. The voice is unmistakably Falstaff's and his great drama swaggers, laughs, and shouts across every page.

    In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end. From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

    With his customary wit and intellectual sophistication, Huxley pursues his characters in their quest for the eternal, finishing on a note of horror. "This is Mr. Huxley's Hollywood novel, and you might expect it to be fantastic, extravagant, crazy and preposterous. It is all that, and heaven and hell too....It is the kind of novel that he is particularly the master of, where the most extraordinary and fortuitous events are followed by contemplative little essays on the meaning of life....The story is outrageously good."-New York Times. "A highly sensational plot that will keep astonishing you to practically the final sentence."-The New Yorker. "Mr. Huxley's elegant mockery, his cruel aptness of phrase, the revelations and the ingenious surprises he springs on the reader are those of a master craftsman; Mr. Huxley is at the top of his form." -London Times Literary Supplement.

    To complicate matters, Churchill has gone round-the-bend for a parole from the mental ward. Thrown amongst these loose cannons is a widowed beauty who practices "conspicuous polyandry," an unfocused psychiatrist, an unbelieving chaplain, and a charming alcoholic. "Amis delights in combining espionage, violence, love and religious skepticism. Such disparate elements, like dishpans and fire rings, challenge his juggler's dexterity. Who wins? The reader!" (Publisher's Source)

    Citizens of this new world, officially labelled 'delinquents' by their Dictator, are named after murderers and are obliged to wear sackcloth and ashes. Individualism is stamped out. Privilege, which might arouse envy, is energetically discouraged. Thus it is no surprise to find Jael 97 reporting to the Ministry of Facial Justice. Being facially overprivileged, her good looks have been the cause of discontent among other women, and she has considered having a beta (second-grade) face fitted. But this affront to her ego stirs her rebellious spirit, and she begins the struggle to reassert the rights of the individual.

    I do not go out in the fog myself," notes Adam in his diary, adding, "The new creature does. It goes out in all weathers. And talks. It used to be so pleasant and quiet here." Adam has a lot to learn about Eve, and even more from her, as she names the animals, discovers fire, and introduces all manner of innovations to their garden home. Mark Twain's "translation" of the diaries of the first man and woman offers a humorous "he said/she said" narrative of biblical events. The great American storyteller found comfort and inspiration in the company of women, and his irreverent look at conventional religion is also a thoughtful -- and humorous -- argument for gender equality.

    Fearing his son will never know his father, Dave pens a gripping text--part memoir, part deranged philosophical treatise, and part handbook of "the Knowledge" learned by all London cab drivers. Meant for the boy when he comes of age, the book captures the frustration and anxiety of modern life. Five hundred years later, the Book of Dave is discovered by the inhabitants on the island of Ham, where it becomes a sacred text of biblical proportion, and its author is revered as a mighty prophet.

    Simon Carter, secretary of the London Zoo, has accepted responsibility and power to the prejudice of his gifts as a naturalist. But power is more than just the complicated game played by the old men at the zoo in the satirical first half of this novel: it lies very near to violence, and in the second half real life inexorably turns to fantasy – the fantasy of war. This tense and at times brutal story offers the healing relationship between man and the natural world as a solution for the power dilemma.

    Mr. Warner brilliantly invents, on one side, a thoroughly degenerate Village representing fallen man, and on the other side a great Aerodrome dedicated to ruthless efficiency. The ideological struggle between the idealistic Air Vice-Marshal and the hero-narrator from the Village is portrayed with poetry, narrative speed, and great simplicity of language. It is a great symbolic novel of our time. "The value of The Aerodrome as literature becomes increasingly apparent at each rereading ... an intensely original work."--Anthony Burgess. "A moral dialogue thrown into narrative form. It is humanity versus power, sprawling fife versus death-dealing regimentation.... A parable worth reading."--New York Times. "The beauty of his prose, unsurpassed by any living English writer, has nothing to do with `fine writing' but springs from a sound moral core and from an intelligence with the keenest edge."--C. Day Lewis.

    But then she has a vision of the Virgin, and is miraculously cured. In the dark days of the Spanish Inquisition, such a claim to blessedness has serious consequences, especially when Catalina seems more inclined to obey her heart than the demands of the Church.The last of Maugham's novels, Catalina is a romantic celebration of Spain and a delightfully mischievous satire on absolutism.

    He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

    The novel centres on the lives of Polly, Dennis, Adrian and Angela as they comically come to terms with changing mores and their beliefs.

    Priestley was especially fond of this novel of his: "I am not one for favourites," he wrote in the introduction to the Everyman edition, "and I have always been irritated by questions about my favourite this, that and the other. But if I have a favourite among my novels, it is Bright Day, which I wrote towards the end of the war."The novel was written towards the end of World War II. JBP disclaimed any autobiographical roots in the work, but it is nontheless resonent with his early youth and coincided with JBP's recoil from the commercial film world. Bright Day was the only serious novel that he wrote in the first person.Gregory Dawson, the novel's hero, is a middle-aged film script writer who goes off to Cornwall to complete a script. At his hotel he spots Lord and Lady Harndean, and realizes that they are the Malcolm and Eleanor Nixey he knew when he worked as a clerk in a Bruddersford wool firm. They represent the beginning of the break-up of the bright day which had preceded the year 1914, and thus the story starts to unfold...Vincent Brome, one of JBP's biographers, wrote: "Bright Day is one of Priestley's two most important and successful novels. The other is Angel Pavement."