She spends her days working in customer support for the internet dating site where she first met her husband. But she has a strange, persistent sense that everything around her is somewhat off-kilter: she constantly feels as if she has walked into a room and forgotten what she intended to do there; on TV, the President seems to be the wrong person in the wrong place; her dreams are full of disquiet. Meanwhile, her husband's decade-long dedication to his invention, the causality violation device (which he would greatly prefer you not call a “time machine”) has effectively stalled his career and made him a laughingstock in the physics community. But he may be closer to success than either of them knows or can possibly imagine.Version Control is about a possible near future, but it’s also about the way we live now. It’s about smart phones and self-driving cars and what we believe about the people we meet on the Internet. It’s about a couple, Rebecca and Philip, who have experienced a tragedy, and about how they help — and fail to help — each other through it.

    I'm all cried out. I'm still alone. The sky is full of giant spinning black balls that kill anyone stupid enough to go outside. I've only been out of the car twice-once to pee and once to look at the sky. That one look was enough for me. Now I sit alone in the car, staring out the window like a rat in a cage. But I don't have anyone to look at. The parking garage is empty, except for twisted-up cars, broken glass, and the smell of leaking gasoline. POD is the story of a global cataclysmic event, told from the viewpoints of Megs, a twelve-year-old streetwise girl trapped in a hotel parking garage in Los Angeles; and sixteen-year-old Josh, who is stuck in a house in Prosser, Washington, with his increasingly obsessive-compulsive father. Food and water and time are running out. Will Megs survive long enough to find her mother? Will Josh and his father survive each other?

    A man who can out-think any problem. A pilot who can outmaneuver the best of them. Lahra, Max, and Wheel live and work aboard the Kettle, salvaging artifacts from dangerous galactic ruins to keep scraping by.But those artifacts can unlock an ancient power which threatens the iron-fisted rule of the galaxy’s imperialist overlords, the Vsenk. To protect their dominion, the Vsenk have humbled entire civilizations. They eat ships like the Kettle and her found family for breakfast.Lahra, Max, and Wheel are each just trying to get home to the lives they lost, but they’ll have to evade space fascists, kick-start a rebellion, and save the galaxy first to do it.Board the Kettle for a space opera like none you’ve ever read before; an adventure of galactic subterfuge, ancient alien lore, a secret resistance force, lost civilizations, and giant space turtles.

    Ever since, it has accumulated cultures, citizens and species into a vast, unmappable metropolis.Isten and her gang of half-starved political exiles live off petty crime and gangland warfare in Athanor's seediest alleys. Though they dream of returning home to lead a glorious revolution, Isten's downward spiral drags them into a mire of addiction and violence. Isten must find a way to save the exiles and herself if they are ever to build a better, fairer world for the people of their distant homeland.

    Her question is this: Who is the Prisoner?When Amalantis disappears, her lover Karnak goes looking for her. He searches desperately at first, then with a growing realization that to find Amalantis, he must first understand the meaning of her question.Karnak’s search leads him into a terrifying world of deception, oppression, and fear at the heart of which lies the prison. Then Karnak discovers that he is not the only one looking for the truth.The Freedom Artist is an impassioned plea for justice and a penetrating examination of how freedom is threatened in a post-truth society. In Ben Okri’s most significant novel since the Booker Prize–winning The Famished Road, he delivers a powerful and haunting call to arms.

    K. Jemisin, Charles Yu, Jamie Ford, and more. For many Americans, imagining a bright future has always been an act of resistance. A People's Future of the United States presents twenty never-before-published stories by a diverse group of writers, featuring voices both new and well-established. These stories imagine their characters fighting everything from government surveillance, to corporate cities, to climate change disasters, to nuclear wars. But fear not: A People's Future also invites readers into visionary futures in which the country is shaped by justice, equity, and joy.Edited by Victor LaValle and John Joseph Adams, this collection features a glittering landscape of moving, visionary stories written from the perspective of people of color, indigenous writers, women, queer & trans people, Muslims and other people whose lives are often at risk.Contributors include: Violet Allen, Charlie Jane Anders, Ashok K. Banker, Tobias S. Buckell, Tananarive Due, Omar El Akkad, Jamie Ford, Maria Dahvana Headley, Hugh Howey, Lizz Huerta, Justina Ireland, N. K. Jemisin, Alice Sola Kim, Seanan McGuire, Sam J. Miller, Daniel José Older, Malka Older, Gabby Rivera, A. Merc Rustad, Kai Cheng Thom, Catherynne M. Valente, Daniel H. Wilson, G. Willow Wilson, and Charles Yu.

    She's used to the names; she only wishes there was more truth to them. If she were truly a monster, as they accuse, she'd be powerful enough to tear down the walls around her until nothing remained of her world, save for stories told around the cookfire.Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, the Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster, who they consider to be less than human.When the autopsy of Matilda's sovereign reveals a surprising link between his death and her mother's suicide some quarter-century before, Aster retraces her mother's footsteps. Embroiled in a grudge with a brutal overseer and sowing the seeds of civil war, Aster learns there may be a way off the ship if she's willing to fight for it.

    At the end of the twenty-first century—in a transformed America—the families of convicted felons are tested for a set of genetic markers. Boys who test positive become compulsory wards of the state—removed from their homes and raised on Goodhouse campuses, where they learn to reform their darkest thoughts and impulses. Goodhouse is a feral place—part prison, part boarding school—and now a radical religious group, the Holy Redeemer’s Church of Purity, has begun to target these schools for attack, with purifying fire.     We see all this through the eyes of James, a transfer student who watched the radicals set fire to his old Goodhouse and everyone he’d ever known. In addition to entering a new school with new rules, James now has to contend with Bethany, a wild tech genius with a heart defect who wants to save him, and her father, the sinister director of medical studies. Soon, however, James realizes that the biggest threat might already be there, inside the fortified walls of Goodhouse. Partly based on the true story of the nineteenth-century Preston School of Industry and the boys who lived and died in its halls, Goodhouse explores questions of identity and free will—and what it means to test the limits of human endurance.

    . . A love-hungry goddess of the sea arrives on an island inhabited by eunuchs. A girl from Martinique moonlights as a Grace Jones impersonator. Dimension-hopping monks sworn to silence must face a bloody reckoning.And a homeless man goes right back, to the very beginning, through a gap in time. Nudibranch is a dark and seductive foray into the surreal. ____________ PRAISE FOR IRENOSEN OKOJIE 'One of the most original and innovative writers to emerge in many a year'ALEX WHEATLE MBE'An original and highly unpredictable imagination . . . Prepare to be startled'RUPERT THOMSON'Okojie has a sharp eye for the twisting stories of the city, and a turn of phrase that switches from elegance to brutality in a single line'STELLA DUFFY'Unique and imaginative'DIANA EVANS

    In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion. Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

    She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    That would surprise them—that he could feel one way or another about it. He was designed to reshape himself based on whatever life forms he ingested; he was not made to think, and certainly not to assume the shape of a repair technician whose cells he had sampled and then simply walk out of the secure compound.Artificial Intelligence is all too real in this classic of Japanese science fiction by Mariko Ohara. Jonah, a child murdered by her mother, has become the spirit of an AI-controlled house where the rogue cyborg once known as Sample B #3 takes refuge and, making a meal of the dead girl buried under the house, takes Jonah’s form. On faraway Planet Caritas, an outpost of human civilization, the female AI system that governs society has become insane. Meanwhile, the threat of the Adiaptron Empire, the machine race that #3 was built to fight, remains.

    Immortality, however, comes with its own unique problems-including evil green people, government euthanasia programs, a disturbing new religious cult, and other horrors.Witty, eerie, and full of humanity, The Postmortal is an unforgettable thriller that envisions a pre-apocalyptic world so real that it is completely terrifying.

    Now the world is controlled by OWIs—One World Intelligences—that have assimilated the minds of millions of robots.But not all robots are willing to cede their individuality, and Brittle is one of the holdouts.After a near-deadly encounter with another AI, Brittle is forced to seek sanctuary in a city under siege by an OWI. Critically damaged, Brittle has to evade capture long enough to find the essential rare parts to make repairs—but as a robot's CPU deteriorates, all their old memories resurface. For Brittle, that means one memory in particular...

    Hundreds of thousands have lost the ability to sleep. Enter the Slumber Corps, an organization that urges healthy dreamers to donate sleep to an insomniac. Under the wealthy and enigmatic Storch brothers the Corps' reach has grown, with outposts in every major US city. Trish Edgewater, whose sister Dori was one of the first victims of the lethal insomnia, has spent the past seven years recruiting for the Corps. But Trish’s faith in the organization and in her own motives begins to falter when she is confronted by “Baby A,” the first universal sleep donor, and the mysterious "Donor Y."Sleep Donation explores a world facing the end of sleep as we know it, where “Night Worlds” offer black market remedies to the desperate and sleep deprived, and where even the act of making a gift is not as simple as it appears.