With black and white illustrations and detailed explanations, this comprehensive and visual resource is perfect for young readers interested in history, architecture, and Roman civilization.

    The ‘Sword of Empire’ series follows Marcus Aurelius and his centurion Gaius Maximus during the final years of Aurelius’ reign. The stories are a blend of action, intrigue and Ancient History. ‘Sword of Empire: The Complete Campaign’s includes: ‘Sword of Empire: Praetorian’ 171AD. Rome is at war with the northern tribes - and is yet to win a significant battle. The Germanic armies have crossed the Danube and have attacked the Empire, slaughtering thousands. The Emperor, Marcus Aurelius, is losing the support of the people and the Senate. Yet he has formed a plan he believes will change the balance of power in the region. Aurelius has despatched an officer in the Praetorian Guard, the centurion Gaius Maximus, to escort the son and daughter of a powerful German tribal chief back to their village through enemy territory - in hope of arranging an alliance with Rome. But Maximus, to complete his mission, must contest with enemies at home, as well as abroad. One man will change the fate of an Empire, or die trying… ‘Sword of Empire: Centurion’ 174AD As the war continues in the north Marcus Aurelius orders Gaius Maximus and Rufus Atticus to return to Rome. Enemies lurk in the shadows in the capital, spreading propaganda and sowing dissent. The praetorian guards must lure their enemies out – and defeat them. Yet Maximus is returning home for something, or rather someone, else: Aurelia. The soldier will be caught between his duty and his happiness. Rufus Atticus will also be forced to make a choice, between the duty he owes to his Emperor and the duty he owes to his family. The centurions will be caught-up in a web of intrigue - as well as a battle on the streets of Rome - that will decide the fate of Marcus Aurelius and the Empire. ‘Sword of Empire: Emperor’ Britain. 179AD. The centurion Rufus Atticus is intent on finding Gaius Maximus – a fugitive and friend. Whilst doing so however Atticus finds trouble - in the form of the brutal Meriadoc clan. The Emperor, Marcus Aurelius, wants to offer the former praetorian a pardon. Atticus also has important news for Maximus, which will change his life. But as well as offering the soldier a pardon the Emperor has summoned Maximus to ask him to complete one final mission. He must venture into enemy territory and assassinate Balomar, king of the Marcomanni. Maximus will not only need to best barbarians and the king’s bodyguard to fulfill his mission however. To succeed – and survive – Maximus will have to defy the future Emperor Commodus and defeat a band of Roman mercenaries. Richard Foreman's books have been widely praised. Praise for 'Augustus: Son of Rome': 'Augustus: Son of Rome forges action and adventure with politics and philosophy. This superb story is drenched in both blood and wisdom - and puts Foreman on the map as the coming man of historical fiction'. - Saul David, Author of the Zulu Hart series. Praise for Raffles: The Complete Innings: “Classy, humorous and surprisingly touching tales of cricket, friendship and crime.” - David Blackburn, The Spectator. Richard Foreman is the author of numerous best-selling books, including 'Augustus: Son of Rome' and the Sword of Rome series of historical novellas. He is also the author of 'Warsaw', a literary novel set during the Second World War. He lives in London. You can find him tweeting at @rforemanauthor. Endeavour Press is the UK’s leading independent publisher of digital books.

    No nation can stand against his legions but even the Empire has its limits. The brooding forests across the Rhine hold warriors who will not submit and the Suevi are the mightiest of them. With only their hatred of each other in common, the Romans and the Germans cross the river to raid and slaughter but neither of them has the force to take the other’s territory and hold it. This does not prevent them trying. Otto of the Suevi, son of the Chieftain and war counsellor Badurad, lives freely among the woods and glades on the far side of the river, hoping to live the same life as his father and become a respected warrior in his turn but that is not to be. He visits a wise woman with his father and her shocking, prophetic vision of his future sets him on a different path than he could never have imagined. Fate is not to be defied so Otto accepts what she has told him as absolute truth and lets it guide him through blood and fire to his personal destiny far from his own people.

    The author takes the reader on each of Caesar's campaigns in ancient France, Britain, and Germany, describing his battles on land and sea, including the invasion of England, the bridge across the Rhine, and sieges of numerous Celtic strongholds.

    Seeking to address the various challenges of off-camera lighting, professional photographers and advanced amateurs alike will find a range of confidence-building instruction, beginning with basic how’s and why’s of lighting for creative effect, the types of equipment available and instruction about their proper use, clear definitions of various technical concepts such as managing shutter speed and controlling flash exposure, using ambient light as well as natural sunlight during a shoot, and incorporating off-camera flash into a portrait session. Concluding this lesson plan is a look at five different real-life photo sessions, each employing a different flash technique. Here, photographers get a deeper understanding of each concept put into practice, marrying the elements of lighting with the natural elements presented by the shoot.

    Download issues at no extra cost from Archived Items. The Economist is the premier source for the analysis of world business and current affairs, providing authoritative insight and opinion on international news, world politics, business, finance, science and technology, as well as overviews of cultural trends and regular Special reports on industries and countries. Established in 1843 to campaign against the protectionist corn laws, The Economist remains, in the second half of its second century, true to the liberal principles of its founder. James Wilson, a hat maker from the small Scottish town of Hawick, believed in free trade, internationalism and minimum interference by government, especially in the affairs of the market. The Economist also takes a fiercely independent stance on social issues, from gay marriage to the legalisation of drugs, but its main service to its readers is as a global newspaper: To uncover new ideas from all around the world. The Kindle Edition of The Economist contains all of the articles and graphics found in the print edition, but will not include all photos. For your convenience, issues are auto-delivered wirelessly to your Kindle each Friday at the same time the print edition hits the newsstand.

    Recalling his youth on the eve of his assassination - as if sensing his impending death - Caesar looks back over his early life up to his forty-third year and the conquest of Gaul. He analyzes and evaluates the worth of the great men he has known - Marius, Sulla, Pompey, Cicero, Cato - and the great military deeds and political upheavals which marked his time. Caesar is a shrewd psychologist and he brilliantly penetrates the underlying causes of events as well as the factions and manoeuvres through which they were perpetrated by the leaders of Rome. Caesar is cynical yet kindly, patient, proud, watchful, a bitter defender of social justice. If the memory he displays in the narrative is keen and circumstantial, it is also particularly impressive in its sentient, purpose-ridden forcefulness and shapes these vital reflections of a major world figure at the height of his powers. The narrative (and one may hope that there will be a second volume describing Caesar's maturity) carries the validity and significance of an historical document; it is fictional biography of a high order. - from the Kirkus review of 1958

    Averil Cameron, an authority on later Roman and early Byzantine history and culture, captures the vigor and variety of the fourth century, doing full justice to the enormous explosion of recent scholarship.After a hundred years of political turmoil, civil war, and invasion, the Roman Empire that Diocletian inherited in AD 284 desperately needed the radical restructuring he gave its government and defenses. His successor, Constantine, continued the revolution by adopting--for himself and the Empire--a vibrant new religion: Christianity. The fourth century is an era of wide cultural diversity, represented by figures as different as Julian the Apostate and St. Augustine. Cameron provides a vivid narrative of its events and explores central questions about the economy, social structure, urban life, and cultural multiplicity of the extended empire. Examining the transformation of the Roman world into a Christian culture, she takes note of the competition between Christianity and Neoplatonism. And she paints a lively picture of the new imperial city of Constantinople. By combining literary, artistic, and archaeological evidence. Cameron has produced an exciting record of social change. The Later Roman Empire is a compelling guide for anyone interested in the cultural development of late antiquity.

    He hopes to find a safe refuge in the south-west near Durnovaria, where he believes his dead mother’s kinfolk might be found. Arriving in the area, Ambrosius finds a small, abandoned settlement where his company can take shelter for the night before moving on to the town of Vindocladia – just north of Durnovaria. But Vortigern has put the word out: a high blood price will be paid to anyone who captures Ambrosius; and there are many who would take up the challenge… This story was first written in March and April 2020 as a contribution to Authors Without Borders, set up by distinguished author Ben Kane, as a means of providing some free stories online in first ‘lockdown’ during the Coronavirus Pandemic. It was written in 25 daily instalments, but has now been assembled and re-edited into a complete narrative.

    A day out with comrades, brutal gladiator fights, a bet with disastrous consequences. A Roman soldier’s much anticipated payday plays out in very different ways to those he expected.The German frontier, AD 12. Legionary Marcus Piso is set to enjoy a four monthly payday with his comrades. Wine, food and gladiatorial entertainment are on offer, and his purse is full.But thanks to a dishonest bet maker, events take on a very dangerous life of their own...The Arena is a prequel to Ben Kane's upcoming novel, Hunting the Eagles, the second in the new gripping three-part series, Eagles of Rome. It also includes a sample chapter from the new book.

    Encompassing Karl Marx, Clark Gable, George W. Bush, Oscar Wilde, and Sigmund Freud, Goldhill takes great delight in tracing both follies and fundamental philosophical questions through the centuries and continents to the birthplace of Western civilization as we know it. Underlying his brisk and learned excursions through history and art is the foundational belief, following Cicero, that learning about the classics makes a critical difference to our self-understanding. Whether we are considering the role of religion in contemporary society, our expectations about the boundaries between public and private life, or even how we spend our free time, recognizing the role of the classics is integral to our comprehension of modern life and our place in it. "Confident, intelligent and assertive; [Love, Sex & Tragedy] stands up for 'classics' without apology, without snobbishness and without conservatism."—Oliver Taplin, Guardian"Goldhill . . . takes us through the looking glass into antiquity and shows us some of the sights that he thinks most interesting and informative. . . . Anyone who goes on the journey will be amused, surprised, and enlightened."—Mary K. Lefkowitz, New York Sun "A passionate, witty, and broad-ranging exploration of the ancient foundations of our world. . . . There is a widening gap between our perceptions and the ancient sources. Goldhill closes that gap with this lively and multi-layered challenge to assumptions embedded in modern life."—Lizzie Speller, Observer

    In theEast, where Rome still thrives, the enemy lurks within the mighty walls of the Great City.Ragnar is forced to choose loyalties when the Huns breach the borders, and soon he finds himself apawn in the struggle for ultimate power.But in his veins flows the blood of the Great Khan, and he is no one’s plaything.

    Secrets unfold in the official companion book to the new exhibition cosponsored by National Geographic, opening in Philadelphia in May 2010 and touring the United States for several years. Written by the inimitable Zahi Hawass in collaboration with underwater archaeologist Franck Goddio, this richly illustrated book chronicles the life of Cleopatra and the centuries-long quest to learn more about the queen and her tumultuous era, the last pharaonic period of Egyptian history. For the crowds nationwide who will visit the blockbuster exhibit—as well as the huge readership for popular illustrated histories such as this—Cleopatra and the Lost Treasures of Egypt holds rare glimpses and stunning revelations from the life of a star-crossed queen.

    Lucrezia has fled Rome to a loveless marriage with Alfonso, heir to the duke of Ferrara, to escape the rumors that she is utterly depraved---incestuous, a lecher, a poisoner. To her delight she is warmly welcomed in Ferrara, by the duke, by his court, by the people, indeed by everyone except her husband. And then, after only six weeks of basking in the warmth of general approval, Alfonso rushes into her apartment and accuses her of poisoning Bianca Tedaldo, one of her ladies in waiting and mistress to Alfonso. Immediately, Lucrezia sees the nightmare of her life in Rome recurring. The whispers behind her back, the signs to ward off evil, people making out their wills when she invites them to share a meal. To deny the charge is useless. Lucrezia knows all too well the futility of claiming innocence even when the claim is clearly and plainly true. The only way for her to retrieve her reputation is to discover who committed the crime and expose the true murderer.

    and the once-powerful Roman Empire is in its death throes—split between East and West, menaced by barbarian hordes almost literally at its gates. The Emperor Honorious cowers in the marsh-bound city of Ravenna, where he has moved the government. There is the Prefect Hadrian, a powerful official and fanatical Christian convert; Marcus Anicius, the pagan aristocrat who is clinging to a dyping past, and the Jew Eliezar ben Elijah, hemmed in by his own traditions and burdened by his dark vision of the future.