She’s never been shy about her feelings for him, and she’s always felt like he was the man she would spend the rest of her life with. But when things got rough, Jordan did the one thing she never expected. The man she thought had her back through anything, simply walked away from her like she meant nothing. Jordan knows his decision to break things off with Imauni hurt her deeply, but he had his reasons—reasons that she struggles to understand. Still, it’s a decision that he’s determined to stand by. But, even after choosing to walk away, Jordan refuses to let go of her completely. Knowing all of Imauni’s weaknesses, he uses them to his advantage. But when the tables turn, he finds himself regretting his past decisions. What happens when Jordan is forced to face the consequences of his actions? Will he come to his senses and fight for the woman he truly loves? Or will he fold, and convince himself that it’s not even worth the risk?

    Since she left Dublin, she’s been spending her days teaching English to rich children—she’s been assigned the grammar classes because she lacks warmth—and her nights avoiding petulant roommates in her cramped apartment.When Ava befriends Julian, a witty British banker, he offers a shortcut into a lavish life her meager salary could never allow. Ignoring her feminist leanings and her better instincts, Ava finds herself moving into Julian’s apartment, letting him buy her clothes, and, eventually, striking up a sexual relationship with him. When Julian’s job takes him back to London, she stays put, unsure where their relationship stands.Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her. Ava has been carefully pretending that Julian is nothing more than an absentee roommate, so when Julian announces that he’s returning to Hong Kong, she faces a fork in the road. Should she return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

    But, as she comes to learn, liberation and happiness are not necessarily the same thing. A literary sensation when first published in 1973, Fear of Flying established Erica Jong as one of her generation’s foremost voices on sex and feminism. Nearly four decades later, the novel has lost none of its insight, verve, or jaw-dropping wit.

    She’s been fired for not compromising her principles in a high-profile case and then punching her partner in the nose for the misogynistic comment he made in retort (not her finest moment). Leaving a career that gave her purpose, Amelia can only ask, What next?Let it be better than her epic failure of a fortieth birthday party: an open bar full of no-shows except for John Ellis, a total stranger and the new associate at her ex-firm. As it turns out, though, he’s very good company—and a wake-up call. With the help of John and a lot of champagne, Amelia considers the people she’s wronged, from old besties to former boyfriends to coworkers. Amelia resolves to make amends—to those who really deserve it.One apology at a time, Amelia’s looking at the choices she’s made in the past, the new ones she’s making with John, and those she’s making for herself. What next? Maybe a second chance she never expected.

    In 18th-century England, Mary's shrewd instincts will get her only so far, and she despairs of the plans made for her to carve out a trade as a seamstress or a maid. Unwilling to bend to such a destiny, Mary strikes out on a painful, fateful journey all her own. Inspired by the obscure historical figure Mary Saunders, Slammerkin is a provocative, graphic tale and a rich feast of an historical novel. Author Emma Donoghue probes the gap between a young girl's quest for freedom and a better life and the shackles that society imposes on her. "Never give up your liberty."

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    After surviving the worst year of her life, she's struggling to build a new life for herself and her son as a social worker. Perhaps in doing a job that makes a difference, she can find some sense of purpose and solace in her shattered faith.For new Moses Lake game warden Mart McClendon, finding a sense of purpose in life isn't an issue. He took the job to get out of southwest Texas and the constant reminders of a tragedy for which he can't forgive himself.But when a little girl is seen with the town recluse, Mart and Andrea are drawn together in the search for her identity. The little girl offers them both a new chance at redemption and hope--and may bring them closer than either ever planned.

    But who would want him dead? And why? And who the hell shoots someone with a harpoon, anyway? Disgruntled, failed crime writer, Freddie Winters, spends his days conning old ladies, setting up fake book signings, sneaking into literary festivals uninvited and lamenting his lack of success. When his old Friend, Dylan, turns to him for help, Freddie agrees to use his own limited detective skills to find out who’s behind the murder attempt. With a group of suspicious ex-wives, a jealous rival, a crazed stalker fan and an exploding postman to deal with, Freddie soon stumbles upon a catalogue of crazy behaviour and a truly bizarre motive for murder. But can he stop the killer before it’s too late?

    A decaying hacienda full of secrets. And a woman searching for the story of her life.A funeral and some family business--that's what Julia Bentley expects when she travels to the Philippines to bury her grandfather. She hopes for a brief adventure, a distraction from her most recent failed relationship and her loose-ends California life. Maybe even a chance to meet some distant relatives she's never known.Instead, she discovers a place where past and present, Spanish and Asian, primitive and civilized mingle in a melange as spicy and colorful as the paella her relatives dish up for special occasions. A place where some children hitch rides on cattle and others wield loaded guns. Where guerillas lurk in the jungle, and volcanoes and governments are threatened to blow. Where stories haunt her ancestral home--the grand but decaying Hacienda Esperanza, Plantation of Hope--and danger lurks behind every tree. Love and orchids bloom in places she never thought to look.How can a land so foreign, and so troubled, fill her with a strange peace? And would staying mean risking her life . . . or finding it at last?

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    Burdened with a broken heart, she asks herself the age-old question . . . is love really worth it?Out of Love is a bittersweet romance told in reverse. Beginning at the end of a relationship, each chapter takes us further back in time, weaving together an already unravelled tapestry, from tragic break-up to magical first kiss. In this dazzling debut Hazel Hayes performs a post-mortem on love, tenderly but unapologetically exploring every angle, from the heights of joy to the depths of grief, and all the madness and mundanity in between. This is a modern story with the heart of a classic: truthful, tragic and ultimately full of hope.

    As the pressure mounts, the eight strangers begin slowly opening up to one another and reveal long-hidden truths.First is Zara, a wealthy bank director who has been too busy to care about anyone else until tragedy changed her life. Now, she’s obsessed with visiting open houses to see how ordinary people live—and, perhaps, to set an old wrong to right. Then there’s Roger and Anna-Lena, an Ikea-addicted retired couple who are on a never-ending hunt for fixer-uppers to hide the fact that they don’t know how to fix their own failing marriage. Julia and Ro are a young lesbian couple and soon-to-be parents who are nervous about their chances for a successful life together since they can’t agree on anything. And there’s Estelle, an eighty-year-old woman who has lived long enough to be unimpressed by a masked bank robber waving a gun in her face. And despite the story she tells them all, Estelle hasn’t really come to the apartment to view it for her daughter, and her husband really isn’t outside parking the car.As police surround the premises and television channels broadcast the hostage situation live, the tension mounts and even deeper secrets are slowly revealed. Before long, the robber must decide which is the more terrifying prospect: going out to face the police, or staying in the apartment with this group of impossible people.Rich with Fredrik Backman’s “pitch-perfect dialogue and an unparalleled understanding of human nature” (Shelf Awareness), Anxious People’s whimsical plot serves up unforgettable insights into the human condition and a gentle reminder to be compassionate to all the anxious people we encounter every day.

    There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.

    Then he wrote a novel savaging everything in town, a novel that became a national bestseller and a huge hit movie. Fifteen years later, Joe is struggling to avoid the sophomore slump with his next novel when he gets a call: his father's had a stroke, so it's back to Bush Falls for the town's most famous pariah. His brother avoids him, his former classmates beat him up, and the members of the book club just hurl their copies of Bush Falls at his house. But with the help of some old friends, Joe discovers that coming home isn't all bad--and that maybe the best things in life are second chances.Fans of Nick Hornby and Jennifer Weiner will love this book, by turns howling funny, fiercely intelligent, and achingly poignant. As evidenced by The Book of Joe's success in both the foreign and movie markets, Jonathan Tropper has created a compelling, incredibly resonant story.

    And brings with him a Christmas message to deliver to his best friend's sister, Kelly Coburn. But seeing Kelly again brings back all the old feelings – and reminds him of the one-night stand they shared just before he left. Still, a camera crew is there to capture every moment of his momentous homecoming, so now isn't the time to relive the past. That is, until he learns Kelly's had her own delivery in his absence: beautiful baby Noel, Gabe's daughter!Originally published in 2014.