She knows what thrills, angers, and motivates them, and she shares the secrets that spill out from under hair dryers with heartbreaking and often hilarious candor. At Blessings, Patricia Brown's Los Angeles salon, we listen in on the dish and the drama and get real with the four unforgettable women who work there. Pat is the owner and matriarch of the salon, and she presides over Blessings with a kind but commanding air-- preventing fiery arguments, smoothing over conflicts, and lending a sympathetic ear to those who need it. But she may never get a chance to be a mother of her own children. After discovering she is infertile, she embarks on a mission to adopt a child, but learns that the process is filled with more anguish than she expected.Zuma is Blessings' star stylist, and she knows it. This brash diva is a self-described superwoman committed to making her dream of being both a businesswoman and a mom come true. She's got so much confidence that she has vowed to get artificially inseminated if she doesn't find Mr. Right soon-- and she secretly hopes that this will eradicate the indescribable sorrow lingering from the abortion she had years ago.Faye, another stylist, can't quite forget the memory of her late husband. Lonely and overweight, she turns to food to dull the pain of raising her two children alone. Her daughter has grown up into an explosive young woman, and her little boy is learning the hard way how to survive in the world without a dad. But companionship and support will come along when she's least expecting it.Sandy, the manicurist, is still searching for her own fulfillment and can't be bothered with the needs of her two small kids. Though she makes no apologies for her highly neglectful mothering, she ultimately makes a mother's biggest sacrifice.Written with Jackson's trademark skill and sass, "Blessings" paints a deeply moving picture of female struggle and triumph. As Pat, Zuma, Faye, and Sandy laugh, weep, argue, and console each other, Jackson reveals the priceless, inextricable bond between motherhood and sisterhood, and shows why she's become a beloved chronicler of the hearts and minds of women.

    It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they and she will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age and reveals the extent of her power, they see her as the key to their plans. But when she begins to understand her own feelings and desires and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman in Jamaica, and risks becoming the conspiracy's weak link. Lilith's story overflows with high drama and heartbreak, and life on the plantation is rife with dangerous secrets, unspoken jealousies, inhuman violence, and very human emotion between slave and master, between slave and overseer, and among the slaves themselves. Lilith finds herself at the heart of it all. And all of it told in one of the boldest literary voices to grace the page recently--and the secret of that voice is one of the book's most intriguing mysteries.

    Originally published in 1946 and hailed by critics as a masterwork, The Street was Ann Petry's first novel, a beloved bestseller with more than a million copies in print. Its haunting tale still resonates today.

    For an enslaved mother, daughter, and grandmother, Montpelier plantation in Virginia is a living hell- and the proprietor, at least initially, is none other than President James Madison. A Long Way from Home opens during Madison's lifetime, when Susie and her daughter Clara serve the First Couple as house slaves. Yet even this regime seems civilized compared to the havoc unleashed by Madison's brutal stepson. As Clara fends off (and ultimately succumbs to) the sexual advances of one master after another, the author conjures up the entire world of the "peculiar institution."It is Susie's granddaughter and namesake, Susan, who first leaves Montpelier. Not, of course, voluntarily: she is sold to a family living in Richmond. Chained in the back of a departing wagon, she "clenched her teeth and stared at the sky. How dare the day be so clear, so beautiful, on this, the worst day of her life." But as the Civil War erupts, Susan ponders the possibility of a more joyous liberation. As Briscoe makes clear, the prospect elicited a complex blend of emotions from many slaves- Susan, for example, has been lulled into considering herself a part (if a diminished part) of her white master's family. A Long Way from Home does occasionally fall back on the pat formulas of the television miniseries, and Briscoe doesn't manage to quite ignite Susan's conflicted feelings about bondage and freedom. But Susan's postwar travails do convey the reality that Reconstruction was not only a political process but also a painfully personal one. --Katherine Anderson

    For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm—and into Edgar's mother's affections. Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires—spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward. David Wroblewski is a master storyteller, and his breathtaking scenes—the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain—create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.

    The Emperor of Ocean Park is set in two privileged worlds: the upper crust African American society of the eastern seaboard--old families who summer on Martha's Vineyard--and the inner circle of an Ivy League law school. It tells the story of a complex family with a single, seductive link to the shadowlands of crime.The Emperor of the title, Judge Oliver Garland, has just died, suddenly. A brilliant legal mind, conservative and famously controversial, Judge Garland made more enemies than friends. Many years before, he'd earned a judge's highest prize: a Supreme Court nomination. But in a scene of bitter humiliation, televised across the country, his nomination collapsed in scandal. The humbling defeat became a private agony, one from which he never recovered.But now the Judge's death raises, even more, questions--and it seems to be leading to a second, even more, terrible scandal. Could Oliver Garland have been murdered? He has left a strange message for his son Talcott, a professor of law at a great university, entrusting him with "the arrangements"--a mysterious puzzle that only Tal can unlock, and only by unearthing the ambiguities of his father's past. When another man is found dead, and then another, Talcott--wry, straight-arrow, almost too self-aware to be a man of action--must risk his career, his marriage, and even his life, following the clues his father left him.Intricate, superbly written, often scathingly funny, The Emperor of Ocean Park is a triumphant work of fiction, packed with character and incident--a brilliantly crafted tapestry of ambition, family secrets, murder, integrity tested, and justice has gone terribly wrong.

    After the death of her father, fourteen year old Kala, an exceptional student who dreams about the future before it happens, takes on the responsibility of raising three younger brothers and a sister while struggling to survive the "concrete jungle" they call home. Kala, who will do anything to save her siblings from suffering, comes up with a plan to keep them together amidst the challenges of poverty, government interference, and a drug addicted mother. When one of the eight years old twin boys begins to set deadly fires and is saved from the police by their bank robbing neighbor, Kala finds in him a friend and confidante. Their lives continue to unravel after their mother is killed, but Aunt Charlie, their gay, ex-marine corps uncle, arrives just in time to rescue the family and to show Kala that true parental love really does exist.Kevin Hart (comedian, actor, writer), Charles Fuller (Pulitzer Prize winning playwright), and Leslie Esdaile Banks (author of the Vampire Huntress Series), all love – “Fish and Grits” – the first novel by independent publisher and author, Tina Smith-Brown.

    When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, drifters, and misfits, a second-rate circus struggling to survive during the Great Depression, making one-night stands in town after endless town. A veterinary student who almost earned his degree, Jacob is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. Beautifully written, Water for Elephants is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.

    The novel begins as ?The Great War? is coming to an end. As Robert Parker?s body is lowered into the grave, Herman Camm introduces himself to the mourning family. He is a beady-eyed, small-framed, well-dressed man with a mysterious stare?and he is about to drastically change the lives of three women: Mae Lou Parker; her daughter, Carrie; and Pearl Brown. On Christmas Eve in Jefferson County, Virginia, trouble arrives when Carrie reveals a disturbing secret that will haunt and change their lives forever. Mae Lou is fed up with Herman spending time with other women and she goes to confront him. Everybody wants a part of him, including Willie; however, the tables are slightly turned when Willie ends up with a gun pointing directly at him. All of the stories converge when Herman is found dead from a shotgun wound. There are many people Herman has offended. And all three women are suspects in his murder. An investigation is launched. But no one really cares, including the police. Blackberry Days of Summer is a brilliantly crafted story of family secrets, complexity and the courage of forgiveness.

    Benji Cooper is one of the only black students at an elite prep school in Manhattan. He spends his falls and winters going to roller-disco bar mitzvahs, playing too much Dungeons and Dragons, and trying to catch glimpses of nudity on late-night cable TV. After a tragic mishap on his first day of high school—when Benji reveals his deep enthusiasm for the horror movie magazine Fangoria—his social doom is sealed for the next four years. But every summer, Benji escapes to the Hamptons, to Sag Harbor, where a small community of African American professionals have built a world of their own. Because their parents come out only on weekends, he and his friends are left to their own devices for three glorious months. And although he’s just as confused about this all-black refuge as he is about the white world he negotiates the rest of the year, he thinks that maybe this summer things will be different. If all goes according to plan, that is. There will be trials and tribulations, of course. There will be complicated new handshakes to fumble through, and state-of-the-art profanity to master. He will be tested by contests big and small, by his misshapen haircut (which seems to have a will of its own), by the New Coke Tragedy of ’85, and by his secret Lite FM addiction. But maybe, with a little luck, things will turn out differently this summer.In this deeply affectionate and fiercely funny coming-of-age novel, Whitehead—using the perpetual mortification of teenage existence and the desperate quest for reinvention—lithely probes the elusive nature of identity, both personal and communal.

    After Pete's mother abandoned him, Wayne's family took him in and treated him as their own son. Through adolescence, college, medical school, and in their shared orthopedics practice, Pete and Wayne have lived their entire lives as best friends -- as brothers. And as brothers, they have always been rivals when it came to women.The fateful night when Carla walks into the bar where Pete and Wayne are having drinks brings Wayne his customary, more fortunate, luck with the ladies. Even though Pete spotted her first, it is Wayne who seals the deal, and soon enough, Wayne and Carla are engaged. But Wayne's need for one last conquest tempts him into bed with another woman, and the ensuing guilt leads him to confide in his best friend -- a mistake that will haunt the three of them forever.Jealous of his friend's relationship, Pete tells Carla of Wayne's infidelity and provides more than just a friendly shoulder to cry on. As a result, Carla leaves Wayne and further breaks his heart by accepting Pete's marriage proposal only one year later.Just when old friends seem to be finally settling down with their choices, old feelings surreptitiously sneak to the surface, and a rift between husband and wife leads Pete astray and drives Carla into the most familiar arms she can find. In the ensuing days, tensions erupt, and relationships, already tenuous, begin to break down. Finally, guilt, lust, and redemption come together in a heartbreaking and tragic love triangle, and Pete, Wayne, and Carla are forced to face the consequences of decisions that may end up being their last."Do You Take This Woman?" is a sexy blend of friendship and romance that will take you on a startlingly real and emotional roller-coaster ride of betrayal, sex, lies, and, ultimately, love.

    Two sisters--a doctor's wife and an actress--inherit a house in Prosper, North Carolina, and begin to dredge up a past of tangled relationships.

    The sisters are so close that they have created a private language, yet to the outside world they can't be sisters: Birdie appears to be white, while Cole is dark enough to fit in with the other kids at the Afrocentric school they attend. For Birdie, Cole is the mirror in which she can see her own blackness. Then their parents' marriage falls apart. Their father's new black girlfriend won't even look at Birdie, while their mother gives her life over to the Movement: at night the sisters watch mysterious men arrive with bundles shaped like rifles.One night Birdie watches her father and his girlfriend drive away with Cole—they have gone to Brazil, she will later learn, where her father hopes for a racial equality he will never find in the States. The next morning—in the belief that the Feds are after them—Birdie and her mother leave everything behind: their house and possessions, their friends, and—most disturbing of all—their identity. Passing as the daughter and wife of a deceased Jewish professor, Birdie and her mother finally make their home in New Hampshire.Desperate to find Cole, yet afraid of betraying her mother and herself to some unknown danger, Birdie must learn to navigate the white world—so that when she sets off in search of her sister, she is ready for what she will find. At once a powerful coming-of-age story and a groundbreaking work on identity and race in America, "Caucasia deserves to be read all over" (Glamour).

    Inspired by a brief passage in Moby Dick, it is the story of Una, exiled as a child to live in a lighthouse, removed from the physical and emotional abuse of a religion-mad father. It is the romantic adventure of a young woman setting sail in a cabin boy's disguise to encounter darkness, wonder, and catastrophe; the story of a devoted wife who witnesses her husband's destruction by obsession and madness. Ultimately it is the powerful and moving story of a woman's triumph over tragedy and loss through her courage, creativity, and intelligence.

    There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family’s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred–who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna’s and Callum’s love, as well as their friendship with Manfred–assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century’s greatest tragedies–while creating, perhaps, a masterpiece that will haunt readers for generations.