But all Halinka has is herself, a blanket from her beloved Aunt Lou, and a secret notebook where she holds her sayings. Just as she is losing hope of ever finding a home, and forgetting all she once loved, Halinka sees something that reminds her that everyone needs some beauty in their lives, like they need air, or food . . . and maybe a friend. But for that, Halinka would have to share her thoughts, secrets, and maybe even her memories. And she's not sure if she can afford to lose that much.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    It's Burglar Bill.Burglar Bill lives all by himself in a tall house full of stolen property. Every night (after eating his stolen fish and chips) he goes out to work... stealing things. But one day, Burglar Bill steals something very unexpected indeed! The Janet and Allan Ahlberg classic is the perfect bedtime story for all little readers everywhere. Allan Ahlberg has published over 100 children's books and with his late wife Janet, created many classics such as:The Jolly Postman Cops and RobbersFunnybonesEach Peach Pear PlumPeepo!

    From an acorn of an idea about a real-life good Samaritan of yesteryear, the author has crafted a satisfying, if occasionally painful, novel that spans the lives of several fortunate and unfortunate young people of the day.The author has researched her backdrop very well, and the atmospheric sights and sounds of the time are both vivid and captivating. Readers will smell the dirty streets and close-living of urban London, revel in the summer splendour of the finest country houses and then flinch when the harshness of life for the poorest souls is revealed in uncomfortable detail.For in the late 1700s your circumstance of birth meant everything. Toby and Aaron may both find themselves living at Captain Thomas Coram's Hospital for parentless children, but their histories are as far apart as they could possibly be. Toby has been rescued from a life of slave labour in a faraway country; Aaron is the illegitimate son of the heir to a large country estate. They are watched over by Mish--a simple soul who has been with them since their arrival. His devotion to them is absolute, but his motives are not altogether straightforward. Could this curious man really be Meshak, the son of a wicked child-killer who was hanged at the gallows for his crimes?Coram Boy is a glorious web of changing fortunes and subtle intrigues. There is tragedy and corruption, hope and evil. Sometimes brutal and sometimes unceasingly bleak, the genre of historical fiction has rarely been this good. It's undoubtedly the kind of book that wins awards. (Age 12 and over) --John McLay

    Can Hiccup do it without being torn limb from limb?Join his adventures and misadventures as he finds a new way to train dragons--and becomes a hero. This action-packed, hilarious, and perfectly illustrated novel is a modern classic beloved by millions across the globe.

    Four ordinary things lead the Watson children on an extraordinary adventure to a magical land called Elidor. In pursuit of four ancient treasures, the forces of evil have crossed over into our world, and it falls to the Watson children to find the treasures, seal the bridge between worlds, and guard the strayed unicorn Findhorn . . . even though their heroism may cost them everything.

    But when one of them decides to go and explore and doesn't return, it's up to the remaining three to build a boat and set out to find him. This is the story of the gnomes' epic journey in search of Cloudberry and is set against the background of the English countryside, beginning in spring, continuing through summer, and concluding in autumn, when the first frosts are starting to arrive. First published in 1942, this book is still fondly remembered and well-loved by readers everywhere.This edition includes the original black and white illustrations by the author.

    While visiting Conshelf Ten, an underwater colony on Earth, a young Moon boy becomes involved with dissident Gillmen whose plans threaten the whole world.

    Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world.

    Then came the Carpet . . . That’s the old story everyone knows and loves. But now the Carpet is home to many different tribes and peoples, and there’s a new story in the making. The story of Fray, sweeping a trail of destruction across the Carpet. The story of power-hungry mouls—and of two brothers who set out on an adventure to end all adventures when their village is flattened.It’s a story that will come to a terrible end—if someone doesn't do something about it. If everyone doesn’t do something about it . . .First published in 1971, this hilarious and wise novel marked the debut of the phenomenal Sir Terry Pratchett. Years later, Sir Terry revised the work, and this special collectable edition includes the updated text, his original color and black-and-white illustrations, and an exclusive story—a forerunner to The Carpet People created by the seventeen-year-old nascent writer who would become one of the world's most beloved storytellers.

    When she was young, and had been first taught the art of conjuring by the necromancer, her father, she was always practicing her skill, whizzing about from one kingdom to another upon her black stick, and conferring her fairy favors upon this Prince or that.

    Shortly after his family moves to the Norfolk countryside, Andrew is befriended by a local boy with a passion for airplanes.

    There was a baby in it."So ten-year-old Maria, orphaned mistress of Malplaquet, discovers the secret of her deteriorating estate: on a deserted island at its far corner, in the temple long ago nicknamed Mistress Masham's Repose, live an entire community of people—"The People," as they call themselves—all only inches tall. With the help of her only friend—the absurdly erudite Professor—Maria soon learns that this settlement is no less than the kingdom of Lilliput (first seen in Gulliver's Travels) in exile. Safely hidden for centuries, the Lilliputians are at first endangered by Maria's well-meaning but clumsy attempts to make their lives easier, but their situation grows truly ominous when they are discovered by Maria's greedy guardians, who look at The People and see only a bundle of money.

    When the Phonies move into 45 Stella Street, the neighborhood is in for a shake-up, explains Henni. Former occupant Auntie Lillie's open-door welcome becomes Mr. and Mrs. Phonies' magazine house of swanky new appliances. Keep Away! The Phonies, through their attorneys, launch an artillery of snottily outrageous letters at the freindly folks at 47 Stella Street, complaining about garbage, blocked driveways, and a magenta fence! Zev, Henni, Danielle and Frank feel as if the sun has stopped shining on Stella Street. When the kids are called in for questioning, they decide to do a little detective work of their own.

    Under his careful watch, the "Twelves" come to life, each possessing a name and a distinct personality. As Max soon learns, they share a history filled with incident and adventure -- all an imaginative legacy of the famous Brontës (Branwell, Charlotte, Emily, Anne), who were the soldiers' original owners. In its mix of invention, excitement, character, and literary history, The Return of the Twelves occupies a rare place in children's literature. Its gripping narrative and engaging figures make it perfect for young readers of ten and up.